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xvii ÆäÀÌÁö
Stand upon terms " and " stand upon points " are both in Q ; the last only is preserved . Both are used by Greene , but are not peculiar to him , and little in it can be his . The stereotyped expressions , " well I wot ( 82 ) , " salve ...
Stand upon terms " and " stand upon points " are both in Q ; the last only is preserved . Both are used by Greene , but are not peculiar to him , and little in it can be his . The stereotyped expressions , " well I wot ( 82 ) , " salve ...
xxiii ÆäÀÌÁö
When we came to 2 Henry VI . , True Tragedy and 3 Henry VI . , all these betrayed familiarity with The Spanish Tragedy ; this deduction gives a useful standing - ground . I am inclined to think some space of time ...
When we came to 2 Henry VI . , True Tragedy and 3 Henry VI . , all these betrayed familiarity with The Spanish Tragedy ; this deduction gives a useful standing - ground . I am inclined to think some space of time ...
xxiv ÆäÀÌÁö
Let us see how it stands with regard to this later play of Kyd's and our quintet . Soliman and Perseda , with the ex- cellent . Basilisco and Piston , the former referred to by Shake- speare in King John , was a very popular play .
Let us see how it stands with regard to this later play of Kyd's and our quintet . Soliman and Perseda , with the ex- cellent . Basilisco and Piston , the former referred to by Shake- speare in King John , was a very popular play .
xlv ÆäÀÌÁö
And Henry VIII . stand on a ... point . 2 Henry VI . 1. i . 216 ; True Tragedy ( at 3 Henry VI . IV . viii . 27 , " upon " ) ; 3 Henry VI . Iv . vii . 58. And Mid- summer Night's Dream . sumptuous . 1 Henry VI . v . i .
And Henry VIII . stand on a ... point . 2 Henry VI . 1. i . 216 ; True Tragedy ( at 3 Henry VI . IV . viii . 27 , " upon " ) ; 3 Henry VI . Iv . vii . 58. And Mid- summer Night's Dream . sumptuous . 1 Henry VI . v . i .
xlvii ÆäÀÌÁö
And in Richard III . stand ... stay . not to expostulate . let's go .. make speed . • Contention ( at 2 Henry VI . v . ii . 72 ) ; True Tragedy ; 3 Henry VI . II . v . 135. And in Two Gentlemen of Verona . thickest throng .
And in Richard III . stand ... stay . not to expostulate . let's go .. make speed . • Contention ( at 2 Henry VI . v . ii . 72 ) ; True Tragedy ; 3 Henry VI . II . v . 135. And in Two Gentlemen of Verona . thickest throng .
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66 ÆäÀÌÁö - Would I were dead! if God's good will were so; For what is in this world but grief and woe? O God! methinks, it were a happy life, To be no better than a homely swain; To sit upon a hill, as I do now, To carve out dials quaintly, point by point, Thereby to see the minutes how they run: How many make the hour full complete, How many hours bring about the day, How many days will finish up the year, How many years a mortal man may live.
95 ÆäÀÌÁö - I can add colours to the chameleon, Change shapes with Proteus for advantages, And set the murderous Machiavel to school.
165 ÆäÀÌÁö - The bird that hath been limed in a bush, With trembling wings misdoubteth every bush : And I, the hapless male to one sweet bird, Have now the fatal object in my eye, Where my poor young was lim'd, was caught, and kill'd.