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... and the sus- picion that all were really printed in 1619 , see A. W. Pollard , Shakespeare Folios and Quartos , etc. Methuen , 1909. R. H. C. ] 1,771 lines were written by some author who preceded Shakespeare viii THE THIRD PART OF.
... and the sus- picion that all were really printed in 1619 , see A. W. Pollard , Shakespeare Folios and Quartos , etc. Methuen , 1909. R. H. C. ] 1,771 lines were written by some author who preceded Shakespeare viii THE THIRD PART OF.
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Scene viii . Follows vi . in Q. With the reappear- ance of Warwick and King Henry some touches of poetry also appear in the finished play . This scene of sixty - four lines represents twenty - eight in Q , which is all a speech of ...
Scene viii . Follows vi . in Q. With the reappear- ance of Warwick and King Henry some touches of poetry also appear in the finished play . This scene of sixty - four lines represents twenty - eight in Q , which is all a speech of ...
xxi ÆäÀÌÁö
Interval ; Day 12 , Act IV . scene vi . Interval ; Day 13 , Act IV . scene vii . Interval ; Day 14 , Act IV . scene viii . Interval ; Day 15 , Act IV . scene viii . ( 1. 53 to end . Bishop's Palace scene ) KING HENRY THE SIXTH xxi.
Interval ; Day 12 , Act IV . scene vi . Interval ; Day 13 , Act IV . scene vii . Interval ; Day 14 , Act IV . scene viii . Interval ; Day 15 , Act IV . scene viii . ( 1. 53 to end . Bishop's Palace scene ) KING HENRY THE SIXTH xxi.
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And Henry VIII . stand on a ... point . 2 Henry VI . 1. i . 216 ; True Tragedy ( at 3 Henry VI . IV . viii . 27 , " upon " ) ; 3 Henry VI . Iv . vii . 58. And Mid- summer Night's Dream . sumptuous . 1 Henry VI . v . i .
And Henry VIII . stand on a ... point . 2 Henry VI . 1. i . 216 ; True Tragedy ( at 3 Henry VI . IV . viii . 27 , " upon " ) ; 3 Henry VI . Iv . vii . 58. And Mid- summer Night's Dream . sumptuous . 1 Henry VI . v . i .
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IV . viii . 41 ; True Tragedy ( at 3 Henry VI . 1. ii . 4 ) . come let's go . Contention ( end of 11. ii . , 2 Henry VI . ) ; ( end of I. iv . ) ; ( II . i . 330 ) ; ( end of Iv . i . ) ; True Tragedy , at end of 1. ii .
IV . viii . 41 ; True Tragedy ( at 3 Henry VI . 1. ii . 4 ) . come let's go . Contention ( end of 11. ii . , 2 Henry VI . ) ; ( end of I. iv . ) ; ( II . i . 330 ) ; ( end of Iv . i . ) ; True Tragedy , at end of 1. ii .
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arms battle bear blood brother called Clar Clarence Clif Clifford common Compare Contention Continuation crown death doth Duke earlier Edward Enter erle Exeunt expression eyes Faerie Queene father fear field fight follow France friends give Glou Gloucester Greene Hall hand hast hath head hear heart hence Henry VI hope John King King Edward King Henry Kyng later leave live London looks Lord March Margaret Marlowe mean mind Montague never occurs omitted Q once Oxford passage Peele play poor Prince Quarto Queene quoted reference rest Rich Richard scene Shake Shakespeare soldiers Spanish Tragedy speak speech Spenser stand stay sweet sword Tamburlaine tears tell thee thou thought True Tragedy unto viii Warwick York
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66 ÆäÀÌÁö - Would I were dead! if God's good will were so; For what is in this world but grief and woe? O God! methinks, it were a happy life, To be no better than a homely swain; To sit upon a hill, as I do now, To carve out dials quaintly, point by point, Thereby to see the minutes how they run: How many make the hour full complete, How many hours bring about the day, How many days will finish up the year, How many years a mortal man may live.
95 ÆäÀÌÁö - I can add colours to the chameleon, Change shapes with Proteus for advantages, And set the murderous Machiavel to school.
165 ÆäÀÌÁö - The bird that hath been limed in a bush, With trembling wings misdoubteth every bush : And I, the hapless male to one sweet bird, Have now the fatal object in my eye, Where my poor young was lim'd, was caught, and kill'd.