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It is difficult to peruse the annals of this turbulent and calamitous reign, without feeling some astonishment at the contrast which is exhibited between their literary and their political character. It is true that the preceding reign, however inglorious to the monarch, and disgraceful to the military reputation of the country, had been highly favourable to the growth of our national wealth and prosperity, to the increase of comforts, and even of luxury, as well as to the diffusion of knowledge.
The minds of men, continually irritated by the pretensions, and emboldened by the weakness of the crown, had been habituated to discuss the most important interests of society; and in the progress of the dispute under Charles I. every passion was awakened, and an enthusiastic love of liberty was opposed to a spirit of loyalty almost equally enthusiastic. Such a period, therefore, might reasonably be expected to be propitious to the growth of genius; and we are not surprised that the scholastic pedantry of the former age should have given place to a more rational and manly style, equally adapted to the sublime conoeptions of Milton, to the various and sparkling imagination of Cowley, and to the wit and sagacity of Butler.
But it is very remarkable, that the general characteristics of the poetry composed during this period are such as indicate a very high degree of refinement; a curious and elaborate selection of words and images, a nice arrangement of versification, and a tone of gallantry so easy and playful, that we should suspect the writers of having formed their compositions amidst the peaceful splendour and luxury of Versailles, rather than at the court or in the camp of a prince, who passed from the throne to the scaffold through a continued series of anxiety and struggle.
In fact, Charles I. though generally in embarrassed, and often in necessitous circumstances, was always the active and liberal patron of literature, as well as of the fine arts, all of which he loved, and perfectly understood. “During the prospe
rous state of the king's affairs (says lord Orford, “ Hist. Paint. Vol. II. p. 147) the pleasures of 66 the court were carried on with much taste and
magnificence. Poetry, painting, music, and ar4 chitecture, were all called in to make them
rational amusements; and I have no doubt but “ the celebrated festivals of Louis XIV, were copied