The Writing and Reading of VerseD. Appleton, 1923 - 327페이지 |
도서 본문에서
25개의 결과 중 1 - 5개
97 페이지
... refrain lines or refrain stanzas ; the less obvious ornaments of allit- eration , assonance , onomatopoeia ; and the extremely sub- tle effects of vowel and consonantal sequence . The use of rime and assonance at the ends of lines was ...
... refrain lines or refrain stanzas ; the less obvious ornaments of allit- eration , assonance , onomatopoeia ; and the extremely sub- tle effects of vowel and consonantal sequence . The use of rime and assonance at the ends of lines was ...
100 페이지
... refrain lines and lines with repeated phrases . Poe's use of repetition is distinctive , so distinctive , in fact , that an imitation of it suggests parody . In several of his best known poems he brings together in each stanza two lines ...
... refrain lines and lines with repeated phrases . Poe's use of repetition is distinctive , so distinctive , in fact , that an imitation of it suggests parody . In several of his best known poems he brings together in each stanza two lines ...
101 페이지
... refrain may be a line which fits naturally as a conclusion to the thought of each stanza , and so makes for a greater structural unity . George Wither's Shall I wasting in despair ? is an illustration of how lyrical structure may be ...
... refrain may be a line which fits naturally as a conclusion to the thought of each stanza , and so makes for a greater structural unity . George Wither's Shall I wasting in despair ? is an illustration of how lyrical structure may be ...
102 페이지
... refrain after lines of different purport is one of the essential structural characteristics of the Old French forms ... refrains are always identical lines , but in other verse types slight variations , like those in the examples just ...
... refrain after lines of different purport is one of the essential structural characteristics of the Old French forms ... refrains are always identical lines , but in other verse types slight variations , like those in the examples just ...
103 페이지
... refrains in unrimed verse serve the same purpose as those in rimed stanzas - to bind together the poetic form by the repetition of both sound and meaning . There is also a type of refrain in which the meaning is unimportant . In these ...
... refrains in unrimed verse serve the same purpose as those in rimed stanzas - to bind together the poetic form by the repetition of both sound and meaning . There is also a type of refrain in which the meaning is unimportant . In these ...
기타 출판본 - 모두 보기
자주 나오는 단어 및 구문
alexandrine Alfred Noyes alliteration anapestic antistrophe ballade blank verse Browning century cesura Chapter consonants couplet dactylic dactylic movement dimeter direct attack dissyllabic divisions duple duple rhythm duple-triple rhythm effect emphasis English verse enjambment example extra accents eyes foot four free verse give heptameter heroic hexameter iambic movement iambic pentameter iambic-anapestic imitative Keats light stresses line stanzas melody meter metrical metrist Milton monotony night o'er occur octameter odes Paradise Lost passage pause pentameter phrasing Pindaric poem poetry poets Pope quatrains quoted reader refrain repetition rhythmical pattern rhythmical prose rime scheme Rossetti scansion sense Shelley Song sonnet sound stanza stanza form sweet Swinburne Swinburne's syllables Tennyson tetrameter thee thou thought tone-color trimeter triple rhythm trisyllabic feet trochaic trochaic movement tune unrimed unstressed syllable variation varied vers libre vowel wind words writing written X X X X X
인기 인용구
305 페이지 - I BRING fresh showers for the thirsting flowers, From the seas and the streams ; I bear light shade for the leaves when laid In their noonday dreams. From my wings are shaken the dews that waken The sweet buds every one, When rocked to rest on their mother's breast, As she dances about the sun.
82 페이지 - Tears, idle tears, I know not what they mean, Tears from the depth of some divine despair Rise in the heart, and gather to the eyes, In looking on the happy Autumn-fields, And thinking of the days that are no more.
98 페이지 - Thou wilt not leave us in the dust: Thou madest man, he knows not why, He thinks he was not made to die; And thou hast made him: thou art just.
100 페이지 - THE skies they were ashen and sober; The leaves they were crisped and sere, The leaves they were withering and sere; It was night in the lonesome October Of my most immemorial year ; It was hard by the dim lake of Auber, In the misty mid region of Weir: It was down by the dank tarn of Auber, In the ghoul-haunted woodland of Weir.
313 페이지 - When did music come this way? Children dear, was it yesterday? Children dear, was it yesterday (Call yet once) that she went away? Once she sate with you and me, On a red gold throne in the heart of the sea, And the youngest sate on her knee. She combed its bright hair, and she tended it well, When down swung the sound of a far-off bell.
88 페이지 - Ah, distinctly I remember it was in the bleak December, And each separate dying ember wrought its ghost upon the floor. Eagerly I wished the morrow; vainly I had sought to borrow From my books surcease of sorrow — sorrow for the lost Lenore, For the rare and radiant maiden whom the angels name Lenore, Nameless here for evermore.
229 페이지 - A Sonnet is a moment's monument, — Memorial from the Soul's eternity To one dead deathless hour. Look that it be. Whether for lustral rite or dire portent, Of its own arduous fulness reverent : Carve it in ivory or in ebony, As Day or Night may rule ; and let Time see Its flowering crest impearled and orient. A Sonnet is a coin : its face reveals The soul, — its converse, to what Power 'tis due ; — Whether for tribute to the august appeals Of Life, or dower in Love's high retinue.
153 페이지 - When Earth's last picture is painted, and the tubes are twisted and dried, When the oldest colors have faded, and the youngest critic has died, We shall rest, and, faith, we shall need it — lie down for an aeon or two, Till the Master of All Good Workmen shall set us to work anew!
128 페이지 - I CHATTER over stony ways, In little sharps and trebles, I bubble into eddying bays, I babble on the pebbles. With many a curve my banks I fret By many a field and fallow, And many a fairy foreland set With willow-weed and mallow.
312 페이지 - COME, dear children, let us away; Down and away below! Now my brothers call from the bay, Now the great winds shoreward blow, Now the salt tides seaward flow; Now the wild white horses play, Champ and chafe and toss in the spray. Children dear, let us away! This way, this way! Call her once before you go. — Call once yet! In a voice that she will know: "Margaret! Margaret!