The Writing and Reading of VerseD. Appleton, 1923 - 327페이지 |
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24 페이지
... thee , That for ages of | agony hast en- | dured , and slept , 10 And wouldst not see . A possible reading of a line in the third stanza of Dryden's Song for St. Cecilia's Day employs a foot of even six syllables . This , however , is a ...
... thee , That for ages of | agony hast en- | dured , and slept , 10 And wouldst not see . A possible reading of a line in the third stanza of Dryden's Song for St. Cecilia's Day employs a foot of even six syllables . This , however , is a ...
42 페이지
... thee yet in form as palpable As This which now I draw . Thou marshallst me the way That I was going . ( Macbeth , II . ) This breaking the metrical pattern with a short line is rarely found except in dramatic verse . The introduction of ...
... thee yet in form as palpable As This which now I draw . Thou marshallst me the way That I was going . ( Macbeth , II . ) This breaking the metrical pattern with a short line is rarely found except in dramatic verse . The introduction of ...
43 페이지
... thee in the image of God . ( Paradise Lost , VII , 527. ) You do look , my son , in a moved sort . ( The Tempest . ) When steel grows soft as the parasite's silk . By the waters of life where'er they sat . ( Coriolanus . ) ( Paradise ...
... thee in the image of God . ( Paradise Lost , VII , 527. ) You do look , my son , in a moved sort . ( The Tempest . ) When steel grows soft as the parasite's silk . By the waters of life where'er they sat . ( Coriolanus . ) ( Paradise ...
63 페이지
... thee from the snare of the fowler , and from the noisome pestilence . 4. He shall cover thee with his feathers , and under his wings shalt thou trust ; his truth shall be thy shield and buckler . 5. Thou shalt not be afraid for the ...
... thee from the snare of the fowler , and from the noisome pestilence . 4. He shall cover thee with his feathers , and under his wings shalt thou trust ; his truth shall be thy shield and buckler . 5. Thou shalt not be afraid for the ...
64 페이지
... thee , neither shall any plague come nigh thy dwelling . 11. For he shall give his angels charge over thee , to keep thee in all thy ways . 12. They shall bear thee up in their hands , lest thou dash thy foot against a stone . 13. Thou ...
... thee , neither shall any plague come nigh thy dwelling . 11. For he shall give his angels charge over thee , to keep thee in all thy ways . 12. They shall bear thee up in their hands , lest thou dash thy foot against a stone . 13. Thou ...
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alexandrine Alfred Noyes alliteration anapestic antistrophe ballade blank verse Browning century cesura Chapter consonants couplet dactylic dactylic movement dimeter direct attack dissyllabic divisions duple duple rhythm duple-triple rhythm effect emphasis English verse enjambment example extra accents eyes foot four free verse give heptameter heroic hexameter iambic movement iambic pentameter iambic-anapestic imitative Keats light stresses line stanzas melody meter metrical metrist Milton monotony night o'er occur octameter odes Paradise Lost passage pause pentameter phrasing Pindaric poem poetry poets Pope quatrains quoted reader refrain repetition rhythmical pattern rhythmical prose rime scheme Rossetti scansion sense Shelley Song sonnet sound stanza stanza form sweet Swinburne Swinburne's syllables Tennyson tetrameter thee thou thought tone-color trimeter triple rhythm trisyllabic feet trochaic trochaic movement tune unrimed unstressed syllable variation varied vers libre vowel wind words writing written X X X X X
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305 페이지 - I BRING fresh showers for the thirsting flowers, From the seas and the streams ; I bear light shade for the leaves when laid In their noonday dreams. From my wings are shaken the dews that waken The sweet buds every one, When rocked to rest on their mother's breast, As she dances about the sun.
82 페이지 - Tears, idle tears, I know not what they mean, Tears from the depth of some divine despair Rise in the heart, and gather to the eyes, In looking on the happy Autumn-fields, And thinking of the days that are no more.
98 페이지 - Thou wilt not leave us in the dust: Thou madest man, he knows not why, He thinks he was not made to die; And thou hast made him: thou art just.
100 페이지 - THE skies they were ashen and sober; The leaves they were crisped and sere, The leaves they were withering and sere; It was night in the lonesome October Of my most immemorial year ; It was hard by the dim lake of Auber, In the misty mid region of Weir: It was down by the dank tarn of Auber, In the ghoul-haunted woodland of Weir.
313 페이지 - When did music come this way? Children dear, was it yesterday? Children dear, was it yesterday (Call yet once) that she went away? Once she sate with you and me, On a red gold throne in the heart of the sea, And the youngest sate on her knee. She combed its bright hair, and she tended it well, When down swung the sound of a far-off bell.
88 페이지 - Ah, distinctly I remember it was in the bleak December, And each separate dying ember wrought its ghost upon the floor. Eagerly I wished the morrow; vainly I had sought to borrow From my books surcease of sorrow — sorrow for the lost Lenore, For the rare and radiant maiden whom the angels name Lenore, Nameless here for evermore.
229 페이지 - A Sonnet is a moment's monument, — Memorial from the Soul's eternity To one dead deathless hour. Look that it be. Whether for lustral rite or dire portent, Of its own arduous fulness reverent : Carve it in ivory or in ebony, As Day or Night may rule ; and let Time see Its flowering crest impearled and orient. A Sonnet is a coin : its face reveals The soul, — its converse, to what Power 'tis due ; — Whether for tribute to the august appeals Of Life, or dower in Love's high retinue.
153 페이지 - When Earth's last picture is painted, and the tubes are twisted and dried, When the oldest colors have faded, and the youngest critic has died, We shall rest, and, faith, we shall need it — lie down for an aeon or two, Till the Master of All Good Workmen shall set us to work anew!
128 페이지 - I CHATTER over stony ways, In little sharps and trebles, I bubble into eddying bays, I babble on the pebbles. With many a curve my banks I fret By many a field and fallow, And many a fairy foreland set With willow-weed and mallow.
312 페이지 - COME, dear children, let us away; Down and away below! Now my brothers call from the bay, Now the great winds shoreward blow, Now the salt tides seaward flow; Now the wild white horses play, Champ and chafe and toss in the spray. Children dear, let us away! This way, this way! Call her once before you go. — Call once yet! In a voice that she will know: "Margaret! Margaret!