Historical and critical matter The tempest. Two gentlemen of Verona. Merry wives of WindsorJ. Nichols, 1811 |
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xlvii 페이지
... Julius Cæsar . 30. Antony and Cleopatra .. 31. Timon of Athens 32. Coriolanus 33. Othello 34. The Tempest 35. Twelfth Night ...... ....... .... ... .. .. .......... .1594 1595 .. .1595 .. .1596 1596 1597 1597 1597 1598 1598 ...
... Julius Cæsar . 30. Antony and Cleopatra .. 31. Timon of Athens 32. Coriolanus 33. Othello 34. The Tempest 35. Twelfth Night ...... ....... .... ... .. .. .......... .1594 1595 .. .1595 .. .1596 1596 1597 1597 1597 1598 1598 ...
xlviii 페이지
... Julius Cæsar .. 30. Antony and Cleopatra . 31. Coriolanus . 32. The Tempest .. 33. The Twelfth - Night 34. Henry VIII .. DR . JOHNSON'S PREFACE . THA HAT praises are without ... 1614 1611 35. Othello ... See Supplemental Apology for the ...
... Julius Cæsar .. 30. Antony and Cleopatra . 31. Coriolanus . 32. The Tempest .. 33. The Twelfth - Night 34. Henry VIII .. DR . JOHNSON'S PREFACE . THA HAT praises are without ... 1614 1611 35. Othello ... See Supplemental Apology for the ...
100 페이지
... Julius Cæsar . Mr. Hart represented Othello , Brutus , and Hotspur ; Major Mohun , Iago , and Cassius ; and Mr. Cart- wright , Falstaff . Such was the lamentable taste of those times that the plays of Fletcher , Jonson , and Shirley 100 ...
... Julius Cæsar . Mr. Hart represented Othello , Brutus , and Hotspur ; Major Mohun , Iago , and Cassius ; and Mr. Cart- wright , Falstaff . Such was the lamentable taste of those times that the plays of Fletcher , Jonson , and Shirley 100 ...
103 페이지
... Julius Cæsar , King Henry VIII . Othello , King Richard III . King Lear , and the two parts of King Henry IV . were very frequently exhibited . Still , however , such was the wretched taste of the audiences of those days , that in many ...
... Julius Cæsar , King Henry VIII . Othello , King Richard III . King Lear , and the two parts of King Henry IV . were very frequently exhibited . Still , however , such was the wretched taste of the audiences of those days , that in many ...
110 페이지
... Julius Cæsar , not only the spirit , but manners , of the Romans are exactly drawn ; and still a nicer distinction is shown between the manners of Romans in the time of the former , and of the latter . His reading in the ancient ...
... Julius Cæsar , not only the spirit , but manners , of the Romans are exactly drawn ; and still a nicer distinction is shown between the manners of Romans in the time of the former , and of the latter . His reading in the ancient ...
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acted actors ancient appears Ariel Ben Jonson Blackfriars Caius Caliban called comedy daughter doth drama dramatick Drury Lane Duke edition Enter Exeunt exhibited Exit Falstaff father gentlemen GENTLEMEN OF VERONA give hast hath hear heart heaven Herne the hunter honour Host JOHNSON Julia Julius Cæsar King Henry King Henry VI lady Laun learning letter lord madam MALONE Marry master Brook master doctor means Milan Mira mistress Anne mistress Ford monster musick Naples night passage performed Pist play players poet pray Prospero Proteus publick Queen Quick racter scenes servant Shakspeare Shakspeare's Shal Silvia Sir Hugh sir John Slen Slender speak Speed spirit stage STEEVENS Stephano Stratford suppose Susanna Hall Sycorax tell theatre thee there's Thurio tion Trin Valentine William D'Avenant Windsor woman word writer
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37 페이지 - I' the commonwealth I would by contraries Execute all things: For no kind of traffic Would I admit; no name of magistrate; Letters should not be known ; riches, poverty, And use of service, none; contract, succession, Bourn, bound of land, tilth, vineyard, none; No use of metal, corn, or wine, or oil; No occupation; all men idle, all, And women too, but innocent and pure : No sovereignty— Seb.
64 페이지 - Be not afeard ; the isle is full of noises, Sounds and sweet airs, that give delight and hurt not. Sometimes a thousand twangling instruments Will hum about mine ears, and sometimes voices That, if I then had waked after long sleep, Will make me sleep again : and then, in dreaming, The clouds methought would open and show riches Ready to drop upon me, that, when I waked, I cried to dream again.
88 페이지 - Ye elves of hills, brooks, standing lakes, and groves ; And ye that on the sands with printless foot Do chase the ebbing Neptune, and do fly him When he comes back ; you demi-puppets that By moonshine do the green sour ringlets make, Whereof the ewe not bites ; and you whose pastime Is to make midnight mushrooms, that rejoice To hear the solemn curfew...
172 페이지 - Who is Silvia ? what is she, That all our swains commend her? Holy, fair, and wise is she, The heaven such grace did lend her, That she might admired be. Is she kind as she is fair? For beauty lives with kindness: Love doth to her eyes repair, To help him of his blindness ; And, being help'd, inhabits there. Then to Silvia let us sing, That Silvia is excelling; She excels each mortal thing, Upon the dull earth dwelling: To her let us garlands bring.
142 페이지 - Not for the world : why, man, she is mine own ; And I as rich in having such a jewel As twenty seas, if all their sand were pearl, The water nectar, and the rocks pure gold.
6 페이지 - The force of his comic scenes has suffered little diminution from the changes made by a century and a half, in manners or in words. As his personages act upon principles arising from genuine passion, very little modified by particular forms, their pleasures and vexations are communicable to all times and to all places ; they are natural, and therefore durable...
7 페이지 - If there be, what I believe there is, in every nation, a style which never becomes obsolete, a certain mode of phraseology so consonant and congenial to the analogy and principles of its respective language, as to remain settled and unaltered : this style is probably to be sought in the common intercourse of life, among those who speak only to be understood, without ambition of elegance.
12 페이지 - The truth is, that the spectators are always in their senses, and know, from the first act to the last, that the stage is only a stage, and that the players are only players.
3 페이지 - Shakespeare approximates the remote and familiarizes the wonderful; the event which he represents will not happen, but if it were possible its effects would probably be such as he has assigned; and it may be said that he has not only shown human nature as it acts in real exigencies but as it would be found in trials to which it cannot be exposed.
3 페이지 - His adherence to general nature has exposed him to the censure of critics, who form their judgments upon narrower principles. Dennis and Rymer think his Romans not sufficiently Roman ; and Voltaire censures his kings as not completely royal.