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µµ¼­ The truth is, that the spectators are always in their senses, and know, from the...¿¡ ´ëÇØ °Ë»öÇÑ
" The truth is, that the spectators are always in their senses, and know, from the first act to the last, that the stage is only a stage, and that the players are only players. "
Historical and critical matter The tempest. Two gentlemen of Verona. Merry ... - 12 ÆäÀÌÁö
ÀúÀÚ: William Shakespeare - 1811
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Miscellaneous and Fugitive Pieces, 2±Ç

Samuel Johnson - 1774 - 412 ÆäÀÌÁö
...Truth is, that the Spectators are always in their Senfes, and know, from the firft Aft to the laft, that the Stage is only a Stage, and that the Players...come to hear a certain Number of Lines recited with juft Gefture and elegant Modulation. The Lines relate to fome Action, and an Action mud be in fome...
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Miscellaneous and Fugitive Pieces, 2±Ç

Samuel Johnson - 1774 - 374 ÆäÀÌÁö
...Truth is, that the Spectators are always in their Sertfes, and know, from the firft Act to the laft, that the Stage is only a Stage, and that the Players...come to hear a certain Number of Lines recited with juft Gefture and elegant Modulation. The Lines relate to fome Action, and an Action muft be in fome...
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The Dramatick Writings of Will. Shakspere: With the Notes of All the ..., 1±Ç

William Shakespeare - 1788 - 346 ÆäÀÌÁö
...circumspections of terrestrial nature. There is no reason \\ hy a mind, thus wandering in ecstacy, should count count the clock ; or why an hour should not be a century...stage, and that the players are only players. They came to hear a certain number of lines recited with just gesture and elegant modulation. The lines...
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The Works of Samuel Johnson, LL.D.

Samuel Johnson - 1806 - 376 ÆäÀÌÁö
...ecstacy should count the clock, or why an hour should not be a century in that calenture of the brain that can make the stage a field. The truth is, that...stage, and that the players are only players. They came to hear a certain number of lines recited with just gesture and elegant modulation. The lines...
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The Plays of William Shakespeare ...: With the Corrections and ..., 1±Ç

William Shakespeare - 1809 - 394 ÆäÀÌÁö
...the circumscriptions of terrestrial nature. There is no reason why a mind thus wandering in eestacy should count the clock, or why an hour should not...Act to the last, that the stage is only a stage, and the players are only players. They come to hear a certain number of lines recited with just gesture...
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The plays of William Shakspeare, with the corrections and illustr. of ..., 1±Ç

William Shakespeare - 1809 - 390 ÆäÀÌÁö
...the circumscriptions of terrestrial nature. There is no reason why a mind thus wandering in eestacy should count the clock, or why an hour should not...Act to the last, that the stage is only a stage, and the players are only players. They come to hear a certain number of lines recited with just gesture...
Àüüº¸±â - µµ¼­ Á¤º¸

The Works of Samuel Johnson, L.L.D.

Samuel Johnson - 1809 - 488 ÆäÀÌÁö
...ecstasy should count the clock, or why an hour should not be a century in that calenture of the brain that can make the stage a field. The truth is, that...stage is only a stage, and that the players are only play ers. They came to hear a certain number of lines recited with just gesture and elegant modulation....
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The Works of Samuel Johnson, LL.D.: With An Essay on His Life and Genius, 2±Ç

Samuel Johnson, Arthur Murphy - 1810 - 486 ÆäÀÌÁö
...ecstacy should count the clock, or why an hour should not be a century in that calenture oT the brain that can make the stage a field. The truth is, that...stage, and that the players are only players. They came to hear a certain number of lines recited with just gesture and elegant modulation. modulation....
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The dramatic works of William Shakspeare. Whittingham's ed, 1±Ç

William Shakespeare - 1814 - 532 ÆäÀÌÁö
...the circumscriptions of terrestrial nature. There is no reason why a mind thus wandering in testacy should count the clock, or why an hour should not...stage, and that the (players are only players. They coine to hear a certain number of lines recited with just gesture and elegant modulation. The lines...
Àüüº¸±â - µµ¼­ Á¤º¸

The Works of Samuel Johnson, 2±Ç

Samuel Johnson - 1816 - 492 ÆäÀÌÁö
...ecstacy should count the clock, or why an hour should not be a century in that calenture of the brain that can make the stage a field. . The truth is, that...stage, and that the players are only players. They came to hear a certain number of lines recited with just gesture'and elegant . ii. H nlodulation. The...
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