Elements of Criticism..Charles Ingham, in Skinner Row, 1772 |
µµ¼ º»¹®¿¡¼
21°³ÀÇ °á°ú Áß 1 - 5°³
59 ÆäÀÌÁö
... shall be of rapid motion prolonged : Not fo when Swift Camilla fcours the plain , Flies o'er th ' unbending corn , and skims along the main . Efay on Crit . 373 . Again , fpeaking of a rock torn from the brow of a mountain : Still gath ...
... shall be of rapid motion prolonged : Not fo when Swift Camilla fcours the plain , Flies o'er th ' unbending corn , and skims along the main . Efay on Crit . 373 . Again , fpeaking of a rock torn from the brow of a mountain : Still gath ...
67 ÆäÀÌÁö
... shall afterward have occafion to fee , that the paufe neceffary for the fenfe must often , in some de- gree , be facrificed to the verfe - paufe , and the latter fometimes to the former . The pronouncing fyllables in a high or low tone ...
... shall afterward have occafion to fee , that the paufe neceffary for the fenfe must often , in some de- gree , be facrificed to the verfe - paufe , and the latter fometimes to the former . The pronouncing fyllables in a high or low tone ...
77 ÆäÀÌÁö
... shall be examined under the whole five heads , of number , quantity , arrangement , paufe , and accent . This verfe is of two kinds ; one named rhyme or metre , and one blank verfe . In the former , the lines are connected two and two ...
... shall be examined under the whole five heads , of number , quantity , arrangement , paufe , and accent . This verfe is of two kinds ; one named rhyme or metre , and one blank verfe . In the former , the lines are connected two and two ...
81 ÆäÀÌÁö
... shall part After the 7th : And taught the doubtful battle where to rage Again , And in the fmooth defcription | murmur ftill Befide the capital paufe now mentioned , inferior pau- fes will be difcovered by a nice ear . Of these there ...
... shall part After the 7th : And taught the doubtful battle where to rage Again , And in the fmooth defcription | murmur ftill Befide the capital paufe now mentioned , inferior pau- fes will be difcovered by a nice ear . Of these there ...
110 ÆäÀÌÁö
... Shall the be blefs'd , and I be curs'd , for ever ! No ; fince her fatal beauty was the cause Of all my fuff'rings , let her thare my pains ; Let her , like me , of ev'ry joy forlorn , Devote the hour when fuch a wretch was born : Like ...
... Shall the be blefs'd , and I be curs'd , for ever ! No ; fince her fatal beauty was the cause Of all my fuff'rings , let her thare my pains ; Let her , like me , of ev'ry joy forlorn , Devote the hour when fuch a wretch was born : Like ...
±âŸ ÃâÆǺ» - ¸ðµÎ º¸±â
ÀÚÁÖ ³ª¿À´Â ´Ü¾î ¹× ±¸¹®
accent action ¨¡neid againſt agreeable alfo appears beauty becauſe cafe caufe cauſe cenfured circumftance clofe cloſe compariſon compofed compofition confidered connected defcribing defcription Demetrius Phalereus difagreeable diftinguished effect emotions employ'd Eneid epic epic poem epic poetry example expreffed expreffion faid fame fcene fecond feems fenfe fenfible fentiment feparated fhall fhort fyllables fhould fignify figure fimilar fimile fingle firft fome fpeech ftill fubftantive fubject fucceffion fuch fupport garden hath Hexameter houſe Iliad impreffion inftances itſelf ject laft language lefs long fyllable meaſure melody mind moſt mufic muft muſt nature neceffary obferved object occafion oppofite ornaments paffage paffion paufe pauſe perfon perfonification pleaſure poem prefent profe proper purpoſe raiſed reafon refemblance refpect reft reprefentation reprefented rhyme Richard II rule ſcene ſenſe Spondees tafte taſte thefe theſe thing thofe thoſe thou thought tion uſe vafes verfe words
Àαâ Àο뱸
202 ÆäÀÌÁö - Many a time and oft Have you climb'd up to walls and battlements, To towers and windows, yea, to chimney-tops, Your infants in your arms, and there have sat The livelong day, with patient expectation, To see great POmpey pass the streets of Rome...
193 ÆäÀÌÁö - Why, well; Never so truly happy, my good Cromwell. I know myself now; and I feel within me A peace above all earthly dignities, A still and quiet conscience.
145 ÆäÀÌÁö - With deafning clamours in the slippery clouds, That, with the hurly," death itself awakes ? Can'st thou, O partial sleep ! give thy repose To the wet sea-boy in an hour so rude ; And in the calmest and most stillest night, With all appliances and means to boot, Deny it to a king? Then, happy low, lie down ! Uneasy lies the head that wears a crown.
223 ÆäÀÌÁö - A dungeon horrible, on all sides round, As one great furnace flamed; yet from those flames No light; but rather darkness visible Served only to discover sights of woe, Regions of sorrow, doleful shades, where peace And rest can never dwell, hope never comes That comes to all, but torture without end Still urges, and a fiery deluge, fed With ever-burning sulphur unconsumed.
144 ÆäÀÌÁö - To monarchize, be fear'd and kill with looks, Infusing him with self and vain conceit, As if this flesh which walls about our life Were brass impregnable, and...
144 ÆäÀÌÁö - And hush'd with buzzing night-flies to thy slumber, Than in the perfum'd chambers of the great, Under the canopies of costly state, And lull'd with sounds of sweetest melody?
169 ÆäÀÌÁö - O navis, referent in mare te novi fluctus ! o quid agis ? fortiter occupa portum ! nonne vides ut nudum remigio latus et malus celeri saucius Africo 5 antennaeque gemant ac sine funibus vix durare carinae possint imperiosius aequor?
144 ÆäÀÌÁö - O gentle sleep, Nature's soft nurse, how have I frighted thee, That thou no more wilt weigh my eyelids down, And steep my senses in forgetfulness...
206 ÆäÀÌÁö - There are a sort of men whose visages Do cream and mantle like a standing pond, And do a wilful stillness entertain, With purpose to be dress'd in an opinion Of wisdom, gravity, profound conceit; As who should say, " I am Sir Oracle, And when I ope my lips let no dog bark...
171 ÆäÀÌÁö - What could have been done more to my vineyard, that I have not done in it ? wherefore, when I looked that it should bring forth grapes, brought it forth wild grapes...