Women, Modernism, and Performance

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Cambridge University Press, 2004. 10. 14. - 173페이지
Women, Modernism, and Performance is an interdisciplinary study that considers a variety of texts and modes of performance in order to clarify the position of women within--and in relation to - modern theatre history. Focusing on Henrik Ibsen, Elizabeth Robins, Ellen Terry, Virginia Woolf, Djuna Barnes, Edith Craig, Radclyffe Hall, and Isadora Duncan, Penny Farfan identifies the different objectives, strategies, possibilities, and limitations of feminist-modernist performance practice and suggests how the artists in question functioned complementarily to transform the representation of gender in art and life.

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From Hedda Gabler to Votes for Women Elizabeth Robinss early feminist critique of Ibsen
13
Feminist Shakespeare Ellen Terrys comic ideal
36
Unimagined parts unlived selves Virginia Woolfon Ellen Terry and the art of acting
51
Staging the obscene
67
Writingperforming Virginia Woolf between the acts
91
Feminism tragedy history the fate of Isadora Duncan
104
Conclusion
118
Notes
122
Bibliography
156
Index
170
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저자 정보 (2004)

Penny Farfan is Associate Professor of Drama at the University of Calgary.

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