But why should I repeat it? 't were in vain. On the swift whirl of the new-breaking wave To follow through the night the moving moon, passage; and both the apparition and the dialogue are so managed, that the sense of their improbability is swal lowed up in that of their beauty; and, without actually be lieving that such spirits exist or communicate themselves, we feel for the moment as if we stood in their presence." Jeffrey.-L. E. (1) The philosopher Jamblicus. The story of the raising of Eros and Anteros may be found in his life by Eunapius. It is well told.-["It is reported of him," says Eunapius, "that while he and his scholars were bathing in the hot baths of Gadara in Syria, a dispute arising concerning the baths, he, smiling, ordered his disciples to ask the inhabitants by what names the two lesser springs, that were nearer and handsomer than the rest, were called. To which the inhabitants replied, that the one was called Eros, and the other Anteros, but for what reason they knew not.' Upon which Jamblicus, sitting by one of the springs, put his hand in the water, and, muttering some few words to himself, called up a fair-complexioned-boy, with gold-coloured locks dangling from his back and breast, so that he looked like one that was washing: and then, going to the other spring, and doing as he had done before, called up another Cupid, with darker and more dishevelled hair: upon which both the Cupids clung about Jamblicus; but he presently sent them back to their proper places. After this, his friends submitted their belief to him in every thing." L. E. Conclusions most forbidden. Then I pass'd Such as, before me, did the Magi, and He who from out their fountain-dwellings raised As I do thee;-and with my knowledge grew Man. Oh! I but thus prolong'd my words, Boasting these idle attributes, because As I approach the core of my heart's grief— But to my task. I have not named to thee Father or mother, mistress, friend, or being, With whom I wore the chain of human ties; If I had such, they seem'd not such to me-Yet there. was one Witch. Spare not thyself-proceed. She had the same lone thoughts and wanderings, Her faults were mine--her virtues were her own- Witch. With thy hand? (2) "There has always been, from the first publication of Manfred, a strange misapprehension with respect to it in the public mind. The whole poem has been misunderstood. and the odious supposition, that ascribes the fearful mystery and remorse of the hero to a foul passion for his sister, is probably one of those coarse imaginations which have grown out of the calumnies and accusations heaped upon the author. How can it have happened, that none of the critics have noticed that the story is derived from the human sacrifices supposed to have been in use among the students of the black art? Human sacrifices were supposed to be among the initiate propitiations of the demons that have their purposes in magic-as well as compacts signed with the blood of the self-sold. There was also a dark Egyptian art, of which the knowledge and the efficacy could only be obtained by the noviciate's procuring a voluntary victim-the dearest object to himself, and to whom he also was the dearest; and the primary spring of Byron's tragedy lies, 1 conceive, in a sacrifice of that kind having been performed, without obtaining that happiness which the votary expected would be found in the knowledge and power purchased at such a price. His sister was sacrificed in vain. The manner of the sacrifice is not divulged. but it is darkly insinuated to have been done amidst the perturbations of something horrible." Galt.-P. E. Mingling with us and ours,-thou dost forego Man. Daughter of Air! I tell thee, since that hour- But peopled with the Furies. I have gnash'd The affluence of my soul-which one day was That I can aid thee. Man. To do this, thy power Witch. That is not in my province; but if thou Man. I will not swear-Obey! and whom? the spirits Whose presence I command, and be the slave Of those who served me-Never! (1) See antè, p. 257. n. —L. E. (2) The story of Pausanias, king of Sparta (who com. manded the Greeks at the battle of Platea, and afterwards perished for an attempt to betray the Lacedæmonians), and Cleonice, is told in Plutarch's life of Cimon, and in the Laconics of Pausanias the sophist, in his description of Greece. -The following is the passage from Plutarch-"It is related, that when Pausanias was at Byzantium, he cast his eyes upon a young virgin named Cleonice, of a noble family there, and insisted on having her for a mistress. The parents, intimidated by his power. were under the hard necessity of giving up their daughter. The young woman begged that the light might be taken out of his apartments, that she might go to his bed in secrecy and silence. When she entered he was asleep, and she unfortunately stumbled upon the candlestick, and threw it down. The noise waked him suddenly, and he, in his confusion, thinking it was an enemy coming to assassinate him, unsheathed a dagger that lay by him, and plunged it into the virgin's heart. After Which sinks with sorrow, or beats quick with pain, SCENE III. The Summit of the Jungfrau Mountain. Enter FIRST DESTINY. [Exit. this, he could never rest. Her image appeared to him every night, and with a menacing tone repeated this heroic verse: Go to the fate which pride and lust prepare.' The allies, highly incensed at this infamous action, joined Cimon to besiege him in Byzantium. But he found means to escape thence; and, as he was still haunted by the spectre, he is said to have applied to a temple at Heraclea, where the manes of the dead were consulted. There he invoked the spirit of Cleonice, and entreated her pardon. She appeared, and told him he would soon be delivered from all his troubles, after his return to Sparta:' in which, it seems, his death was enigmatically foretold. These particulars we have from many historians."-Langhorne's Plutarch, vol. iii. p. 279." Thus we find," adds the translator, "that it was a custom in the Pagan as well as in the Hebrew theology, to conjure up the spirits of the dead; and that the witch of Endor was not the only witch in the world."L. E. (3) "Came to a morass; Hobhouse dismounted to get The fretwork of some earthquake-where the clouds Is sacred to our revels, or our vigils; Is our great festival-'t is strange they come not. A Voice without, singing. The captive usurper, Hurl'd down from the throne, Forgotten and lone; I broke through his slumbers, I leagued him with numbers- With the blood of a million he'll answer my care, Second Voice, without. The ship sail'd on, the ship sail'd fast, But I left not a sail, and I left not a mast; But I saved him to wreak further havoc for me! FIRST DESTINY, answering. The city lies sleeping; The morn, to deplore it, The black plague flew o'er it- Tens of thousands shall perish- Of their own desolation- This wreck of a realm-this deed of my doing- Our hands contain the hearts of men, We only give to take again The spirits of our slaves! First Des. Welcome!-Where's Nemesis? First Des. Enter NEMESIS. Say, where hast thou been? And making them repent their own revenge; We have outstay'd the hour-mount we our clouds! (1) [Exeunt. SCENE IV. The Hall of Arimanes-Arimanes on his Throne, a Globe of Fire, surrounded by the Spirits. Hymn of the SPIRITS. Hail to our master!-Prince of earth and air! Who walks the clouds and waters-in his hand The sceptre of the elements, which tear Themselves to chaos at his high command! He breatheth-and a tempest shakes the sea; He speaketh-and the clouds reply in thunder; He gazeth-from his glance the sunbeams flee; He moveth-earthquakes rend the world asunder. Beneath his footsteps the volcanos rise; His shadow is the pestilence; his path The comets herald through the crackling skies; (2) And planets turn to ashes at his wrath. To him War offers daily sacrifice; To him Death pays his tribute; Life is his, With all its infinite of agonies And his the spirit of whatever is! Enter the DESTINIES and NEMESIS. Second Des. Glory to Arimanes! we who bow Nem. Sovereign of sovereigns! we are thine, The Spirits. Tear him in pieces! First Des. Crush the worm! Hence! avaunt!-he's mine. Prince of the powers invisible! this man Is of no common order, as his port Our own; his knowledge, and his powers and will, Of earth and heaven, from which no power, nor being, A soul like his-or power upon his soul. Thou canst not reply to me. Of the form of thy birth, The heart and the form, Redeem from the worm. Who sent thee there requires thee here! [The Phantom of ASTARTE rises, and stands in the midst. Man. Can this be death? there's bloom upon her But now I see it is no living hue, [cheek; But a strange hectic-like the unnatural red Astarte! my beloved! speak to me: I have so much endured-so much endure- I feel but what thou art-and what I am; Man. Say, shall we meet again? Phan. Farewell! Man. One word for mercy! Say, thou lovest me. Phan. Manfred! [The Spirit of ASTARTE disappears. (1) Nem. She's gone, and will not be recall'd; Her words will be fulfill'd. Return to the earth. A Spirit. He is convulsed-This is to be a mortal, And seek the things beyond mortality. Another Spirit. Yet, see, he mastereth himself, and makes His torture tributary to his will. Had he been one of us, he would have made Nem. Hast thou further question Of our great sovereign, or his worshippers? Man. None. Nem. Then for a time farewell. (1) "Over this fine drama, a moral feeling hangs like a sombrous thunder-cloud. No other guilt but that so darkly shadowed out could have furnished so dreadful an illustra tion of the hideous aberrations of human nature, however noble and majestic, when left a prey to its desires, its passions, and its imagination. The beauty, at one time so innocently adored, is at last soiled, profaned, and violated. Affection, love, guilt, horror, remorse, and death, come in terrible succession, yet all darkly linked together. We think of Astarte as young, beautiful, innocent-guilty-lostmurdered-buried-judged-pardoned; but still, in her permitted visit to earth, speaking in a voice of sorrow, and with a countenance yet pale with mortal trouble. We had but a glimpse of her in her beauty and innocence; but, at last, she rises up before us in all the mortal silence of a ghost, with fixed, glazed, and passionless eyes, revealing death, judgment, and eternity. The moral breathes and burns in every word,-in sadness, misery, insanity, desolation, and death. The work is instinct with spirit,'-and in the agony and distraction, and all its dimly-imagined causes, we behold, though broken up, confused, and shattered, the elements of a purer existence." Wilson.-L. E. (2) The third Act, as originally written, being shown to the late Mr. Gifford, he expressed his unfavourable opinion of it very distinctly; and Mr. Murray transmitted this to Lord Byron. The result is told in the following extracts from his letters: Thou mayst retire. It is well: [Exit HERMAN. Man. (alone). There is a calm upon meInexplicable stillness! which till now Did not belong to what I knew of life. If that I did not know philosophy To be of all our vanities the motliest, The merest word that ever fool'd the ear From out the schoolman's jargon, I should deem The golden secret, the sought "Kalon," found, And seated in my soul. It will not last, But it is well to have known it, though but once: It hath enlarged my thoughts with a new sense, And I within my tablets would note down That there is such a feeling. Who is there? Re-enter HERMAN. Her. My lord, the Abbot of St. Maurice craves To greet your presence. And good intent, must plead my privilege; And busy with thy name; a noble name Man. Proceed, I listen. Abbot. "Tis said thou holdest converse with the things Which are forbidden to the search of man; "Venice, April 14, 1817.—The third Act is certainly d-d bad, and, like the Archbishop of Grenada's homily (which savoured of the palsy), has the dregs of my fever, during which it was written. It must on no account be published in its present state. I will try and reform it, or re-write it altogether; but the impulse is gone, and I have no chance of making any thing out of it. The speech of Manfred to the Sun is the only part of this Act I thought good myself; the rest is certainly as bad as bad can be, and I wonder what the devil possessed me. I am very glad, indeed, that you sent me Mr. Gifford's opinion without deduction. Do you suppose me such a booby as not to be very much obliged to him? or that I was not, and am not, convinced and convicted in my conscience of this same overt act of nonsense? I shall try at it again; in the mean time, lay it upon the shelf the whole Drama I mean.-Recollect not to publish, upon pain of 1 know not what, until I have tried again at the third act. I am not sure that I shall try, and still less that I shall succeed if I do." "Rome, May 5.-1 have re-written the greater part, and returned what is not altered in the proof you sent me. The Abbot is become a good man, and the Spirits are brought in at the death. You will find, I think, some good poetry in this new Act, here and there; and if so, print it, without sending me farther proofs, under Mr. Gifford's correction, if he will have the goodness to overlook it.”—L. E. |