The Lost Art of the Great Speech: How to Write One--How to Deliver ItAMACOM, 1999. 10. 5. - 288페이지 Learn how to give powerful, on-target speeches that capture an audience's attention and drive home a message. Splashy slides, confident body language, and a lot of eye contact are fine and well. However, if a speech is rambling, illogical, or just plain boring, the impact will be lost. The key is not just in the delivery techniques, but in tapping into the power of language. Prepared by award-winning writer and journalist Richard Dowis, The Lost Art of the Great Speech covers every essential element of a great speech, including:
Plus, this authoritative speech-writing guide includes excerpts from some of history's most memorable speeches--eloquent words to contemplate and emulate. Discover how to not only write a great speech, but also how to deliver it even better. |
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... problem with beginning speakers. Even Moses lacked confidence in his speaking ability. The Old Testament relates that when God ordered Moses to lead the Children of Israel out of bondage in Egypt, Moses tried to beg off, saying, “Oh, my ...
... problems , both real and imagined , conspire to keep many capable people in the audience rather than at the lectern . In the business world today , good speech writers are much in demand . Busy executives often turn to speech writers ...
... problem of au- dience fatigue . Moreover , it was a morning program , and the speech was the last item before lunch . So the fatigue problem could be com- pounded by hunger . In writing the final draft , I inserted a bit of humor near ...
... problem . Beyond second , though , you might have cause for concern . Of course , you might not be told at the time you're invited what position you'll have . You could ask , but if you make being first a condition of acceptance , your ...
... problem , I pass out writing and editing exercises for the audience to complete and discuss . This breaks up the time into smaller segments and allows members of the audience to be participants in the program . Audience participation is ...