'A Moving Rhetoricke': Gender and Silence in Early Modern EnglandManchester University Press, 2002 - 198페이지 The complex history of silence provides an important framework for rethinking gender in early modern England and for challenging critical approaches to it. It is with this quiet rhetoric that Christina Luckyi's work is concerned. Based on an investigation of a wide range of contemporary sources, from domestic conduct guides to emblem books, this study offers fresh perspectives on both culture and literature, using silence as its fulcrum. |
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androgyny antirhetorical Antonio's Revenge argues Askew associated audience Brathwait Cambridge chastity cited claim clearly complex conduct books constructions of silence Coriolanus critics desire discourse doth double standard drama Dubrow Duchess of Malfi dumb dumb-show early modern England early modern texts eloquence Epicoene example female feminine silence feminine virtue feminist garrulousness gender Graphina grief Hamlet hath heart Herod Hieronimo's husband impotence inscrutable Jonson King Lear language Lavinia's London male Mariam Mary Wroth masculine rhetorical masculine silence misogynist misogyny modesty mouth moving Rhetoricke mute notion of silence obedience Pamphilia paradoxically passion Philomel play Plutarch poem points political potential Rebhorn resistance reticence Revenger's Tragedy rhetoric Richard scene sexual Shakespeare silence in early silent woman sonnet space speak speaker speech stage Stoic subversive suggests theatre theatrical thou thought Titus Andronicus tongue traditional Tragedy Tragedy of Mariam trope University Press Urania Volumnia Whilst woman women's silence words writes