the opinions of the two Churches of England and Scotland, in this matter, was strongly set forth in some of the writings on the subject; and the Presbytery of Dunse, in answer to a representation made to them by that of Edinburgh, used the following expression: "We cannot allow ourselves to think that a thing, really criminal in itself, can be innocent or indifferent on the other side of the Tweed." Something, however, must be allowed to custom, in considering the lesser moralities of manners and deportment. The nakedness of an American, or a Hiudoo, is no breach of modesty or decorum; but that of an inhabitant of London or Edinburgh, would be a flagrant offence against both. In the question about theatrical exhibitions, as far as concerned the tragedy of Douglas, and the propriety or impropriety of the ecclesiastical opinions and proceedings to which it gave rise, it can only be fairly said, even by the advocates for the moral or innocent effects of dramatic entertainments, that Scotland, at the period of these n.b. proceedings, had not attained the refinement or liberality of the church of her sister kingdom. To the many excellent persons, of different ranks and persuasions, who have held, or still hold, dramatic entertainments to be of such baneful effect on the moral and religious principles of a people, I can only reply, that viewing their scruples with that indulgence and respect to which the purity of their

intentions, and the respectability of their charac-
ters are entitled, I should, were I to allow the jus-
tice of their fears, be obliged to regret that a de-
partment of literary composition, which affords the
amplest field to the talents of the writer, and the
feelings of the reader of poetry, should be liable to
the imputation of such hurtful consequences; I
should remind them how much of life is spent, and
must be spent, in amusements; and that, to draw
the young and the gay into innocent fields of amuse-
ment, is to gain or to save a great deal of their time
from hurtful dissipation. But, in truth, the plea
on behalf of theatrical exhibitions rests on higher
and more certain grounds; for it is proved by re-
peated experience, marked in the accurate and im-
partial registers of officers of police, that in several
great cities, when, from any accident, such exhibi-
tions are suspended, every kind of wickedness and
crime, even those which trench on the public safe-
ty, (without taking into account any advantage of
improvement in manners,) has always increased in
a very great degree. "The truth seems to be," as
our venerable colleague Dr Adam Ferguson ex-
presses it, in a letter to me on the subject of Mr
Home's dramatic writings, "that theatrical com-
positions, like every other human production, are,
in the abstract, not more laudable or censurable
than
any other species of composition, but are either
good or bad, moral or immoral, according to the

management or the effect of the individual tragedy or comedy we are to see represented, or to peruse." On this ground, certainly the tragedy of Douglas may confidently put itself on its trial; both the sentiments and the feelings expressed in it being of the most laudable and virtuous kind,-parental tenderness, and aspiring virtue.

The elder Sheridan, then manager of the Theatre at Dublin, sent Mr Home a gold medal, in testimony of his admiration of Douglas; and his wife, a woman not less respectable for her virtues than for genius and accomplishments, drew the idea of her admired novel of Sydney Biddulph, (as her introduction bears,) from the genuine moral effect of that excellent tragedy.

Amidst the censures of the Church, the public suffrage was strong in its favour, and the houses were crowded every night of its representation. Perhaps the success of the play excited the envy of some as much as the nature and species of its composition, and the situation of its author, produced the censure of others; for, among the jeux d'esprit produced on the occasion, were some written by men themselves poets, and not at all remarkable for religious strictness or severe morality. Its defenders were found among all ranks and professions. Mr Wedderburn, afterwards Lord Loughborough, wrote some of its lighter defences. Mr Adam Ferguson published a serious pamphlet, in defence of

the morality of dramatic composition, deduced from Scripture, particularly exemplified in the story of Joseph and his Brethren; Dr Carlyle, an ironical pamphlet, under the title of, "Reasons why the Tragedy of Douglas should be Burnt by the hands of the Common Hangman;" and afterwards he wrote a paper, calculated for the lower ranks, which was hawked about the streets, "History of the Bloody Tragedy of Douglas, as it is now performing at the Theatre in the Canongate." This paper had such an effect as to add two more nights to the already unprecedented run of the play.

Against Dr Carlyle, the prosecution of the Presbytery was carried on for a considerable time, till at last it terminated in the brutum fulmen of a censure and admonition. The learned Dr Wallace, of whom I have made mention in a former part of this Memoir, wrote an anonymous letter to Dr Carlyle, full of the soundest advice, and assuring him of his support in the proceedings before the Presbytery.

The Synod of Mid-Lothian and Tweeddale, a body free from the partialities and prejudices of the Presbytery of Edinburgh, pronounced a much more moderate sentence than this last-mentioned judicature had done on the matter of Douglas, and of Mr Home's conduct as a dramatic author; and the sentence of the Synod was affirmed in the General Assembly, by 117 votes to 34. Yet next day, on

the motion of a gentleman, whom one would not have supposed likely to be the advocate of severe or illiberal proceedings, Mr George Dempster, the Assembly passed a declaratory act, prohibiting the clergy from being concerned in, or countenancing, theatrical representations. But the manners overcame the law of the Church; and country clergymen, when in Edinburgh, frequented the theatre when any eminent actor or actress performed there. During the first visit of Mrs Siddons to this city, in 1784, while the General Assembly was sitting, there was, I have been told, great difficulty in procuring a full attendance of its members, on those evenings when she was to perform. A distinction was justly allowed between exhibitions, in which that great actress gave new force and impression to the noblest tragic sentiments, and those more exceptionable representations, which our comic stage, even in its present reformed state, sometimes exhibits. The persecution, however, which Mr Home and his tragedy endured, was of use to both. Lord Bute, to whom I have mentioned his introduction by the Duke of Argyle, now warmly patronized an author, whose sufferings, as well as genius, recommended him to his benevolence and favour. Mr Home went to London, soon after the publication of his tragedy, in March 1757, when it was brought out at Covent-Garden, with much success. Garrick at that time maintained his resolution of not