Shakespeare: Invention of the Human: The Invention of the HumanPenguin Publishing Group, 1998 - 768페이지 "The indispensable critic on the indispensable writer." -Geoffrey O'Brien, New York Review of Books A landmark achievement as expansive, erudite, and passionate as its renowned author, this book is the culmination of a lifetime of reading, writing about, and teaching Shakespeare. |
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175 페이지
... Christian play for a Christian audience , according to Northrop Frye . I don't think that Shakespeare wrote Christian plays , or un - Christian ones either , and as I have written earlier , my sense of the endlessly per- spectivizing ...
... Christian play for a Christian audience , according to Northrop Frye . I don't think that Shakespeare wrote Christian plays , or un - Christian ones either , and as I have written earlier , my sense of the endlessly per- spectivizing ...
190 페이지
... Christian sport , but Antonio cannot be let off so easily . His ambivalence , like Shylock's , is murderous , and unlike Shylock's , it is successful , for Antonio does end Shylock the Jew , and gives us Shylock the New Christian ...
... Christian sport , but Antonio cannot be let off so easily . His ambivalence , like Shylock's , is murderous , and unlike Shylock's , it is successful , for Antonio does end Shylock the Jew , and gives us Shylock the New Christian ...
191 페이지
... Christian is more absurd than would be the conversion of Cori- olanus to the popular party , or Cleopatra's consent to become a vestal virgin at Rome . We sooner can see Falstaff as a monk than Shylock as a Christian . Contemplate ...
... Christian is more absurd than would be the conversion of Cori- olanus to the popular party , or Cleopatra's consent to become a vestal virgin at Rome . We sooner can see Falstaff as a monk than Shylock as a Christian . Contemplate ...
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ambivalence Antony and Cleopatra audience authentic Barabas Barnardine Bastard become Ben Jonson Berowne Brutus Caesar Caliban character Christian comedy comic consciousness Cordelia Coriolanus critics Cymbeline death Desdemona doth drama Dream Duke Edgar Edmund eyes Falstaff and Hamlet father Faulconbridge final Fool genius give Goneril Hal's hath heart Henry human imagination Imogen invention irony Jonson Juliet King Lear Lady lago lago's Lear's Leontes lord Love's Labour's Lost lovers Macbeth madness Malvolio Marlowe Marlowe's Measure for Measure Mercutio moral murder nature never Noble Kinsmen Olivia Othello outrageous parody passion perhaps Pericles personality play's poet Posthumus pragmatically Prince Prospero Richard Richard III role Roman Romeo Rosalind scene seems sense sexual Shake Shakespeare Shylock Sir John Sonnets speak speare speare's spirit stage sublime Tempest thee Thersites Theseus thou Timon Titus Andronicus tragedy transcends Troilus and Cressida Twelfth Night Ur-Hamlet Venice villain