Shakespeare: Invention of the Human: The Invention of the HumanPenguin Publishing Group, 1998 - 768ÆäÀÌÁö "The indispensable critic on the indispensable writer." -Geoffrey O'Brien, New York Review of Books A landmark achievement as expansive, erudite, and passionate as its renowned author, this book is the culmination of a lifetime of reading, writing about, and teaching Shakespeare. |
µµ¼ º»¹®¿¡¼
90°³ÀÇ °á°ú Áß 1 - 3°³
57 ÆäÀÌÁö
... John a " puzzle and a surprise " for the audience . Alas , John is mostly a dour puzzle and an unhappy surprise : he is half- way between the Marlovian cartoon of his ranting , dreadful mother , Queen ... John I have seen was 57 KING JOHN.
... John a " puzzle and a surprise " for the audience . Alas , John is mostly a dour puzzle and an unhappy surprise : he is half- way between the Marlovian cartoon of his ranting , dreadful mother , Queen ... John I have seen was 57 KING JOHN.
58 ÆäÀÌÁö
The Invention of the Human Harold Bloom. Faulconbridge . The best King John I have seen was in 1948 at Stratford , with Anthony Quayle as the Bastard and Robert Helpmann as John . Though the play ( because of the Bastard ) seems to me ...
The Invention of the Human Harold Bloom. Faulconbridge . The best King John I have seen was in 1948 at Stratford , with Anthony Quayle as the Bastard and Robert Helpmann as John . Though the play ( because of the Bastard ) seems to me ...
61 ÆäÀÌÁö
... John is among " the fools of Time , " where " fools " means " victims . " Desperate as the mother - dominated John is , neither he nor either of the two insanely driven royal women - Eleanor and Constance — is the prime fool of Time in ...
... John is among " the fools of Time , " where " fools " means " victims . " Desperate as the mother - dominated John is , neither he nor either of the two insanely driven royal women - Eleanor and Constance — is the prime fool of Time in ...
¸ñÂ÷
Shakespeares Universalism | 1 |
The Comedy of Errors | 21 |
The Taming of the Shrew | 28 |
ÀúÀÛ±Ç | |
Ç¥½ÃµÇÁö ¾ÊÀº ¼½¼Ç 35°³
±âŸ ÃâÆǺ» - ¸ðµÎ º¸±â
ÀÚÁÖ ³ª¿À´Â ´Ü¾î ¹× ±¸¹®
ambivalence Antony and Cleopatra audience authentic Barabas Barnardine Bastard become Ben Jonson Berowne Brutus Caesar Caliban character Christian comedy comic consciousness Cordelia Coriolanus critics Cymbeline death Desdemona doth drama Dream Duke Edgar Edmund eyes Falstaff and Hamlet father Faulconbridge final Fool genius give Goneril Hal's hath heart Henry human imagination Imogen invention irony Jonson Juliet King Lear Lady lago lago's Lear's Leontes lord Love's Labour's Lost lovers Macbeth madness Malvolio Marlowe Marlowe's Measure for Measure Mercutio moral murder nature never Noble Kinsmen Olivia Othello outrageous parody passion perhaps Pericles personality play's poet Posthumus pragmatically Prince Prospero Richard Richard III role Roman Romeo Rosalind scene seems sense sexual Shake Shakespeare Shylock Sir John Sonnets speak speare speare's spirit stage sublime Tempest thee Thersites Theseus thou Timon Titus Andronicus tragedy transcends Troilus and Cressida Twelfth Night Ur-Hamlet Venice villain