Shakespeare: Invention of the Human: The Invention of the HumanPenguin Publishing Group, 1998 - 768페이지 "The indispensable critic on the indispensable writer." -Geoffrey O'Brien, New York Review of Books A landmark achievement as expansive, erudite, and passionate as its renowned author, this book is the culmination of a lifetime of reading, writing about, and teaching Shakespeare. |
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476 페이지
The Invention of the Human Harold Bloom. 25 KING LEAR K ing Lear , together with Hamlet , ultimately baffles commentary . Of all Shakespeare's dramas , these show an apparent infinitude that perhaps transcends the limits of literature .
The Invention of the Human Harold Bloom. 25 KING LEAR K ing Lear , together with Hamlet , ultimately baffles commentary . Of all Shakespeare's dramas , these show an apparent infinitude that perhaps transcends the limits of literature .
479 페이지
... King Lear , I have to begin by reminding my students that Lear , however unlovable in the first two acts , is very much loved by Cordelia , the Fool , Albany , Kent , Gloucester , and Edgar - that is to say ... Lear and of the 479 KING LEAR.
... King Lear , I have to begin by reminding my students that Lear , however unlovable in the first two acts , is very much loved by Cordelia , the Fool , Albany , Kent , Gloucester , and Edgar - that is to say ... Lear and of the 479 KING LEAR.
493 페이지
The Invention of the Human Harold Bloom. 2 Leo Tolstoy raged against King Lear , partly because he accurately sensed the drama's profound nihilism , but also out of creative envy , and perhaps , too , he had the uncanny premonition that ...
The Invention of the Human Harold Bloom. 2 Leo Tolstoy raged against King Lear , partly because he accurately sensed the drama's profound nihilism , but also out of creative envy , and perhaps , too , he had the uncanny premonition that ...
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ambivalence Antony and Cleopatra audience authentic Barabas Barnardine Bastard become Ben Jonson Berowne Brutus Caesar Caliban character Christian comedy comic consciousness Cordelia Coriolanus critics Cymbeline death Desdemona doth drama Dream Duke Edgar Edmund eyes Falstaff and Hamlet father Faulconbridge final Fool genius give Goneril Hal's hath heart Henry human imagination Imogen invention irony Jonson Juliet King Lear Lady lago lago's Lear's Leontes lord Love's Labour's Lost lovers Macbeth madness Malvolio Marlowe Marlowe's Measure for Measure Mercutio moral murder nature never Noble Kinsmen Olivia Othello outrageous parody passion perhaps Pericles personality play's poet Posthumus pragmatically Prince Prospero Richard Richard III role Roman Romeo Rosalind scene seems sense sexual Shake Shakespeare Shylock Sir John Sonnets speak speare speare's spirit stage sublime Tempest thee Thersites Theseus thou Timon Titus Andronicus tragedy transcends Troilus and Cressida Twelfth Night Ur-Hamlet Venice villain