Shakespeare: Invention of the Human: The Invention of the HumanPenguin Publishing Group, 1998 - 768페이지 "The indispensable critic on the indispensable writer." -Geoffrey O'Brien, New York Review of Books A landmark achievement as expansive, erudite, and passionate as its renowned author, this book is the culmination of a lifetime of reading, writing about, and teaching Shakespeare. |
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107 페이지
... fear'd Than what I fear ; for always I am Caesar . Come on my right hand , for this ear is deaf , And tell me truly what thou think'st of him . [ I.ii. 188-211 ] Caesar is accurate , and Antony is not ; Shakespeare scarcely could have ...
... fear'd Than what I fear ; for always I am Caesar . Come on my right hand , for this ear is deaf , And tell me truly what thou think'st of him . [ I.ii. 188-211 ] Caesar is accurate , and Antony is not ; Shakespeare scarcely could have ...
543 페이지
... fear " fi- nally is of ourselves . If we submit to it - and Shakespeare gives us little choice then we follow ... fear in Macbeth was also Wilson Knight's : Whilst Macbeth lives in conflict with himself there is misery , evil , fear ...
... fear " fi- nally is of ourselves . If we submit to it - and Shakespeare gives us little choice then we follow ... fear in Macbeth was also Wilson Knight's : Whilst Macbeth lives in conflict with himself there is misery , evil , fear ...
630 페이지
... Fear no more the lightning - flash . Arv . Nor th ' all - dreaded thunder - stone . Gui . Fear not slander , censure rash . Both . Thou hast finish'd joy and moan . All lovers young , all lovers must Consign to thee , and come to dust ...
... Fear no more the lightning - flash . Arv . Nor th ' all - dreaded thunder - stone . Gui . Fear not slander , censure rash . Both . Thou hast finish'd joy and moan . All lovers young , all lovers must Consign to thee , and come to dust ...
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ambivalence Antony and Cleopatra audience authentic Barabas Barnardine Bastard become Ben Jonson Berowne Brutus Caesar Caliban character Christian comedy comic consciousness Cordelia Coriolanus critics Cymbeline death Desdemona doth drama Dream Duke Edgar Edmund eyes Falstaff and Hamlet father Faulconbridge final Fool genius give Goneril Hal's hath heart Henry human imagination Imogen invention irony Jonson Juliet King Lear Lady lago lago's Lear's Leontes lord Love's Labour's Lost lovers Macbeth madness Malvolio Marlowe Marlowe's Measure for Measure Mercutio moral murder nature never Noble Kinsmen Olivia Othello outrageous parody passion perhaps Pericles personality play's poet Posthumus pragmatically Prince Prospero Richard Richard III role Roman Romeo Rosalind scene seems sense sexual Shake Shakespeare Shylock Sir John Sonnets speak speare speare's spirit stage sublime Tempest thee Thersites Theseus thou Timon Titus Andronicus tragedy transcends Troilus and Cressida Twelfth Night Ur-Hamlet Venice villain