Shakespeare: Invention of the Human: The Invention of the HumanPenguin Publishing Group, 1998 - 768페이지 "The indispensable critic on the indispensable writer." -Geoffrey O'Brien, New York Review of Books A landmark achievement as expansive, erudite, and passionate as its renowned author, this book is the culmination of a lifetime of reading, writing about, and teaching Shakespeare. |
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172 페이지
... roles , even if we can conceive of them as per- sonalities outside of their plays . Shylock simply does not fit his ... role that as playmaker he condemns Shylock to act , we regard the Jew of Venice as a reaction formation or ironic ...
... roles , even if we can conceive of them as per- sonalities outside of their plays . Shylock simply does not fit his ... role that as playmaker he condemns Shylock to act , we regard the Jew of Venice as a reaction formation or ironic ...
403 페이지
... role . Usurping the stage is the only role he has ; unlike Falstaff , Hamlet is not a rebel against the idea of time and the idea of order . Falstaff is happy in his consciousness , of himself and of re- ality ; Hamlet is unhappy in ...
... role . Usurping the stage is the only role he has ; unlike Falstaff , Hamlet is not a rebel against the idea of time and the idea of order . Falstaff is happy in his consciousness , of himself and of re- ality ; Hamlet is unhappy in ...
669 페이지
... role of Autoly- cus in The Winter's Tale . Prospero , as Frye remarks , has no transcendental inclinations , for all his trafficking with spirits . What , besides the revenge he throws aside , could Prospero have been seeking in his ...
... role of Autoly- cus in The Winter's Tale . Prospero , as Frye remarks , has no transcendental inclinations , for all his trafficking with spirits . What , besides the revenge he throws aside , could Prospero have been seeking in his ...
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ambivalence Antony and Cleopatra audience authentic Barabas Barnardine Bastard become Ben Jonson Berowne Brutus Caesar Caliban character Christian comedy comic consciousness Cordelia Coriolanus critics Cymbeline death Desdemona doth drama Dream Duke Edgar Edmund eyes Falstaff and Hamlet father Faulconbridge final Fool genius give Goneril Hal's hath heart Henry human imagination Imogen invention irony Jonson Juliet King Lear Lady lago lago's Lear's Leontes lord Love's Labour's Lost lovers Macbeth madness Malvolio Marlowe Marlowe's Measure for Measure Mercutio moral murder nature never Noble Kinsmen Olivia Othello outrageous parody passion perhaps Pericles personality play's poet Posthumus pragmatically Prince Prospero Richard Richard III role Roman Romeo Rosalind scene seems sense sexual Shake Shakespeare Shylock Sir John Sonnets speak speare speare's spirit stage sublime Tempest thee Thersites Theseus thou Timon Titus Andronicus tragedy transcends Troilus and Cressida Twelfth Night Ur-Hamlet Venice villain