A Grammar of Elocution: Containing the Principles of the Arts of Reading and Speaking; Illustrated by Appropriate Exercises and Examples ...A. H. Maltby, 1830 - 344ÆäÀÌÁö |
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71 ÆäÀÌÁö
... equal wave . first and then falls it is called a direct equal wave . If it falls first and then rises , an inverted equal wave . If the inter- val of the rise and fall of the voice upon a wave is not the same , it is called an unequal ...
... equal wave . first and then falls it is called a direct equal wave . If it falls first and then rises , an inverted equal wave . If the inter- val of the rise and fall of the voice upon a wave is not the same , it is called an unequal ...
73 ÆäÀÌÁö
... equal and unequal waves described above . TABLE . 1 a as in a - ll . 11 b 2 a a - ge . 12 d 3 a a - rm . 13 g 4 0 o - ld . 14 5 6 7 889 ou ou - r . 15 m ee ee - 1 . 16 n 00 - ze . 17 ng 8 oi b - oy . 18 r 9 i i - sle . 19 V 10 ew b ...
... equal and unequal waves described above . TABLE . 1 a as in a - ll . 11 b 2 a a - ge . 12 d 3 a a - rm . 13 g 4 0 o - ld . 14 5 6 7 889 ou ou - r . 15 m ee ee - 1 . 16 n 00 - ze . 17 ng 8 oi b - oy . 18 r 9 i i - sle . 19 V 10 ew b ...
74 ÆäÀÌÁö
... equal wave of the second ; II . of a third ; III . of a fifth ; IV . of an inverted equal wave of a second V. of a third ; VI . of a fifth ; VII . of a direct unequal wave ; VIII . of an inverted unequal wave ; IX . of a wave of the ...
... equal wave of the second ; II . of a third ; III . of a fifth ; IV . of an inverted equal wave of a second V. of a third ; VI . of a fifth ; VII . of a direct unequal wave ; VIII . of an inverted unequal wave ; IX . of a wave of the ...
92 ÆäÀÌÁö
... equal and unequal , are intro- duced without assignable cause , into discourse , the sus- ceptibility to their impression , when they are required , is necessarily weakened . The beau ideal of melody con- sists in the use of the ...
... equal and unequal , are intro- duced without assignable cause , into discourse , the sus- ceptibility to their impression , when they are required , is necessarily weakened . The beau ideal of melody con- sists in the use of the ...
121 ÆäÀÌÁö
... equal effect , in speech . It gives emphasis to words without communicating to them a character of sharpness or violence ; enforcing with agreeable smoothness , the expression of those mo- difications of joy , exultation , hope , and ...
... equal effect , in speech . It gives emphasis to words without communicating to them a character of sharpness or violence ; enforcing with agreeable smoothness , the expression of those mo- difications of joy , exultation , hope , and ...
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accented agreeable articulation aspiration Brutus cadence C©¡sar called ceive cern concrete consonants degree delivery described discourse discrete downward slide earth effect elementary sounds Elocution Elocutionist emphasis emphatic employed equal wave example exercise expression eyes falling ditone falling slide fifth force forcible give Harfleur hast hath heard heart heaven high note Human Voice intervals light long quantity Lord loud marked marked radical measure median stress ments monotony natural nerally o'er octave pauses percussion persons plaintive practice pronounced pronunciation prosody public speaking quire racter radical pitch radical stress reading rise and fall rising slide semitone sentence short simple melody soul speak speaker speech student sylla syllables TABLE OF CONSONANT TABLE OF VOWEL thee thine thing third thou art thought tion tone tremor unto utterance vanish vocal voice vowel elements vowel sounds words ¥Ä ¥Ä ¥Ä ¥É¥Ä
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111 ÆäÀÌÁö - I heard the bell tolled on thy burial day, I saw the hearse that bore thee slow away, And, turning from my nursery window, drew A long, long sigh, and wept a last adieu ! But was it such ? It was.
182 ÆäÀÌÁö - She saith unto him, Yea, Lord : I believe that thou art the Christ the Son of God, which should come into the world.
133 ÆäÀÌÁö - Here hills and vales, the woodland and the plain, Here earth and water, seem to strive again ; Not chaos-like together crushed and bruised, But as the world harmoniously confused: Where order in variety we see, And where, though all things differ, all agree.
147 ÆäÀÌÁö - Love framed with Mirth a gay fantastic round : Loose were her tresses seen, her zone unbound ; And he, amidst his frolic play, As if he would the charming air repay, Shook thousand odours from his dewy wings.
111 ÆäÀÌÁö - Hovered thy spirit o'er thy sorrowing son, Wretch even then, life's journey just begun ? Perhaps thou gavest me, though unfelt, a kiss ; Perhaps a tear, if souls can weep in bliss ; Ah, that maternal smile, it answers yes...
147 ÆäÀÌÁö - But soon he saw the brisk awakening viol, Whose sweet, entrancing voice he loved the best. They would have thought who heard the strain, They saw in Tempe's...
150 ÆäÀÌÁö - Reserved him to more wrath ; for now the thought Both of lost happiness and lasting pain Torments him : round he throws his baleful eyes, That...
85 ÆäÀÌÁö - Homer was the greater genius; Virgil the better artist: in the one, we most admire the man; in the other, the work. Homer hurries us with a commanding impetuosity ; Virgil leads us with an attractive majesty. Homer scatters with a generous profusion ; Virgil bestows with a careful magnificence. Homer, like the Nile, pours out his riches with a sudden overflow ; Virgil, like a river in its banks, with a constant stream.
47 ÆäÀÌÁö - It is now sixteen or seventeen years since I saw the queen of France, then the dauphiness, at Versailles; and surely never lighted on this orb, which she hardly seemed to touch, a more delightful vision.