Unediting the Renaissance: Shakespeare, Marlowe and MiltonRoutledge, 2002. 6. 1. - 280ÆäÀÌÁö Unediting the Renaissance is a path-breaking and timely look at the issues of the textual editing of Renaissance works. Both erudite and accessible, it will be a fascinating and provocative read for any Renaissance student or scholar. Leah Marcus argues that `bad' versions of Renaissance texts such as Shakespeare's First Folio should not be viewed as mutilated copies of originals, but rather reputable alternatives encoding differences in ideology, cultural meaning and other elements of performance. Marcus focuses on key Renaissance works- Dr Faustus, The Merry Wives of Windsor, The Taming of the Shrew, Hamlet and poems by Milton, Donne and Herrick - to re-exmaine how editorial intervention shapes the texts which are widely accepted as `definitive'. Examining the cultural attitudes, fears and influences which influence textual editors, from the seveteenth century to the present day, Marcus sheds new light on a previously unexamined aspect of Renaissance studies. A lively critique of current theoretical practices, Unediting the Renaissance will shift the ways in which Shakespeare and his contemporaries are edited and read. |
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... recently, however, the division of labor hetween critics and hihliographers has broken down, as has some of the mutual distrust that kept the two groups divided. Bihliographers with the profound scholarship, daring, and imagination of ...
... recently, however, the division of labor hetween critics and hihliographers has broken down, as has some of the mutual distrust that kept the two groups divided. Bihliographers with the profound scholarship, daring, and imagination of ...
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... recent critical theory, so that editors and their readers alike would hecome more aware of the constructed nature of ... recently, of course, it has been the business of editors to accomplish those very things: to give us the work ...
... recent critical theory, so that editors and their readers alike would hecome more aware of the constructed nature of ... recently, of course, it has been the business of editors to accomplish those very things: to give us the work ...
4 ÆäÀÌÁö
... recent critiques of scientific method that demonstrate the rhetorical and socio-political nature of scientific explanation. What we consider the factual basis for our conclusions may well alter its truth-hearing status over time: the ...
... recent critiques of scientific method that demonstrate the rhetorical and socio-political nature of scientific explanation. What we consider the factual basis for our conclusions may well alter its truth-hearing status over time: the ...
6 ÆäÀÌÁö
... recent editions. Why has so little heen made of their color in recent critical studies of the play? The mention of eye color in Shakespeare is rare, and blue eyes are particularly rare. Why are the witch's eyes blue? Much of the ...
... recent editions. Why has so little heen made of their color in recent critical studies of the play? The mention of eye color in Shakespeare is rare, and blue eyes are particularly rare. Why are the witch's eyes blue? Much of the ...
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... recent volume of essays on the subject succeeds in demonstrating onlv that none of the contrihutors is willing to rule out Shakespeare as possible author of the More passage.' In most Renaissance hands, final r and final re are quite ...
... recent volume of essays on the subject succeeds in demonstrating onlv that none of the contrihutors is willing to rule out Shakespeare as possible author of the More passage.' In most Renaissance hands, final r and final re are quite ...
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1 | |
TEXTUAL INSTABILITY AND IDEOLOGICAL DIFFERENCE The case of Doctor Faustus | 38 |
PURITY AND DANGER IN THE MODERN EDITION The Merry Wives of Windsor | 68 |
THE EDITOR AS TAMER A Shrew and The Shrew | 101 |
BAD TASTE AND BAD HAMLET | 132 |
JOHN MILTONS VOICE | 177 |
NOTES | 228 |
INDEX | 263 |
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actors appears argument associated audience authorship bad quartos Bihliography blue eyes Cambridge University Press century cited Clarendon Press conceptualized considerahle copy corrupt court critics culture discussion Doctor Faustus Donne's E. K. Chambers earlier early modern editors Elizabethan England English Eric Sams F TLN Falstaff Faustus's folio version Greg's haue Hesperides historical hlue-eyed interpretation John John Donne John Dover Wilson language least literary London manuscript manuscript culture Marlovian Marlowe materials memorial reconstruction Merry England Merry Wives MerryWives Milton modern editions noted offers oral original Oxford performance Petruchio play play's playtext Poems poet poet's portrait frontispiece present Ql Hamlet quarto version readers recent references Renaissance reprinted revision ritual scene scholars seventeenth-century Shakespeare Shrew Sir John Gilbert's Skimmington speech stage standard editions suggest Sycorax Taming textual theater theatrical traditional twentieth-century verse volume W. W. Greg Wertenherg Wittenherg Wives of Windsor York