Prefaces, Biographical and Critical, to the Works of the English Poets: Milton. ButlerJ. Nichols, 1779 |
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Adam againſt anfwer angels becauſe Butler cenfure Chorus Comus Confcience confidered curiofity daugh daughter defcended defign defire delight diction diſcover eafily Engliſh epick poem Euripides exercifes fafe faid fame fatire fays fchool fecretary feems fent fentiments feven fhew fhort fhould fince firft firſt fome fomething fometimes fpirits ftate ftill ftudies fubject fuch fuffered fufficiently fufpected fupplied fuppofed fure heroick himſelf houfe houſe Hudibras images inftruction JOHN MILTON Juftice kindneſs king labour laft laſt Latin learning lefs Lycidas ment Milton mind moft moſt mufick muft muſt neceffary never numbers obfervation occafion opinion paffions Paradife Loft perfons perhaps philofophy pleaſe pleaſure poet poetry poffible praiſe prefent profe promife publick publiſhed puniſh purpoſe queftion racter raiſed reaſon refidence regicides reprefented rhyme Salmafius ſcenes ſeem ſtate ſtudy themſelves theſe thofe thoſe thought tion underſtand univerfity uſe verfe vifited whofe write
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146 ÆäÀÌÁö - Milton's morals as well as his poetry, the invitations to pleasure are so general, that they excite no distinct images of corrupt enjoyment, and take no dangerous hold on the fancy.
203 ÆäÀÌÁö - From his contemporaries he neither courted nor received support : There is in his writings nothing by which the pride of other authors might be gratified, or favour gained ; no exchange of praise, nor solicitation of support.
120 ÆäÀÌÁö - To be of no church is dangerous. Religion, of which the rewards are distant, and which is animated only by faith and hope, will glide by degrees out of the mind, unless it be invigorated and reimpressed by external ordinances, by stated calls to worship, and the salutary influence of example.
199 ÆäÀÌÁö - ... by the artifice of rhyme. The variety of pauses, so much boasted by the lovers, of blank verse, changes the measures of an English poet to the periods of a declaimer; and there are only a few skilful and happy readers of Milton, who enable their audience to perceive where the lines end or begin. Blank 'verse, said an ingenious critick, seems to be verse only to the eye.
17 ÆäÀÌÁö - ... devout prayer to that eternal Spirit who can enrich with all utterance and knowledge, and sends out his seraphim, with the hallowed fire of his altar, to touch and purify the lips of whom he pleases...
203 ÆäÀÌÁö - ... he neither courted nor received support : There is in his writings nothing by which the pride of other authors might be gratified, or favour gained ; no exchange of praise, nor solicitation of support. His great works were performed under discountenance, and in blindness ; but difficulties vanished at his touch ; he was born for whatever is arduous ; and his work is not the greatest of heroic poems, only because it is not the first.
136 ÆäÀÌÁö - Nothing can less display knowledge, or less exercise invention, than to tell how a shepherd has lost his companion, and must now feed his flocks alone, without any judge of his skill in piping; and how one god asks another god what is become of Lycidas, and how neither god can tell. He who thus grieves will excite no sympathy; he who thus praises will confer no honour.
123 ÆäÀÌÁö - He hated monarchs in the state, and prelates in the church; for he hated all whom he was required to obey. It is to be suspected, that his predominant desire was to destroy, rather than establish, and that he felt not so much the love of liberty, as repugnance to authority.
153 ÆäÀÌÁö - Milton must be confessed to have equalled every other poet. He has involved in his account of the Fall of Man the events...
152 ÆäÀÌÁö - Bossu is of opinion, that the poet's first work is to find a moral, which his fable is afterwards to illustrate and establish.