The Eclectic Magazine of Foreign Literature, Science, and Art, 16±ÇLeavitt, Trow, & Company, 1849 |
µµ¼ º»¹®¿¡¼
100°³ÀÇ °á°ú Áß 1 - 5°³
3 ÆäÀÌÁö
... written , he no doubt speculated on which , if we may judge from the quantity obtaining . For though some of his produc- tions were evidently designed as a vehicle for conveying to the public the noble lord's po- which have always been ...
... written , he no doubt speculated on which , if we may judge from the quantity obtaining . For though some of his produc- tions were evidently designed as a vehicle for conveying to the public the noble lord's po- which have always been ...
22 ÆäÀÌÁö
... written largely on duels , and is one of the best authorities on the subject ) . " For , " he adds , " when one of ... writing ; he replied by cursing his writings , and added , " What a pity he was not brought up to be a clerk ...
... written largely on duels , and is one of the best authorities on the subject ) . " For , " he adds , " when one of ... writing ; he replied by cursing his writings , and added , " What a pity he was not brought up to be a clerk ...
36 ÆäÀÌÁö
... written within us , not transcribing anything from without . We know that the law which re- quires that after three whole notes a half note must succeed , is part of ourselves - a necessity in our being one of the signs that distinguish ...
... written within us , not transcribing anything from without . We know that the law which re- quires that after three whole notes a half note must succeed , is part of ourselves - a necessity in our being one of the signs that distinguish ...
39 ÆäÀÌÁö
... written . We should ques- direct or indirect . The materials of his poetry are not akin to music . We do not long to set his deep thoughts to melody- they leave nothing unexpressed for the musi- cian to say . No poet who has been so ...
... written . We should ques- direct or indirect . The materials of his poetry are not akin to music . We do not long to set his deep thoughts to melody- they leave nothing unexpressed for the musi- cian to say . No poet who has been so ...
42 ÆäÀÌÁö
... written those commentaries which have been the curse of all musicians , instead of before ; and also partly from the state of the times . We might be tempted to ask how such a perversion of the common use of what is called ear could ...
... written those commentaries which have been the curse of all musicians , instead of before ; and also partly from the state of the times . We might be tempted to ask how such a perversion of the common use of what is called ear could ...
±âŸ ÃâÆǺ» - ¸ðµÎ º¸±â
ÀÚÁÖ ³ª¿À´Â ´Ü¾î ¹× ±¸¹®
Abd-el-Kader admiration appear army Barré beauty Benedictine called character Charles Christian Church Clive death Duke Duke of Guise Dupleix England English eyes father favor feel France French genius give Goethe hand heart honor human India interest Junius Keats King labor Lady Lamb language less letters letters of Junius literary living look Lord Lord Castlereagh Lord George Sackville Lord Melbourne Lord Shelburne Louis Louis Blanc Mabillon Macaulay Macbeth Macleane means ment mind moral nation nature ness never noble opinion original party passed passion peculiar Pepys person poem poet poetry political present prince principle race reader remarkable Revolution Scotland seems Shakspeare Sir Philip Francis society soul Spain spirit style success things thou thought tion truth Whig whole words write young
Àαâ Àο뱸
202 ÆäÀÌÁö - But in these cases We still have judgment here; that we but teach Bloody instructions, which, being taught, return To plague the inventor: This even-handed justice Commends the ingredients of our poison'd chalice To our own lips.
210 ÆäÀÌÁö - Hell is murky. Fie, my lord, fie ! a soldier, and afeard? What need we fear who knows it, when none can call our power to account? Yet who would have thought the old man to have had so much blood in him? Doct. Do you mark that? Lady M. The thane of Fife had a wife; where is she now? What, will these hands ne'er be clean? No more o' that, my lord, no more o' that: you mar all with this starting.
508 ÆäÀÌÁö - And she may still exist in undiminished vigour when some traveller from New Zealand shall, in the midst of a vast solitude, take his stand on a broken arch of London Bridge to sketch the ruins of St. Paul's.
208 ÆäÀÌÁö - Who was it that thus cried ? Why, worthy thane, You do unbend your noble strength, to think So brainsickly of things. Go, get some water, And wash this filthy witness from your hand.
145 ÆäÀÌÁö - A poet is the most unpoetical of anything in existence, because he has no identity ; he is continually in for, and filling, some other body. The sun, the moon, the sea, and men and women, who are creatures of impulse, are poetical, and have about them an unchangeable attribute ; the poet has none, no identity. He is certainly the most unpoetical of all God's creatures.
15 ÆäÀÌÁö - Goldsmith's plain narrative will please again and again. I would say to Robertson what an old tutor of a college said to one of his pupils : ' Read over your compositions, and wherever you meet with a passage which you think is particularly fine, strike it out.
145 ÆäÀÌÁö - I am a member ; that sort distinguished from the Wordsworthian, or egotistical Sublime ; which is a thing per se, and stands alone), it is not itself — it has no self- -It is every thing and nothing — It has no character...
205 ÆäÀÌÁö - Cromwell, I charge thee, fling away ambition : By that sin fell the angels; how can man, then, The image of his Maker, hope to win by it ? Love thyself last: cherish those hearts that hate thee ; Corruption wins not more than honesty.
150 ÆäÀÌÁö - That it is so is no fault of mine. No ! — though it may sound a little paradoxical. It is as good as I had power to make it — by myself — Had I been nervous...
211 ÆäÀÌÁö - She should have died hereafter; There would have been a time for such a word. Tomorrow, and tomorrow, and tomorrow Creeps in this petty pace from day to day To the last syllable of recorded time; And all our yesterdays have lighted fools The way to dusty death.