Outline History of English and American LiteratureAmerican Book Company, 1900 - 552페이지 |
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9 페이지
... imagination and reality play important parts , sometimes one and sometimes the other having the most influence , so that it is frequently difficult to distinguish their relative importance . In the very earliest ages , and in ...
... imagination and reality play important parts , sometimes one and sometimes the other having the most influence , so that it is frequently difficult to distinguish their relative importance . In the very earliest ages , and in ...
12 페이지
... imaginative power to form a general comprehension of a period , some knowledge of history , especially of the history of manners and social development , aids greatly in appreciation of literature , even of literature of the highest ...
... imaginative power to form a general comprehension of a period , some knowledge of history , especially of the history of manners and social development , aids greatly in appreciation of literature , even of literature of the highest ...
18 페이지
... imagination , and for love of color , music , and artistic ornament . The Low - Germanic race is slower and more logical in its mental operations , but steady and persevering . In practical matters , it is bolder and more enterprising ...
... imagination , and for love of color , music , and artistic ornament . The Low - Germanic race is slower and more logical in its mental operations , but steady and persevering . In practical matters , it is bolder and more enterprising ...
27 페이지
... imaginative production has some of nature's qualities , absence of artificiality , conceit , and affectation . - QUESTIONS What traits have been contributed by the Saxon and the Celt re- spectively to the English character ? What ...
... imaginative production has some of nature's qualities , absence of artificiality , conceit , and affectation . - QUESTIONS What traits have been contributed by the Saxon and the Celt re- spectively to the English character ? What ...
31 페이지
... imagination is less disposed to dwell on the shadowy , the vague , and the terrible than is the original English imagination , and the French sense of artistic form is more logical and better regulated than is that of the English . It ...
... imagination is less disposed to dwell on the shadowy , the vague , and the terrible than is the original English imagination , and the French sense of artistic form is more logical and better regulated than is that of the English . It ...
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Addison admirable American Anglo-Saxon artistic ballad beauty became Ben Jonson Beowulf blank verse born Byron Cædmon called character Charles Charles Lamb Chaucer Church Coleridge College comedy death died drama early eighteenth century Elizabethan England English literature essays expression Faerie Queene father French friends genius hath heart Henry Henry VIII heroic couplet History Hudibras human humor imagination interest John John Milton JOHNSON'S LIT king language Latin Layamon literary living London Lord lyrical Milton mind modern nation nature never night novel period plays poems poet poetic poetry political Pope printed production prose published Puritan qualities Queen rhyme romance satire says sense Shakespeare Shelley Sir Bedivere society song sonnets soul Spenser spirit story style sweet Tamburlaine thee thou thought tion translated Trinity College true verse volume William Shakespeare Wordsworth writer written wrote young
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338 페이지 - What thou art we know not ; What is most like thee ? From rainbow clouds there flow not Drops so bright to see, As from thy presence showers a rain of melody.
324 페이지 - It ceased ; yet still the sails made on A pleasant noise till noon, A noise like of a hidden brook In the leafy month of June, That to the sleeping woods all night Singeth a quiet tune.
469 페이지 - midst falling dew, While glow the heavens with the last steps of day, Far, through their rosy depths, dost thou pursue Thy solitary way...
341 페이지 - He has outsoared the shadow of our night; Envy and calumny and hate and pain, And that unrest which men miscall delight, Can touch him not and torture not again...
338 페이지 - Like a glow-worm golden In a dell of dew, Scattering unbeholden Its aerial hue Among the flowers and grass which screen it from the view...
158 페이지 - O, for my sake do you with Fortune chide, The guilty goddess of my harmful deeds, That did not better for my life provide Than public means which public manners breeds. Thence comes it that my name receives a brand, And almost thence my nature is subdued To what it works in, like the dyer's hand...
339 페이지 - What objects are the fountains Of thy happy strain ? What fields, or waves, or mountains ? What shapes of sky or plain ? What love of thine own kind ? what ignorance of pain ? With thy clear, keen joyance Languor cannot be : Shadow of annoyance Never came near thee : Thou lovest, but ne'er knew love's sad satiety.
233 페이지 - Fear no more the frown o' the great; Thou art past the tyrant's stroke; Care no more to clothe and eat; To thee the reed is as the oak : The sceptre, learning, physic, must All follow this, and come to dust.
341 페이지 - Peace, peace ! he is not dead, he doth not sleep — He hath awakened from the dream of life — 'Tis we, who, lost in stormy visions, keep With phantoms an unprofitable strife, And in mad trance strike with our spirit's knife Invulnerable nothings.
213 페이지 - CYRIACK, this three years day these eyes, though clear, To outward view, of blemish or of spot, Bereft of light, their seeing have forgot ; Nor to their idle orbs doth sight appear Of sun, or moon, or star, throughout the year, Or man, or woman. Yet I argue not Against Heaven's hand or will, nor bate a jot Of heart or hope ; but still bear up and steer Right onward.