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examine the Latinity of my new acquaintance, he gave it to The Latin was sufficiently correct, but the version was paraphrastic, which I observed; he assented, and said that it would pass muster, and he felt no interest in such efforts, and no desire to excel in them. I also noticed many portions of heroic verses, and even several entire verses, and these I pointed out as defects in a prose composition. He smiled archly, and asked, in his piercing whisper—“Do you think they will observe them? I inserted them intentionally to try their ears! I once showed up a theme at Eton to old Keate, in which there were a great many verses; but he observed them, scanned them, and asked why I had introduced them? I answered, that I did not know they were there; this was partly true and partly false; but he believed me, and immediately applied to me the line, in which Ovid says of himself—

'Et quod tentabam dicere, versus erat.'"

Shelley then spoke of the facility with which he could compose Latin verses; and, taking the paper ont of my hand, he began to put the entire translation into verse. He would sometimes open at hazard a prose writer, as Livy, or Sallust, and by changing the position of the words, and occasionally substituting others, he would transmute several sentences from prose to verse-to heroic, or more commonly elegiac, verse, for he was peculiarly charmed with the graceful and easy flow of the latter—with surprising rapidity and readiness. He was fond of displaying this accomplishment during his residence at Oxford, but he forgot to bring it away with him when he quitted the University; or perhaps he left it behind him designedly, as being suitable to academic groves only and to the banks of the Isis.

SHELLEY AND HIS NEW SUIT.

I was surprised at the contrast between the general indifference of Shelley for the mechanical arts, and his intense admiration of a particular application of one of them the first time I noticed the latter peculiarity. During our residence at Oxford,

I repaired to his rooms one morning at the accustomed hour, and I found a tailor with him. He had expected to receive a new coat on the preceding evening; it was not sent home, and he was mortified, I know not why, for he was commonly altogether indifferent about dress, and scarcely appeared to distinguish one coat from another. He was now standing erect in the middle of the room in his new blue coat, with all its glittering buttons, and to atone for the delay, the tailor was loudly extolling the beauty of the cloth and the felicity of the fit; his eloquence had not been thrown away upon his customer, for never was man more easily persuaded than the master of persuasion. The man of thimbles applied to me to vouch his eulogies; I briefly assented to them. He withdrew, after some bows, and Shelley, snatching his hat, cried with shrill impatience :

"Let us go!"

66

Do you mean to walk in the fields in your new coat?" I asked.

"Yes, certainly," he answered, and we sallied forth.

We sauntered for a moderate space through lanes and byeways, until we reached a spot near to a farm-house, where the frequent trampling of much cattle had rendered the road almost impassable, and deep with black mud; but by crossing the corner of a stack-yard, from one gate to another, we could tread upon clean straw, and could wholly avoid the impure and impracticable slough.

I

We had nearly effected the brief and commodious transit, I was stretching forth my hand to open the gate that led us back into the lane, when a lean, brindled, and most ill-favoured mastiff, that had stolen upon us softly over the straw unheard, and without barking, seized Shelley suddenly by the skirts. instantly kicked the animal in the ribs with so much force, that I felt for some days after the influence of his gaunt bones on my toe. The blow caused him to flinch towards the left, and Shelley, turning round quickly, planted a kick in his throat, which sent him away sprawling, and made him retire hastily among the stacks, and we then entered the lane. The fury of

the mastiff, and the rapid turn, had torn the skirts of the new blue coat across the back, just about that part of the human loins which our tailors, for some wise, but inscrutable purpose, are wont to adorn with two buttons. They were entirely severed from the body, except a narrow strip of cloth on the left side, and this Shelley presently rent asunder.

I never saw him so angry either before or since; he vowed that he would bring his pistols and shoot the dog, and that he would proceed at law against the owner. The fidelity of the dog towards his master is very beautiful in theory, and there is much to admire and to revere in this ancient and venerable alliance; but, in practice, the most unexceptionable dog is a nuisance to all mankind, except his master, at all times, and very often to him also, and a fierce surly dog is the enemy of the whole human race. The farm-yards, in many parts of England, are happily free from a pest that is formidable to everybody but thieves by profession; in other districts savage dogs abound, and in none so much, according to my experience, as in the vicinity of Oxford. The neighborhood of a still more famous city, of Rome, is likewise infested by dogs, more lowering, more ferocious, and incomparably more powerful.

Shelley was proceeding home with rapid strides, bearing the skirts of his new coat on his left arm, to procure his pistols, that he might wreak his vengeance upon the offending dog. I disliked the race, but I did not desire to take an ignoble revenge upon the miserable individual.

"Let us try to fancy, Shelley," I said to him, as he was posting away in indignant silence, "that we have been at Oxford, and have come back again, and that you have just laid the beast low-and what then?"

He was silent for some time, but I soon perceived, from the relaxation of his pace, that his anger had relaxed also.

At last he stopped short, and taking the skirts from his arm, spread them upon the hedge, stood gazing at them with a mournful aspect, sighed deeply, and after a few moments continued his march.

"Would it not be better to take the skirts with us?" I inquired.

"No," he answered, despondingly, "let them remain as a spectacle for men and gods!"

We returned to Oxford, and made our way by back streets to our College. As we entered the gates, the officious scout remarked with astonishment Shelley's strange spenser, and asked for the skirts, that he might instantly carry the wreck to the tailor. Shelley answered, with his peculiarly pensive air, "They are upon the hedge."

The scout looked up at the clock, at Shelley, and through the gate into the street as it were at the same moment and with one eager glance, and would have run blindly in quest of them, but I drew the skirts from my pocket, and unfolded them, and he followed us to Shelley's rooms.

We were sitting there in the evening, at tea, when the tailor who had praised the coat so warmly in the morning, brought it back as fresh as ever, and apparently uninjured. It had been fine-drawn; he showed how skilfully the wound had been healed, and he commended, at some length, the artist who had effected the cure. Shelley was astonished and delighted: had the tailor consumed the new blue coat in one of his crucibles, and suddenly raised it, by magical incantation, a fresh and purple Phoenix from the ashes, his admiration could hardly have been more vivid. It might be, in this instance, that his joy at the unexpected restoration of a coat, for which, although he was utterly indifferent to dress, he had, through some unaccountable caprice, conceived a fondness, gave force to his sympathy with art; but I have remarked in innumerable cases, where no personal motive could exist, that he was animated by all the ardor of a maker in witnessing the display of the creative energies.

"KONX OMPAX."

I was walking one afternoon, in the summer, on the western side of that short street leading from Long Acre to Covent Garden, wherein the passenger is earnestly invited, as a per

sonal favor to the demandant, to proceed straightway to Highgate or to Kentish Town, and which is called, I think, James Street; I was about to enter Covent Garden, when an Irish laborer, whom I met, bearing an empty hod, accosted me somewhat roughly, and asked why I had run against him; I told him briefly that he was mistaken. Whether somebody had actually pushed the man, or he sought only to quarrel, and although he doubtless attended a weekly row regularly, and the week was already drawing to a close, he was unable to wait until Sunday for a broken head, I know not, but he discoursed for some time with the vehemence of a man who considers himself injured or insulted, and he concluded, being emboldened by my long silence, with a cordial invitation just to push him again. Several persons not very unlike in costume had gathered round him, and appeared to regard him with sympathy. When he paused, I addressed to him slowly and quietly, and it should seem with great gravity, these words, as nearly as I can recollect them:

“I have put my hand into the hamper; I have looked upon the sacred barley; I have eaten out of the drum! I have drunk and was well pleased: I have said, κòyέ öμñaέ, and it is finished!"

"Have you, Sir?" inquired the astonished Irishman, and his ragged friends instantly pressed round him with “Where is the hamper, Paddy ?"—" What barley?" and the like. And ladies from his own country, that is to say, the basket-women, suddenly began to interrogate him, "Now, I say, Pat, where have you been drinking? What have you had ?”

I turned therefore to the right, leaving the astounded neophyte, whom I had thus planted, to expound the mystic words of initiation, as he could, to his inquisitive companions.

As I walked slowly under the piazzas, and through the streets and courts, towards the west, I marvelled at the ingenuity of Orpheus-if he were indeed the inventor of the Eleusinian mysteries-that he was able to devise words that, imperfectly as I had repeated them, and in the tattered fragment that has reached us, were able to soothe people so savage and bar

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