The Golden Legend

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D. Bogue, 1851 - 301ÆäÀÌÁö

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12 ÆäÀÌÁö - WASHINGTON STREET, BOSTON, ANNUAL OF SCIENTIFIC DISCOVERY ; or, Year Book of Facts in Science and Art, exhibiting the most important Discoveries and Improvements in Mechanics, Useful Arts, Natural Philosophy, Chemistry, Astronomy, Meteorology, Zoology, Botany, Mineralogy, Geology, Geography, Antiquities, etc.
14 ÆäÀÌÁö - BOY'S OWN BOOK (THE) : A Complete Encyclopaedia of all the Diversions, Athletic, Scientific, and Recreative, of Boyhood and Youth.
7 ÆäÀÌÁö - The Comic Alphabet. Twenty-six Humorous Designs. In case, 2s. 6d. plain ; 4s. coloured. The Loving Ballad of Lord Bateman. With Twelve Humorous Plates. Cloth, 2s. The Bachelor's Own Book : being Twenty-four Passages in the Life of Mr. Lambkin in the Pursuit of Pleasure and Amusement. 5s. sewed ; coloured, 8s. 6d.
17 ÆäÀÌÁö - Scott's Ivanhoe. Scott's Kenilworth. Scott's Lady of the Lake. Scott's Lay of the Last Minstrel. Scott's Marmion. Scott's Quentin Durward.
4 ÆäÀÌÁö - Glossary of Architecture. Explanation of the Terms used in Grecian, Roman, Italian, and Gothic Architecture, exemplified by many Hundred Woodcuts. Fifth Edition, much enlarged. 3 vols. 8vo. 48s. Introduction to Gothic Architecture. By the Editor of the " Glossary ;" with numerous Illustrations, 4s.
13 ÆäÀÌÁö - Illustrated by MEADOWS. Fcp. 8vo. 2s. cloth. The Dream of Eugene Aram. By THOMAS HOOD, Author of " The Song of a Shirt." With Illustrations by Harvey. Crown 8vo. Is. sewed. •WORKS 'WITH ILLUMINATED TITLES. IN THE STYLE OF THE OLD ROMISH MISSALS. Books of Poetry. THE POETRY OF FLOWERS. POETRY OF THE SENTIMENTS. THE LYRE.— Fugitive Poetry of the Nineteenth Century. THE LAUREL— a Companion Volume to the Lyre. 3s. 6d. neatly bound in French morocco elegant. Elegant Miniature Editions. COWPER'S...
3 ÆäÀÌÁö - The Elements of Art : a Manual for the Amateur, and Basis of Study for the Professional Artist. By JG CHAPMAN. Many Woodcuts.
295 ÆäÀÌÁö - ABSOLON. Crown 8vo. cloth, 12s.; morocco, 17s. The Language of Flowers ; or, the Pilgrimage of Love. By THOMAS MILLER. With Twelve beautifully coloured Plates. Fcp. 8vo. silk, 10s. 6d. ; morocco, 12s. The Romance of Nature ; or, the Flower Seasons Illustrated. By LA TWAMLEY.
226 ÆäÀÌÁö - With music sweet, and low, and melancholy. Let us go forward, and no longer stay In this great picture-gallery of Death ! I hate it ! ay, the very thought of it ! Elsie.
245 ÆäÀÌÁö - And if our Faith had given us nothing more Than this example of all womanhood, So mild, so merciful, so strong, so good, So patient, peaceful, loyal, loving, pure, This were enough to prove it higher and truer Than all the creeds the world had known before. Pilgrims (chaunting afar off). Urbs ccelestis, urbs beata, Supra petram collocata, Urbs in portu satis tuto De longinquo te saluto, Te saluto, te suspiro, Te affecto, te requiro!

ÀúÀÚ Á¤º¸ (1851)

During his lifetime, Longfellow enjoyed a popularity that few poets have ever known. This has made a purely literary assessment of his achievement difficult, since his verse has had an effect on so many levels of American culture and society. Certainly, some of his most popular poems are, when considered merely as artistic compositions, found wanting in serious ways: the confused imagery and sentimentality of "A Psalm of Life" (1839), the excessive didacticism of "Excelsior" (1841), the sentimentality of "The Village Blacksmith" (1839). Yet, when judged in terms of popular culture, these works are probably no worse and, in some respects, much better than their counterparts in our time. Longfellow was very successful in responding to the need felt by Americans of his time for a literature of their own, a retelling in verse of the stories and legends of these United States, especially New England. His three most popular narrative poems are thoroughly rooted in American soil. "Evangeline: A Tale of Acadie" (1847), an American idyll; "The Song of Hiawatha" (1855), the first genuinely native epic in American poetry; and "The Courtship of Miles Standish" (1858), a Puritan romance of Longfellow's own ancestors, John Alden and Priscilla Mullens. "Paul Revere's Ride," the best known of the "Tales of a Wayside Inn"(1863), is also intensely national. Then, there is a handful of intensely personal, melancholy poems that deal in very successful ways with those themes not commonly thought of as Longfellow's: sorrow, death, frustration, the pathetic drift of humanity's existence. Chief among these are "My Lost Youth" (1855), "Mezzo Cammin" (1842), "The Ropewalk" (1854), "The Jewish Cemetery at Newport" (1852), and, most remarkable in its artistic success, "The Cross of Snow," a heartfelt sonnet so personal in its expression of the poet's grief for his dead wife that it remained unpublished until after Longfellow's death. A professor of modern literature at Harvard College, Longfellow did much to educate the general reading public in the literatures of Europe by means of his many anthologies and translations, the most important of which was his masterful rendition in English of Dante's Divine Comedy (1865-67).

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