Essays and Postscripts on ElocutionE. S. Werner, 1886 - 212페이지 |
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4 페이지
... object is to ridicule or to excite to merriment . The mechanical part of gesture ought to be mastered by every speaker , so that he may be enabled always to move with grace , or stand still with ease . But he should also know when , as ...
... object is to ridicule or to excite to merriment . The mechanical part of gesture ought to be mastered by every speaker , so that he may be enabled always to move with grace , or stand still with ease . But he should also know when , as ...
34 페이지
... object of alpha- betic writing has become lost in the confusion of letters . An alphabet that should furnish a distinct character for every sound in the whole circle of languages was , for long , a dream of philologists ; but this ...
... object of alpha- betic writing has become lost in the confusion of letters . An alphabet that should furnish a distinct character for every sound in the whole circle of languages was , for long , a dream of philologists ; but this ...
41 페이지
... objects of elocutionary study are only two : the mastery of the instrument of expression , and the dis- cernment of the principles of expression . The avenues of utterance must first be made clear ; then that which is within the mind ...
... objects of elocutionary study are only two : the mastery of the instrument of expression , and the dis- cernment of the principles of expression . The avenues of utterance must first be made clear ; then that which is within the mind ...
49 페이지
... object is not accumulation , but distribution . There is much of real intellectual acquisition in the princi- ples of Expression . There is a vocal Logic , — there is a Rhetoric of inflexion , there is a Poetry of style , and a ...
... object is not accumulation , but distribution . There is much of real intellectual acquisition in the princi- ples of Expression . There is a vocal Logic , — there is a Rhetoric of inflexion , there is a Poetry of style , and a ...
71 페이지
... object ac'cent accent ' per / fume perfume ' at'tribute attrib'ute pres'age presage com'pact compact pres'ent present ' com / pound compound ' prod'uce produce con'duct conduct ' prot'est protest ' con'flict conflict ' reb'el rebel ...
... object ac'cent accent ' per / fume perfume ' at'tribute attrib'ute pres'age presage com'pact compact pres'ent present ' com / pound compound ' prod'uce produce con'duct conduct ' prot'est protest ' con'flict conflict ' reb'el rebel ...
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accent action alphabet Archbishop Whately articulation breath brogue Capital characteristic clause close commencement common compound consonants defect deliver delivery dialectic diaphragm dictionary difficulty digraphs diphthongs distinct effect effort elementary sounds elements Elocution eloquence emphasis English exercise expression fall faults gesture Glasgow glottis grammatical habit hamlet hear heard hearers illustration imitation impediment inflexion instinct key-word labial consonants language lines lips lisping Lower type manner mastication means mechanical ment merely mind mouth nasal natural nought noun object Orator oratory ordinary organs orthography palate passage pauses peculiarity persons pharynx phonetic pitch poetry present principle pronounced pronunciation reader reading reference Rhetoric rhymes rhythm sense sentence sentiment separate silent letters speak speaker stammering stuttering syllables termination thought throat tion Tones of Speech tongue tune unaccented uncon utterance variety verb VISIBLE SPEECH vocal voice vowel letters vowel sounds Welsh words wriggle
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74 페이지 - Twas thus, by the cave of the mountain afar, While his harp rung symphonious, a hermit began ; No more with himself or with nature at war, He thought as a sage, though he felt as a man.
197 페이지 - Scaling yonder peak, I saw an eagle wheeling near its brow, O'er the abyss : his broad expanded wings Lay calm and motionless upon the air, As if he floated there without their aid, By the sole act of his unlorded will, That buoyed him proudly up.
177 페이지 - This, my lords, is a perilous and tremendous moment ! It is not a time for adulation. The smoothness of flattery cannot now avail; cannot save us in this rugged and awful crisis.
131 페이지 - True ease in writing comes from art, not chance, As those move easiest who have learn'd to dance.
189 페이지 - Roll on, thou deep and dark blue Ocean, roll ! Ten thousand fleets sweep over thee in vain ; Man marks the earth with ruin, his control Stops with the shore ; upon the watery plain The wrecks are all thy deed...
146 페이지 - Every lady In this land Hath twenty nails upon each hand ; Five and twenty on hands and feet. And this is true, without deceit.
130 페이지 - O wad some Power the giftie gie us To see oursels as ithers see us ! It wad frae mony a blunder free us, An...
183 페이지 - There is a pleasure in the pathless woods, There is a rapture on the lonely shore. There is society where none intrudes, By the deep sea, and music in its roar; I love not man the less, but nature more...
182 페이지 - Art is long, and Time is fleeting, And our hearts, though stout and brave, Still, like muffled drums, are beating Funeral marches to the grave.
175 페이지 - Then say not man's imperfect, Heaven in fault; Say rather, man's as perfect as he ought: His knowledge measured to his state and place; His time a moment, and a point his space.