Essays and Postscripts on ElocutionE. S. Werner, 1886 - 212ÆäÀÌÁö |
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16 ÆäÀÌÁö
... organ of mastication . The action of the mouth in mastication is always from open to close , as it rolls , and grinds , and pushes back the morsels of * See " Phonetic Syllabication . " - food . In articulation the mouth moves to mould ...
... organ of mastication . The action of the mouth in mastication is always from open to close , as it rolls , and grinds , and pushes back the morsels of * See " Phonetic Syllabication . " - food . In articulation the mouth moves to mould ...
27 ÆäÀÌÁö
... organs to be separated in order to finish the element . Attention to this point will secure to speech the beauty of distinctness , a quality wanting which the finest composition loses its effect , and the highest ora- torical talent is ...
... organs to be separated in order to finish the element . Attention to this point will secure to speech the beauty of distinctness , a quality wanting which the finest composition loses its effect , and the highest ora- torical talent is ...
33 ÆäÀÌÁö
... organs of speech . The organs are the same in all men ; and , conse- quently , every man possesses naturally the ability to speak any or every language . The difficulty of analysing words into their elementary sounds has been found ...
... organs of speech . The organs are the same in all men ; and , conse- quently , every man possesses naturally the ability to speak any or every language . The difficulty of analysing words into their elementary sounds has been found ...
34 ÆäÀÌÁö
Alexander Melville Bell. how we speak . Our organs have become habituated to the formation of a certain set of sounds , in a certain order , and we cannot , without much labour , pronounce the very same sounds in a different order , or ...
Alexander Melville Bell. how we speak . Our organs have become habituated to the formation of a certain set of sounds , in a certain order , and we cannot , without much labour , pronounce the very same sounds in a different order , or ...
37 ÆäÀÌÁö
... organs which partially or wholly obstruct , or which compress , the breath or voice , are called Articulations ( or Consonants ) . The necessary effect of such obstruction or compression is a degree of explosiveness in the breath when ...
... organs which partially or wholly obstruct , or which compress , the breath or voice , are called Articulations ( or Consonants ) . The necessary effect of such obstruction or compression is a degree of explosiveness in the breath when ...
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accent action alphabet Archbishop Whately articulation breath brogue Capital characteristic clause close commencement common compound consonants defect deliver delivery dialectic diaphragm dictionary difficulty digraphs diphthongs distinct effect effort elementary sounds elements Elocution eloquence emphasis English exercise expression fall faults gesture Glasgow glottis grammatical habit hamlet hear heard hearers illustration imitation impediment inflexion instinct key-word labial consonants language lines lips lisping Lower type manner mastication means mechanical ment merely mind mouth nasal natural nought noun object Orator oratory ordinary organs orthography palate passage pauses peculiarity persons pharynx phonetic pitch poetry present principle pronounced pronunciation reader reading reference Rhetoric rhymes rhythm sense sentence sentiment separate silent letters speak speaker stammering stuttering syllables termination thought throat tion Tones of Speech tongue tune unaccented uncon utterance variety verb VISIBLE SPEECH vocal voice vowel letters vowel sounds Welsh words wriggle
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74 ÆäÀÌÁö - Twas thus, by the cave of the mountain afar, While his harp rung symphonious, a hermit began ; No more with himself or with nature at war, He thought as a sage, though he felt as a man.
197 ÆäÀÌÁö - Scaling yonder peak, I saw an eagle wheeling near its brow, O'er the abyss : his broad expanded wings Lay calm and motionless upon the air, As if he floated there without their aid, By the sole act of his unlorded will, That buoyed him proudly up.
177 ÆäÀÌÁö - This, my lords, is a perilous and tremendous moment ! It is not a time for adulation. The smoothness of flattery cannot now avail; cannot save us in this rugged and awful crisis.
131 ÆäÀÌÁö - True ease in writing comes from art, not chance, As those move easiest who have learn'd to dance.
189 ÆäÀÌÁö - Roll on, thou deep and dark blue Ocean, roll ! Ten thousand fleets sweep over thee in vain ; Man marks the earth with ruin, his control Stops with the shore ; upon the watery plain The wrecks are all thy deed...
146 ÆäÀÌÁö - Every lady In this land Hath twenty nails upon each hand ; Five and twenty on hands and feet. And this is true, without deceit.
130 ÆäÀÌÁö - O wad some Power the giftie gie us To see oursels as ithers see us ! It wad frae mony a blunder free us, An...
183 ÆäÀÌÁö - There is a pleasure in the pathless woods, There is a rapture on the lonely shore. There is society where none intrudes, By the deep sea, and music in its roar; I love not man the less, but nature more...
182 ÆäÀÌÁö - Art is long, and Time is fleeting, And our hearts, though stout and brave, Still, like muffled drums, are beating Funeral marches to the grave.
175 ÆäÀÌÁö - Then say not man's imperfect, Heaven in fault; Say rather, man's as perfect as he ought: His knowledge measured to his state and place; His time a moment, and a point his space.