Essays and Postscripts on ElocutionE. S. Werner, 1886 - 212페이지 |
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페이지
Alexander Melville Bell. ON ELOCUTION , BY ALEXANDER MELVILLE BELL , AUTHOR OF " PRINCIPLES OF SPEECH AND DICTIONARY OF SOUNDS ; " " PRINCIPLES OF ELOCUTION ; " VISIBLE SPEECH AND UNIVERSAL ALPHABETICS ; " " SOUNDS AND THEIR RELATIONS ...
Alexander Melville Bell. ON ELOCUTION , BY ALEXANDER MELVILLE BELL , AUTHOR OF " PRINCIPLES OF SPEECH AND DICTIONARY OF SOUNDS ; " " PRINCIPLES OF ELOCUTION ; " VISIBLE SPEECH AND UNIVERSAL ALPHABETICS ; " " SOUNDS AND THEIR RELATIONS ...
1 페이지
... Principles may be acknowledged as universally true , and yet they may admit of different applications in given cir- cumstances . Every thought is many sided , and it may present one or another of its facets to the observer , accord ...
... Principles may be acknowledged as universally true , and yet they may admit of different applications in given cir- cumstances . Every thought is many sided , and it may present one or another of its facets to the observer , accord ...
3 페이지
... principle of uniting no two words between which there is not a mutual relation in sense . The graduation of pauses ... principles above presented , a true scientific basis is established for THE SCIENCE OF ELOCUTION . 3.
... principle of uniting no two words between which there is not a mutual relation in sense . The graduation of pauses ... principles above presented , a true scientific basis is established for THE SCIENCE OF ELOCUTION . 3.
4 페이지
... principles , assigning certain physical regions to certain classes of sentiments , etc .; but , while perhaps applicable enough in pantomime , such principles would be out of place in oratorical action . The sculptor or the painter ...
... principles , assigning certain physical regions to certain classes of sentiments , etc .; but , while perhaps applicable enough in pantomime , such principles would be out of place in oratorical action . The sculptor or the painter ...
5 페이지
... . * * For full practical details of the subjects referred to in this Article , see the Author's " Principles of Elocution " ( Fourth Edition ) . II . FAULTS IN READING AND SPEAKING . Few persons THE SCIENCE OF ELOCUTION . 5.
... . * * For full practical details of the subjects referred to in this Article , see the Author's " Principles of Elocution " ( Fourth Edition ) . II . FAULTS IN READING AND SPEAKING . Few persons THE SCIENCE OF ELOCUTION . 5.
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accent action alphabet Archbishop Whately articulation breath brogue Capital characteristic clause close commencement common compound consonants defect deliver delivery dialectic diaphragm dictionary difficulty digraphs diphthongs distinct effect effort elementary sounds elements Elocution eloquence emphasis English exercise expression fall faults gesture Glasgow glottis grammatical habit hamlet hear heard hearers illustration imitation impediment inflexion instinct key-word labial consonants language lines lips lisping Lower type manner mastication means mechanical ment merely mind mouth nasal natural nought noun object Orator oratory ordinary organs orthography palate passage pauses peculiarity persons pharynx phonetic pitch poetry present principle pronounced pronunciation reader reading reference Rhetoric rhymes rhythm sense sentence sentiment separate silent letters speak speaker stammering stuttering syllables termination thought throat tion Tones of Speech tongue tune unaccented uncon utterance variety verb VISIBLE SPEECH vocal voice vowel letters vowel sounds Welsh words wriggle
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74 페이지 - Twas thus, by the cave of the mountain afar, While his harp rung symphonious, a hermit began ; No more with himself or with nature at war, He thought as a sage, though he felt as a man.
197 페이지 - Scaling yonder peak, I saw an eagle wheeling near its brow, O'er the abyss : his broad expanded wings Lay calm and motionless upon the air, As if he floated there without their aid, By the sole act of his unlorded will, That buoyed him proudly up.
177 페이지 - This, my lords, is a perilous and tremendous moment ! It is not a time for adulation. The smoothness of flattery cannot now avail; cannot save us in this rugged and awful crisis.
131 페이지 - True ease in writing comes from art, not chance, As those move easiest who have learn'd to dance.
189 페이지 - Roll on, thou deep and dark blue Ocean, roll ! Ten thousand fleets sweep over thee in vain ; Man marks the earth with ruin, his control Stops with the shore ; upon the watery plain The wrecks are all thy deed...
146 페이지 - Every lady In this land Hath twenty nails upon each hand ; Five and twenty on hands and feet. And this is true, without deceit.
130 페이지 - O wad some Power the giftie gie us To see oursels as ithers see us ! It wad frae mony a blunder free us, An...
183 페이지 - There is a pleasure in the pathless woods, There is a rapture on the lonely shore. There is society where none intrudes, By the deep sea, and music in its roar; I love not man the less, but nature more...
182 페이지 - Art is long, and Time is fleeting, And our hearts, though stout and brave, Still, like muffled drums, are beating Funeral marches to the grave.
175 페이지 - Then say not man's imperfect, Heaven in fault; Say rather, man's as perfect as he ought: His knowledge measured to his state and place; His time a moment, and a point his space.