Essays and Postscripts on ElocutionE. S. Werner, 1886 - 212페이지 |
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7 페이지
... rise , in accordance with the feeling that each clause is only part of a visible sentence , and each sentence only part of a visible paragraph . A good reader will pronounce clauses and sentences as if each of them stood alone . The ...
... rise , in accordance with the feeling that each clause is only part of a visible sentence , and each sentence only part of a visible paragraph . A good reader will pronounce clauses and sentences as if each of them stood alone . The ...
43 페이지
... rising or falling progres- sion , and never entirely level . A glide in music is a step with the angle rounded off ; a speaking inflexion is a con- tinuous curve ; it has no angle at all . Such is the mech- anism of individual ...
... rising or falling progres- sion , and never entirely level . A glide in music is a step with the angle rounded off ; a speaking inflexion is a con- tinuous curve ; it has no angle at all . Such is the mech- anism of individual ...
44 페이지
... Rise . To - morrow , didst thou say , Horatio ? Methought Simple Fall . Methought I heard Methought I heard Horatio say . say . These are instances of a single vocal turn expanded over a series of words . This principle , essential to ...
... Rise . To - morrow , didst thou say , Horatio ? Methought Simple Fall . Methought I heard Methought I heard Horatio say . say . These are instances of a single vocal turn expanded over a series of words . This principle , essential to ...
48 페이지
... Rising tone is Prospective , or anticipatory of meaning . ( 2 ) A Falling tone is Retrospective , or completive of ... rise ; wherever our meaning is contained in what has been said , although there may not be even a comma written ...
... Rising tone is Prospective , or anticipatory of meaning . ( 2 ) A Falling tone is Retrospective , or completive of ... rise ; wherever our meaning is contained in what has been said , although there may not be even a comma written ...
53 페이지
... rise higher or fall lower than a shorter inflexion ; but , in proportion to its emphasis , the tone is pitched lower for a rise and higher for a fall . - The two vocal flexions are susceptible of a very great amount of variety : ( I ) ...
... rise higher or fall lower than a shorter inflexion ; but , in proportion to its emphasis , the tone is pitched lower for a rise and higher for a fall . - The two vocal flexions are susceptible of a very great amount of variety : ( I ) ...
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accent action alphabet Archbishop Whately articulation breath brogue Capital characteristic clause close commencement common compound consonants defect deliver delivery dialectic diaphragm dictionary difficulty digraphs diphthongs distinct effect effort elementary sounds elements Elocution eloquence emphasis English exercise expression fall faults gesture Glasgow glottis grammatical habit hamlet hear heard hearers illustration imitation impediment inflexion instinct key-word labial consonants language lines lips lisping Lower type manner mastication means mechanical ment merely mind mouth nasal natural nought noun object Orator oratory ordinary organs orthography palate passage pauses peculiarity persons pharynx phonetic pitch poetry present principle pronounced pronunciation reader reading reference Rhetoric rhymes rhythm sense sentence sentiment separate silent letters speak speaker stammering stuttering syllables termination thought throat tion Tones of Speech tongue tune unaccented uncon utterance variety verb VISIBLE SPEECH vocal voice vowel letters vowel sounds Welsh words wriggle
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74 페이지 - Twas thus, by the cave of the mountain afar, While his harp rung symphonious, a hermit began ; No more with himself or with nature at war, He thought as a sage, though he felt as a man.
197 페이지 - Scaling yonder peak, I saw an eagle wheeling near its brow, O'er the abyss : his broad expanded wings Lay calm and motionless upon the air, As if he floated there without their aid, By the sole act of his unlorded will, That buoyed him proudly up.
177 페이지 - This, my lords, is a perilous and tremendous moment ! It is not a time for adulation. The smoothness of flattery cannot now avail; cannot save us in this rugged and awful crisis.
131 페이지 - True ease in writing comes from art, not chance, As those move easiest who have learn'd to dance.
189 페이지 - Roll on, thou deep and dark blue Ocean, roll ! Ten thousand fleets sweep over thee in vain ; Man marks the earth with ruin, his control Stops with the shore ; upon the watery plain The wrecks are all thy deed...
146 페이지 - Every lady In this land Hath twenty nails upon each hand ; Five and twenty on hands and feet. And this is true, without deceit.
130 페이지 - O wad some Power the giftie gie us To see oursels as ithers see us ! It wad frae mony a blunder free us, An...
183 페이지 - There is a pleasure in the pathless woods, There is a rapture on the lonely shore. There is society where none intrudes, By the deep sea, and music in its roar; I love not man the less, but nature more...
182 페이지 - Art is long, and Time is fleeting, And our hearts, though stout and brave, Still, like muffled drums, are beating Funeral marches to the grave.
175 페이지 - Then say not man's imperfect, Heaven in fault; Say rather, man's as perfect as he ought: His knowledge measured to his state and place; His time a moment, and a point his space.