A Midsummer Night's DreamClarendon Press, 1877 - 147ÆäÀÌÁö |
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... Lucrece . The Merchant of Venice is assigned to 1596 , and Henry the Fourth to 1597 . Besides these there are the three Parts of Henry the Sixth , which Meres does not mention , but which , if Shakespeare's at all , must belong to the ...
... Lucrece . The Merchant of Venice is assigned to 1596 , and Henry the Fourth to 1597 . Besides these there are the three Parts of Henry the Sixth , which Meres does not mention , but which , if Shakespeare's at all , must belong to the ...
72 ÆäÀÌÁö
... Lucrece , 690. Tyndale's translation of 2 Cor . iv . 17 , is , ' For oure excedinge tribulacion which is momentany ( Vulg . momentaneum ) and light prepareth an excedinge and an eternall wayght of glorye vnto vs. ' 6 ¡¤ 145. collied ...
... Lucrece , 690. Tyndale's translation of 2 Cor . iv . 17 , is , ' For oure excedinge tribulacion which is momentany ( Vulg . momentaneum ) and light prepareth an excedinge and an eternall wayght of glorye vnto vs. ' 6 ¡¤ 145. collied ...
74 ÆäÀÌÁö
... Lucrece , 58 ; Romeo and Juliet , ii . 5. 7 . 173. See Virgil , Aeneid , iv . 584 , & c . Steevens pointed out the ana- chronism of making Dido and Aeneas earlier in point of time than Theseus . But Shakespeare's Hermia lived in the ...
... Lucrece , 58 ; Romeo and Juliet , ii . 5. 7 . 173. See Virgil , Aeneid , iv . 584 , & c . Steevens pointed out the ana- chronism of making Dido and Aeneas earlier in point of time than Theseus . But Shakespeare's Hermia lived in the ...
98 ÆäÀÌÁö
... Lucrece , 543 : ' Like a white hind under the gripe's sharp claws . ' " Baret in his Alvearie gives , a Griffon , or gripe . Gryps . ' See also Holland's Pliny , vii . 2 ( vol . i . p . 154 ) : Griffons , a kind of wild beasts that flie ...
... Lucrece , 543 : ' Like a white hind under the gripe's sharp claws . ' " Baret in his Alvearie gives , a Griffon , or gripe . Gryps . ' See also Holland's Pliny , vii . 2 ( vol . i . p . 154 ) : Griffons , a kind of wild beasts that flie ...
100 ÆäÀÌÁö
... Lucrece , 196 : ' Let fair humanity abhor the deed That spots and stains love's modest snow - white weed . ' 257. streak , stroke , touch gently . 6 263 , 264. Steevens appealed to the rhyme between ' man ' and ' on ' to shew that the ...
... Lucrece , 196 : ' Let fair humanity abhor the deed That spots and stains love's modest snow - white weed . ' 257. streak , stroke , touch gently . 6 263 , 264. Steevens appealed to the rhyme between ' man ' and ' on ' to shew that the ...
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Athenian Athens Bottom called Clar comedy Compare King Compare The Tempest conjecture Cotgrave Cymbeline dance dear death Demetrius Dict doth duke Egeus Enter Exeunt Exit eyes fair flower folios read gentle give Hamlet hast hath haue hear heart Helena Henry Hermia Hippolyta honeysuckle King Lear lady later folios lion look lord Love's Labour's Lost lovers Lucrece Lysander Macbeth Malone Merchant of Venice Merry Wives Midsummer Night's Dream Milton moon Moonshine mounsieur never o'er Oberon Philostrate play present passage prologue Puck Pyramus quartos and folios Quin Quince rhyme Richard Robin Goodfellow Romeo and Juliet says scorn second quarto sense Shakespeare sleep Snout song Sonnet speak sport Steevens quotes sweet Tale thee Theobald Theseus Thisby thou Tita Titania Troilus and Cressida troth true Twelfth Night Venus and Adonis wall Wives of Windsor wood woodbine word
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114 ÆäÀÌÁö - in so far that, should I wade no more, Returning were as tedious as go o'er.' Coleridge conjectured ' plunge in knee deep,' which Phelps adopted. The phrase • over shoes' in the sense of moderately deep occurs in The Two Gentlemen of Verona, i.
113 ÆäÀÌÁö - his face, And lamentably tore his case, • Amongst the Bryers and brambles.' 26. He, used indefinitely for 'one,' as in Sonnet xxix. 6: * Wishing me like to one more rich in hope, Featured like him, like him with friends possess'd.' And The Merchant of Venice, iv.
36 ÆäÀÌÁö - We, Hermia, like two artificial gods, Have with our needles created both one flower, Both on one sampler, sitting on one cushion, Both warbling of one song, both in one key, As if our hands, our sides, voices and minds, Had been incorporate. So we grew together, Like to a double cherry, seeming parted, But yet an union in partition;
72 ÆäÀÌÁö - O, I am scalded with my violent motion, And spleen of speed to see your majesty! ' 148. Halliwell quotes Romeo and Juliet, ii. 2. 119, 120 : ' Too like the lightning, which doth cease to be, Ere one can say "It lightens."
103 ÆäÀÌÁö - darkling stand The varying shore of the world.' Milton borrowed the word in Paradise Lost, iii. 39 : 'As the wakeful bird Sings darkling, and in shadiest covert hid Tunes her nocturnal note.' 88. fond, foolish, with perhaps something of the other meaning which the word now has.
67 ÆäÀÌÁö - 166 ; and Troilus and Cressida, iii. 3. 176: 'One touch of nature makes the whole world kin, That all with one consent praise new-born gawds.' Both 'gawd' and 'jewel' are derived ultimately from the Latin gaudium ; the latter coming to us immediately from the Old French Joel, which is itself gaudiale.
25 ÆäÀÌÁö - Masters, you ought to consider with yourselves: to bring in—God shield us!—a lion among ladies, is a most dreadful thing; for there is not a more fearful wild-fowl than your lion living; and we ought to look to 't. 30 Snout. Therefore another prologue must tell he is not a lion.
4 ÆäÀÌÁö - did lose it. But, Demetrius, come; And come, Egeus; you shall go with me, I have some private schooling for you both. For you, fair Hermia, look you arm yourself To fit your fancies to your father's will; Or else the law of Athens yields you up— Which by no means we may extenuate— no
41 ÆäÀÌÁö - 380 At whose approach, ghosts, wandering here and there, Troop home to churchyards: damned spirits all, That in crossways and floods have burial, Already to their wormy beds are gone; For fear lest day should look their shames upon, They wilfully themselves exile from light And must for aye consort with black-brow'd night.
30 ÆäÀÌÁö - choughs, many in sort, Rising and cawing at the gun's report, Sever themselves and madly sweep the sky, So, at his sight, away his fellows fly; And, at our stamp, here o'er and o'er one falls; He murder cries and help from Athens calls. Their sense thus weak, lost with their fears thus strong, Made senseless things