Who, tho' the House was up, delighted sate, Fond of his Friend, and civil to his Wife; And much too wise to walk into a well. Him, the damn'd Doctors and his Friends immur'd, They bled, they cupp'd, they purg'd; in short, they cur'd. Whereat the gentleman began to stare 190 "My Friends?" he cry'd, "p-x take you for your care! 195 That from a Patriot of distinguish'd note, Have bled and purg'd me to a simple Vote." Well, on the whole, plain Prose must be my fate: Soon as I enter at my country door, I ask these sober questions of my heart. If, when the more you drink, the more you crave, [Cf. Moral Essays, Ep. 11. v. 268. The original story of this sort of madness is traced by Warton to Aristotle and Ælian; and he compares Boileau's version in his Fourth Satire.] 2 A golden coin, given as a fee by those who came to be touched by the royal hand for the Evil. Warton. [The scrofula. The office for the healing of the evil was originally included in 200 205 210 215 220 225 230 the Book of Common Prayer: the practice was kept up by Charles I. and Charles II., and was renewed by the Pretender.] 3 The whole of this passage alludes to a dedication of Mr, afterwards Bishop, Kennet to the Duke of Devonshire to whom he was chaplain. Bennet. [This explains the blanks in vv. 222 and 229.] A Property, that's yours on which you live. 235 Now, or long since, what diff'rence will be found? You pay a penny, and he paid a pound. Heathcote himself, and such large-acred men, 240 Lords of fat E'sham, or of Lincoln fen, Buy every stick of wood that lends them heat, Yet these are Wights, who fondly call their own 245 Estates have wings, and hang in Fortune's pow'r Ready, by force, or of your own accord, 250 By sale, at least by death, to change their lord. Man? and for ever? wretch! what wouldst thou have? Heir urges heir, like wave impelling wave. All vast possessions (just the same the case Whether you call them Villa, Park, or Chase) 255 Alas, my BATHURST! what will they avail? Join Cotswood hills to Saperton's fair dale ✨, Let rising Granaries and Temples here, 260 And trees, and stones, and farms, and farmer fall. 265 Talk what you will of Taste, my friend, you'll find, 270 1 delightful Abs-court,] A farm over-against Hampton-Court. Warburton. 2 [A plural; as grouse, teal &c.] 3 [Sir Gilbert Heathcote; cf. Moral Essays, Ep. III. v. 101.] 4 [Alluding to the improvements made by Lord Bathurst on one of his Gloucestershire estates, at Daylingworth near Saperton in the Cotswold country.] 5 All Townshend's Turnips] [Lord Townshend, Secretary of State to George the First and Second, resigned office in 1730, and patriotically refrained from returning to public life, where he might have helped his political opponents the Tories to annoy his former rival Walpole. It was owing to him, says Lord Stanhope, that England, and more especially Norfolk, owes the introduction of the turnip from Germany.] [Sir Thomas Grosvenor succeeded to his brother Richard in 1733. They were the ancestors of the present Marquess of Westminster.] Why one like Bu-1 with pay and scorn content, A part I will enjoy, as well as keep. 275 280 285 My heir may sigh, and think it want of grace 290 But does no other lord it at this hour, As wild and mad: the Avarice of pow'r? 1 [Bubb Doddington, the Bubo of the ivth Ep. of the Moral Essays.] 2fly, like Oglethorpe,] Employed in settling the Colony of Georgia. P. [James Edward Oglethorpe, born in 1698, served under Prince Eugene against the Turks, settled the colony of Georgia, held a command during the year 1745, and in consequence of a difficulty which then occurred with the Duke of Cumberland (though Oglethorpe was acquitted by a courtmartial) remained unemployed ever afterwards. 310 315 Mr Croker observes that to his supposed Jacobite leanings may be attributed much of the animosity displayed by the Whigs towards him, as well as of the friendliness subsisting between him and Pope and Johnson.] 3 But sure no statute] Alluding to the statutes made in England and Ireland, to regulate the Succession of Papists, etc. Warburton. [A statute of William III. which was happily so interpreted by the Judges, as to produce much less effect than its authors had intended.] Has life no sourness, drawn so near its end? Or will you think, my friend, your business done, 320 When, of a hundred thorns, you pull out one? You've play'd, and lov'd, and eat, and drank your fill: Walk sober off; before a sprightlier age Comes titt'ring on, and shoves you from the stage: 323 Leave such to trifle with more grace and ease, Whom Folly pleases, and whose Follies please, [THESE Satires, as Pope informs us in the Advertisement prefixed to the Satires and Epistles of Horace Imitated (ante, p. 282), were 'versified' by him at the request of Lords Oxford and Shrewsbury, and therefore in the main belong to an earlier period of his career than the Satires among which they were afterwards inserted. He called his labour 'versifying,' says Warburton, because indeed Donne's lines 'have nothing more of numbers than their being composed of a certain quantity of syllables'—a description exaggerated, but not untrue. John Donne was born in 1578, and died in 1631; but though he wrote most of his poetry before the end of the 16th century, none of it was published till late in the reign of James I. The story of his life may be summed up as that of a popular preacher under pecuniary difficulties, which only towards its close terminated in the assurance of a competency (he died as Dean of St Paul's). Donne has been, in deference to Pope's classification of poets, regarded as the father of the metaphysical, or fantastic school of English poets, which reached its height in the reign of Charles I. His poetry divides itself into two distinctly marked divisions-profane and religious. The former must be in the main regarded as consisting of purely intellectual exercitations; nor should the man be rashly confounded with the writer, or the Ovidian looseness of morals which he affects be supposed to have characterised his life. His Songs are full of the conceits criticised by Dr Johnson; some of his Epigrams are very good; his Elegies are most offensively indecent; and the Progress of the Soul is a disgusting burlesque on the Pythagorean doctrine of metempsychosis. The Funeral Elegies already show the transition to sacred poetry; and it is on these and the Holy Sonnets that rests Donne's claim to be called a metaphysical poet. Yet he states that he affected the metaphysics in his Satires and amorous verses as well. The former were first published, with the rest of his works, in 1633. In Dryden's opinion, quoted by Chalmers, the Satires of Donne, even if translated into numbers, would yet be found wanting in dignity of expression. It has however been doubted whether the irregularity of Donne's versification in the Satires was wholly undesigned. His lyrical poetry is fluent and easy; and the Satires of Hall, which preceded those of Donne by several years, show a comparative mastery over the heroic couplet which could surely have been compassed by the later Satirist. Pope has treated Donne's text with absolute freedom. Donne's Third Satire, in Warburton's opinion 'the noblest work not only of this but perhaps of any satiric poet,' was 'versified' by Parnell.] SATIRE II. VES; thank my stars! as early as I knew YE This Town, I had the sense to hate it too; That all beside, one pities, not abhors; As who knows Sappho, smiles at other whores. I grant that Poetry's a crying sin; It brought (no doubt) th' Excise and Army in: Catch'd like the Plague, or Love, the Lord knows how, But that the cure is starving, all allow. Yet like the Papist's, is the Poet's state2, Poor and disarm'd, and hardly worth your hate! One sings the Fair; but songs no longer move; These write to Lords, some mean reward to get, Wretched indeed! but far more wretched yet 1 [i.e. the increased excise duties (which it was apprehended would become a general excise), and an army which must prove a standing one. Cf. Moral Essays, Ep. III. v. 119, and Im. 5 IO 15 20 25 30 of Hor. Bk. II. Sat. ii. v. 160. The expressions are substituted for 'dearth and Spaniards' in Donne.] 2 [Cf. Im. of Hor. Bk. 11. Ep. ii. v. 68.] |