The School for Scandal and Other Plays

¾ÕÇ¥Áö
Oxford University Press, UK, 1998. 5. 7. - 436ÆäÀÌÁö
Richly exploited comic situations, effervescent wit, and intricate plots combine to make Sheridan's work among the best of all English comedy. This edition includes his most famous plays, The Rivals, The School for Scandal, and The Critic, and two lesser known musical plays, The Duenna and A Trip to Scarborough. A fine introduction and notes on Sheridan's playhouses and critical inheritance make this an invaluable edition for study and performance alike. - ;Richly exploited comic situations, effervescent wit, and intricate plots combine to make Sheridan's work among the best of of all English comedy. The School for Scandal (1777) is his masterpiece, a brilliantly crafted comedy of contrasts in which brothers Joseph and Charles Surface contend for Maria, with hilariously differing intentions and results. Also a work of acute comic irony, The Rivals satirizes the romantic posturing of Lydia Languish while her disguised suitor Captain Absolute's resourceful contrivances advance an ever inventive and skilfully wrought plot. Included in this edition are the opera play The Duenna and the rarely printed musical play A Trip to Scarborough, adapted from Vanbrugh's The Relapse. Sheridan's last play, The Critic, is an exuberant parody of the modish tragic drama of the day. Lampooning Sir Fretful Plagiary's absurdly bombastic historical drama during its confused stages of production, its satire never fails to delight. The texts of the plays have been newly edited by the General Editor of the Oxford World's Classics English Drama series. A fine introduction and notes on Sheridan's playhouses and critical inheritance make this an invaluable edition for study and performance alike. -

µµ¼­ º»¹®¿¡¼­

¼±ÅÃµÈ ÆäÀÌÁö

¸ñÂ÷

Acknowledgements
vi
Introduction
vii
Note on the Text
xlvi
Sheridans Playhouses
xlviii
Select Bibliography
lii
A Chronology of Richard Brinsley Sheridan
lv
THE RIVALS
1
THE DUENNA
87
A TRIP TO SCARBOROUGH
145
THE SCHOOL FOR SCANDAL
203
THE CRITIC
289
Explanatory Notes
339
Glossary
429
ÀúÀÛ±Ç

±âŸ ÃâÆǺ» - ¸ðµÎ º¸±â

ÀÚÁÖ ³ª¿À´Â ´Ü¾î ¹× ±¸¹®

ÀúÀÚ Á¤º¸ (1998)

The son of Thomas Sheridan, the Irish actor and theater manager, Richard Brinsley Sheridan began writing plays as a youngster in Bath. He went on to become one of the most successful playwrights of the later eighteenth century, manager of the Drury Lane Theater, and also a politician and orator of some note in the House of Commons. Along with his friends David Garrick (seeVol. 3) and Oliver Goldsmith, Sheridan was a member of the Literary Club of Samuel Johnson, having been proposed for membership by Johnson himself. Like Goldsmith, Sheridan also attacks "The Sentimental Muse" of weeping comedy. In his best-known play, The School for Scandal (1777), Sheridan revives the Restoration comedy of manners with its portrait of the beau monde and its deflation of hypocrisy. The play is indebted to William Congreve as well as to Moliere (see Vol. 2), and the picture of society is based on Bath and London. In The Rivals (1775), Sheridan amuses himself with the language games of Mrs. Malaprop and her "nice derangement of epitaphs." The allusions are consistently literary, as in her simile "as headstrong as an allegory on the banks of the Nile." Sheridan's acute ear for banalities and truisms is best seen in The Critic (1779), a burlesque of sentimental and inflated plays as well as self-important criticism. The play ridicules "false Taste and brilliant Follies of modern dramatic Composition." Sheridan's sparking dialogue, lively scenes, and masterful dramatic construction have proved to be enduringly popular.

µµ¼­ ¹®ÇåÁ¤º¸