Elements of Criticism, 3권A. Miller, London; and A. Kincaid & J. Bell, Edinburgh, 1762 |
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82 페이지
... action of wind . In another paffage , where Cleopatra is also the subject , the perfonification of the air is carried be- yond all bounds : The city caft Its people out upon her ; and Antony Inthron'd i ' th ' market - place , did fit ...
... action of wind . In another paffage , where Cleopatra is also the subject , the perfonification of the air is carried be- yond all bounds : The city caft Its people out upon her ; and Antony Inthron'd i ' th ' market - place , did fit ...
174 페이지
... place and time of the important action , and be converted , as it were , into a real fpectator , beholding every thing that paffes . In this view , the narra- tive in an epic poem ought to rival a picture Part . fect . 6 . C in the ...
... place and time of the important action , and be converted , as it were , into a real fpectator , beholding every thing that paffes . In this view , the narra- tive in an epic poem ought to rival a picture Part . fect . 6 . C in the ...
266 페이지
... action . A barren fcene can never be intitled to a place , because the chain is complete without it . In the Old Bachelor , the 3d fcene of act 2. and all that fol- low to the end of that act , are mere con- verfation - pieces , without ...
... action . A barren fcene can never be intitled to a place , because the chain is complete without it . In the Old Bachelor , the 3d fcene of act 2. and all that fol- low to the end of that act , are mere con- verfation - pieces , without ...
267 페이지
... action confifts , is equally effential to epic and dra- matic compofitions . How far the unities of time and of place are effential , is a queftion of greater intricacy . These unities were strictly observed in the Grecian and Roman ...
... action confifts , is equally effential to epic and dra- matic compofitions . How far the unities of time and of place are effential , is a queftion of greater intricacy . These unities were strictly observed in the Grecian and Roman ...
268 페이지
... place and time , are not , by the most rigid critics , required in a ... place or of time . And yet we can follow hiftory , or an historical fable , through ... action and that which we occupy . I am fenfible , that the drama differs fo ...
... place and time , are not , by the most rigid critics , required in a ... place or of time . And yet we can follow hiftory , or an historical fable , through ... action and that which we occupy . I am fenfible , that the drama differs fo ...
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abſtract action Æneid againſt agreeable alfo allegory alſo appears beauty becauſe betwixt caufe cauſe cenfured chap circumftance compariſon compofition confidered Cymbeline defcription difagreeable diſtinguiſhed effect effential emotions employ'd Eneid epic poem epic poetry Euripides expreffed expreffion fame fcene fect feems fenfe fenfible fhall fhould fignify figure fimile fingle firft firſt fize fome fpectator fpeech ftandard ftill fubject fuch fuppofe garden hath Henry IV Henry VI himſelf houſe Iliad imagination impreffion inftances itſelf ject lefs meaſure metaphor mind moſt Mozambic mufic muft muſt nature neceffary obfcure obferved objects occafion oppofite ornament paffage paffing paffion Paradife Loft perfon perfonification pleaſant pleaſure prefent principle proper proportion purpoſe raiſed reafon refpect regularity reliſhed repreſentation repreſented reſemblance Richard II ſcene ſenſe ſome ſtage ſtate ſuch tafte taſte termed thee thefe theſe thing thofe thoſe thou tion tragedy uſe vafes words
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178 페이지 - Your infants in your arms, and there have sat The livelong day, with patient expectation, To see great POmpey pass the streets of Rome...
15 페이지 - Like night, and darken'd all the land of Nile: So numberless were those bad Angels seen Hovering on wing under the cope of Hell, Twixt upper, nether, and surrounding fires...
211 페이지 - I'll give my jewels for a set of beads, My gorgeous palace for a hermitage, My gay apparel for an almsman's gown, My...
67 페이지 - O gentle sleep, Nature's soft nurse, how have I frighted thee, That thou no more wilt weigh my eyelids down, And steep my senses in forgetfulness...
12 페이지 - And thus still doing, thus he pass'd along. Duch. Alas ! poor Richard ! where rides he the while ? York. As in a theatre, the eyes of men, After a well-graced actor leaves the stage, Are idly bent on him that enters next, Thinking his prattle to be tedious : Even so, or with much more contempt, men's eyes Did scowl on Richard ; no man cried, God save him...
17 페이지 - Looks through the horizontal misty air Shorn of his beams, or from behind the moon, In dim eclipse, disastrous twilight sheds On half the nations, and with fear of change Perplexes monarchs.
199 페이지 - Should I turn upon the true prince ? Why, thou knowest, I am as valiant as Hercules: but beware instinct; the lion will not touch the true prince. Instinct is a great matter ; I was a coward on instinct.
18 페이지 - And higher than that wall a circling row Of goodliest trees, loaden with fairest fruit, Blossoms and fruits at once...
62 페이지 - First in his east the glorious lamp was seen, Regent of day, and all th' horizon round Invested with bright rays, jocund to run His longitude through heav'n's high road; the gray Dawn and the Pleiades before him danc'd, Shedding sweet influence...
55 페이지 - O, pardon me, thou bleeding piece of earth, That I am meek and gentle with these butchers; Thou art the ruins of the noblest man That ever lived in the tide of times.