Elements of Criticism, 3권A. Miller, London; and A. Kincaid & J. Bell, Edinburgh, 1762 |
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64 페이지
... termed paffionate perfoni- fication : the other , or more humble , de- fcriptive perfonification ; because feldom or terms . 7 See appendix , containing definitions and explanation of never is perfonification in a description car- ried ...
... termed paffionate perfoni- fication : the other , or more humble , de- fcriptive perfonification ; because feldom or terms . 7 See appendix , containing definitions and explanation of never is perfonification in a description car- ried ...
100 페이지
... termed giddy in a proper fense : neither can it be termed giddy in any figurative fenfe that can import any of its qualities or attributes . When we at- tend to the expreffion , we discover that a brink is termed giddy from producing ...
... termed giddy in a proper fense : neither can it be termed giddy in any figurative fenfe that can import any of its qualities or attributes . When we at- tend to the expreffion , we discover that a brink is termed giddy from producing ...
102 페이지
... termed a coward fword : the expreffion is fignificative of an internal operation ; for the mind , in paffing from the agent to its inftrument , is difpofed to extend to the latter the proper- ties of the former . Governed by the fame ...
... termed a coward fword : the expreffion is fignificative of an internal operation ; for the mind , in paffing from the agent to its inftrument , is difpofed to extend to the latter the proper- ties of the former . Governed by the fame ...
137 페이지
... termed the principal object ; and one fignified by the proper fenfe , which may be termed acceffo- ry . The principal makes a part of the thought ; the acceffory is merely ornamen- tal . In this refpect , a figure of speech is precisely ...
... termed the principal object ; and one fignified by the proper fenfe , which may be termed acceffo- ry . The principal makes a part of the thought ; the acceffory is merely ornamen- tal . In this refpect , a figure of speech is precisely ...
140 페이지
... terming it the blue vault of heaven . For though no work made with hands can com- pare with the sky in magnificence , the ex- preffion however is good , by preventing the object from being brought down by the familiarity of its proper ...
... terming it the blue vault of heaven . For though no work made with hands can com- pare with the sky in magnificence , the ex- preffion however is good , by preventing the object from being brought down by the familiarity of its proper ...
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abſtract action Æneid againſt agreeable alfo allegory alſo appears beauty becauſe betwixt caufe cauſe cenfured chap circumftance compariſon compofition confidered Cymbeline defcription difagreeable diſtinguiſhed effect effential emotions employ'd Eneid epic poem epic poetry Euripides expreffed expreffion fame fcene fect feems fenfe fenfible fhall fhould fignify figure fimile fingle firft firſt fize fome fpectator fpeech ftandard ftill fubject fuch fuppofe garden hath Henry IV Henry VI himſelf houſe Iliad imagination impreffion inftances itſelf ject lefs meaſure metaphor mind moſt Mozambic mufic muft muſt nature neceffary obfcure obferved objects occafion oppofite ornament paffage paffing paffion Paradife Loft perfon perfonification pleaſant pleaſure prefent principle proper proportion purpoſe raiſed reafon refpect regularity reliſhed repreſentation repreſented reſemblance Richard II ſcene ſenſe ſome ſtage ſtate ſuch tafte taſte termed thee thefe theſe thing thofe thoſe thou tion tragedy uſe vafes words
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178 페이지 - Your infants in your arms, and there have sat The livelong day, with patient expectation, To see great POmpey pass the streets of Rome...
15 페이지 - Like night, and darken'd all the land of Nile: So numberless were those bad Angels seen Hovering on wing under the cope of Hell, Twixt upper, nether, and surrounding fires...
211 페이지 - I'll give my jewels for a set of beads, My gorgeous palace for a hermitage, My gay apparel for an almsman's gown, My...
67 페이지 - O gentle sleep, Nature's soft nurse, how have I frighted thee, That thou no more wilt weigh my eyelids down, And steep my senses in forgetfulness...
12 페이지 - And thus still doing, thus he pass'd along. Duch. Alas ! poor Richard ! where rides he the while ? York. As in a theatre, the eyes of men, After a well-graced actor leaves the stage, Are idly bent on him that enters next, Thinking his prattle to be tedious : Even so, or with much more contempt, men's eyes Did scowl on Richard ; no man cried, God save him...
17 페이지 - Looks through the horizontal misty air Shorn of his beams, or from behind the moon, In dim eclipse, disastrous twilight sheds On half the nations, and with fear of change Perplexes monarchs.
199 페이지 - Should I turn upon the true prince ? Why, thou knowest, I am as valiant as Hercules: but beware instinct; the lion will not touch the true prince. Instinct is a great matter ; I was a coward on instinct.
18 페이지 - And higher than that wall a circling row Of goodliest trees, loaden with fairest fruit, Blossoms and fruits at once...
62 페이지 - First in his east the glorious lamp was seen, Regent of day, and all th' horizon round Invested with bright rays, jocund to run His longitude through heav'n's high road; the gray Dawn and the Pleiades before him danc'd, Shedding sweet influence...
55 페이지 - O, pardon me, thou bleeding piece of earth, That I am meek and gentle with these butchers; Thou art the ruins of the noblest man That ever lived in the tide of times.