The Works of Samuel Johnson, LL. D.F.C. and J. Rivington, 1823 |
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5 ÆäÀÌÁö
... imagination to flatter me with any other en- couragement , when I found that my design had been thought by your Lordship of importance suf- ficient to attract your favour , How far this unexpected distinction can be rated among the ...
... imagination to flatter me with any other en- couragement , when I found that my design had been thought by your Lordship of importance suf- ficient to attract your favour , How far this unexpected distinction can be rated among the ...
29 ÆäÀÌÁö
... imagination , like the Peruvian torrents , when it brings down gold , mingles it with sand . When I survey the Plan which I have laid be- fore you , I cannot , my Lord , but confess , that I am frighted at its extent , and , like the ...
... imagination , like the Peruvian torrents , when it brings down gold , mingles it with sand . When I survey the Plan which I have laid be- fore you , I cannot , my Lord , but confess , that I am frighted at its extent , and , like the ...
58 ÆäÀÌÁö
... imagination , and some re- plete with treasures of wisdom . The orthography and etymology , though imper- fect , are not imperfect for want of care , but be- cause care will not always be successful , and re- collection or information ...
... imagination , and some re- plete with treasures of wisdom . The orthography and etymology , though imper- fect , are not imperfect for want of care , but be- cause care will not always be successful , and re- collection or information ...
71 ÆäÀÌÁö
... imagination which might hurry him to a second thought before he had fully explained the first . But my opinion is , that very few of his lines were difficult to his au- dience , and that he used such expressions as were then common ...
... imagination which might hurry him to a second thought before he had fully explained the first . But my opinion is , that very few of his lines were difficult to his au- dience , and that he used such expressions as were then common ...
83 ÆäÀÌÁö
... imagination , in following the phantoms which other writers raise up before him , may here be cured of his delirious ecstacies , by reading hu- man sentiments in human language , by scenes from which a hermit may estimate the ...
... imagination , in following the phantoms which other writers raise up before him , may here be cured of his delirious ecstacies , by reading hu- man sentiments in human language , by scenes from which a hermit may estimate the ...
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ancient appeared attempt Banquo beauty censure character commerce common considered copies criticism curiosity dictionary died hereafter diligence discovered drama easily editions editor elegance Eloisa to Abelard endeavoured English enquiry Epictetus EPITAPHS equally excellence exhibit expected Falstaff favour formed France French genius Habit happiness Harleian library Henry Henry VI honour hope imagination justly kind king king of Portugal knowledge known labour language learning less likewise Macbeth mankind means ment mind nation nature necessary neglected neral never NOTE obscure observed opinion orthography passage passions perfect spy perhaps play poet Pope Portuguese praise preserved Prester John preter prince produced publick racters reader reason religion remarkable Roman scenes seems sense sentiments Shakespeare shew shewn sometimes Spain speech suffered sufficient supplied supposed things thought tion trade traffick tragedy truth witches words writers written
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464 ÆäÀÌÁö - She should have died hereafter ; There would have been a time for such a word. To-morrow, and to-morrow, and to-morrow, Creeps in this petty pace from day to day To the last syllable of recorded time, And all our yesterdays have lighted fools The way to dusty death.
452 ÆäÀÌÁö - It will have blood, they say ; blood will have blood : Stones have been known to move, and trees to speak ; Augurs, and understood relations, have By magot-pies, and choughs, and rooks, brought forth The secret'st man of blood.
433 ÆäÀÌÁö - Come, you spirits That tend on mortal thoughts, unsex me here, And fill me, from the crown to the toe, top-full Of direst cruelty ! make thick my blood, Stop up the access and passage to remorse, That no compunctious visitings of nature Shake my fell purpose, nor keep peace between The effect and it...
139 ÆäÀÌÁö - All the images of nature were still present to him, and he drew them, not laboriously, but luckily; when he describes anything, you more than see it, you feel it too. Those who accuse him to have wanted learning give him the greater commendation: he was naturally learned; he needed not the spectacles of books to read nature; he looked inwards and found her there.
90 ÆäÀÌÁö - He sacrifices virtue to convenience, and is so much more careful to please than to instruct, that he seems to write without any moral purpose.
439 ÆäÀÌÁö - Pale Hecate's offerings; and wither'd murder, Alarum'd by his sentinel, the wolf, Whose howl's his watch, thus with his stealthy pace, With Tarquin's ravishing strides, towards his design Moves like a ghost. Thou sure and firm-set earth, Hear not my steps which way they walk, for fear Thy very stones prate of my whereabout And take the present horror from the time, Which now suits with it.
423 ÆäÀÌÁö - Tiger : But in a sieve I'll thither sail, And, like a rat without a tail, I'll do, I'll do, and I'll do.
137 ÆäÀÌÁö - Notes are often necessary, but they are necessary evils. Let him, that is yet unacquainted with the powers of Shakespeare, and who desires to feel the highest pleasure that the drama can give, read every play from the first scene to the last, with utter negligence of all his commentators.
83 ÆäÀÌÁö - This, therefore, is the praise of Shakespeare, that his drama is the mirror of life; that he who has mazed his imagination in following the phantoms which other writers raise up before him may here be cured of his delirious ecstasies by reading human sentiments in human language, by scenes from which a hermit may estimate the transactions of the world and a confessor predict the progress of the passions.
79 ÆäÀÌÁö - The effects of favour and competition are at an end ; the tradition of his friendships and his enmities has perished ; his works support no opinion with arguments, nor supply any faction with invectives ; they can neither indulge vanity, nor gratify malignity ; but are read without any other reason than the desire of pleasure, and are therefore praised only as pleasure is obtained...