Illegitimate Power: Bastards in Renaissance DramaManchester University Press, 1994 - 282페이지 In Renaissance drama, the bastard is an extraordinarily powerful and disruptive figure. We have only to think of Caliban or of Edmund to realise the challenge presented by the illegitimate child. Drawing on a wide range of play texts, Alison Findlay shows how illegitimacy encoded and threatened to deconstruct some of the basic tenets of patriarchal rule. She considers bastards as indicators and instigators of crisis in early modern England, reading them in relation to witchcraft, spiritual insecurities and social unrest in family and State. The characters discussed range from demi-devils, unnatural villains and clowns to outstandingly heroic or virtuous types who challenge officially sanctioned ideas of illegitimacy. The final chapter of the book considers bastards in performance; their relationship with theatre spaces and audiences. Illegitimate voices, Findlay argues, can bring about the death of the author/father and open the text as a piece of theatre, challenging accepted notions of authority. |
도서 본문에서
54개의 결과 중 1 - 3개
45 페이지
... evil ' ( 1.1.3 ) . The other courtly characters are defined in relation to their sins but Spurio is essentially wicked . Because he is born out of wedlock , he is a true son of evil . The Duchess elaborates this idea in the following ...
... evil ' ( 1.1.3 ) . The other courtly characters are defined in relation to their sins but Spurio is essentially wicked . Because he is born out of wedlock , he is a true son of evil . The Duchess elaborates this idea in the following ...
55 페이지
... evil ' . At the beginning of the play he is torn between his affection for Calib and dislike of bastardy . He uses her magic wand to conjure a vision of his parents and they tell him ... evil nature , describing him as BASTARDY AND EVIL 55.
... evil ' . At the beginning of the play he is torn between his affection for Calib and dislike of bastardy . He uses her magic wand to conjure a vision of his parents and they tell him ... evil nature , describing him as BASTARDY AND EVIL 55.
65 페이지
... evil comes from good then only a good being can be evil . The paradox threatens to dissolve divisions between good and evil , showing that each one is present in the other . This is what Dollimore calls the ' perverse dynamic ' of St ...
... evil comes from good then only a good being can be evil . The paradox threatens to dissolve divisions between good and evil , showing that each one is present in the other . This is what Dollimore calls the ' perverse dynamic ' of St ...
기타 출판본 - 모두 보기
자주 나오는 단어 및 구문
action activities alien Antipater appears argues Arthur audience authority base bastard characters become behaviour birth Birth of Merlin body born brother calls cause child Church claims common constructed court culture dangerous death describes desire devil direct drama effect elements England English evil example father female figure final follow forces gives Hercules hero hierarchy ideas identity illegitimacy illegitimate important inheritance John King language legitimate lines London Lord male marriage means moral mother murder nature opposition Oxford paternity patriarchal performance play plots political popular position present Press references relationship Renaissance represents Richard role ruling says scene seems sexual Shakespeare share shows social society soliloquy speech stage structure subversive suggests tells theatre Thomas thou true University unnatural values vice villain voice witch woman women