Illegitimate Power: Bastards in Renaissance DramaManchester University Press, 1994 - 282페이지 In Renaissance drama, the bastard is an extraordinarily powerful and disruptive figure. We have only to think of Caliban or of Edmund to realise the challenge presented by the illegitimate child. Drawing on a wide range of play texts, Alison Findlay shows how illegitimacy encoded and threatened to deconstruct some of the basic tenets of patriarchal rule. She considers bastards as indicators and instigators of crisis in early modern England, reading them in relation to witchcraft, spiritual insecurities and social unrest in family and State. The characters discussed range from demi-devils, unnatural villains and clowns to outstandingly heroic or virtuous types who challenge officially sanctioned ideas of illegitimacy. The final chapter of the book considers bastards in performance; their relationship with theatre spaces and audiences. Illegitimate voices, Findlay argues, can bring about the death of the author/father and open the text as a piece of theatre, challenging accepted notions of authority. |
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... references to plays by Shake- speare are to The Riverside Shakespeare , edited by G. Blakemore Evans . In the case of King Lear , I accept the theory that F1 represents a version of the play in revised form and I have pointed out where ...
... references to plays by Shake- speare are to The Riverside Shakespeare , edited by G. Blakemore Evans . In the case of King Lear , I accept the theory that F1 represents a version of the play in revised form and I have pointed out where ...
240 페이지
... references draw attention to a theatre of power because of his high status position . When Sejanus begins to report ... reference to Sejanus , and the actor who plays him , the audience perceive the theatrical nature of Tiberius's own ...
... references draw attention to a theatre of power because of his high status position . When Sejanus begins to report ... reference to Sejanus , and the actor who plays him , the audience perceive the theatrical nature of Tiberius's own ...
258 페이지
Bastards in Renaissance Drama Alison Findlay. References Acheson , A. ( 1920 ) , Shakespeare's Lost Years in London 1586-1592 , London , Quaritch . Adelman , Janet ( 1992 ) , Suffocating Mothers : Fantasies of Maternal ... References-258.
Bastards in Renaissance Drama Alison Findlay. References Acheson , A. ( 1920 ) , Shakespeare's Lost Years in London 1586-1592 , London , Quaritch . Adelman , Janet ( 1992 ) , Suffocating Mothers : Fantasies of Maternal ... References-258.
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