Illegitimate Power: Bastards in Renaissance DramaManchester University Press, 1994 - 282ÆäÀÌÁö In Renaissance drama, the bastard is an extraordinarily powerful and disruptive figure. We have only to think of Caliban or of Edmund to realise the challenge presented by the illegitimate child. Drawing on a wide range of play texts, Alison Findlay shows how illegitimacy encoded and threatened to deconstruct some of the basic tenets of patriarchal rule. She considers bastards as indicators and instigators of crisis in early modern England, reading them in relation to witchcraft, spiritual insecurities and social unrest in family and State. The characters discussed range from demi-devils, unnatural villains and clowns to outstandingly heroic or virtuous types who challenge officially sanctioned ideas of illegitimacy. The final chapter of the book considers bastards in performance; their relationship with theatre spaces and audiences. Illegitimate voices, Findlay argues, can bring about the death of the author/father and open the text as a piece of theatre, challenging accepted notions of authority. |
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... stage by boy actors and off - stage by transgres- sing women . This too is associated with illegitimacy . Bridewell records of 1601 note that Margaret Wakeley ' had a bastard child and went in man's apparell ' ( Howard 1988 : 420 ) ...
... stage by boy actors and off - stage by transgres- sing women . This too is associated with illegitimacy . Bridewell records of 1601 note that Margaret Wakeley ' had a bastard child and went in man's apparell ' ( Howard 1988 : 420 ) ...
239 ÆäÀÌÁö
... stage . Awareness of the actor exposes his high status position as a theatrical role . Antipater goes on to extend ... stage kings are no more than the text they live in , Antipater proposes that this is also true of rulers who perform ...
... stage . Awareness of the actor exposes his high status position as a theatrical role . Antipater goes on to extend ... stage kings are no more than the text they live in , Antipater proposes that this is also true of rulers who perform ...
246 ÆäÀÌÁö
... stage and off - stage audiences that the theatre is a place with a social and political function . In the rural environment of A Jovial Crew he regenerates the intransigent social order by means of role - playing games which reveal the ...
... stage and off - stage audiences that the theatre is a place with a social and political function . In the rural environment of A Jovial Crew he regenerates the intransigent social order by means of role - playing games which reveal the ...
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Bastardy and evil45 | 45 |
Unnatural children85 | 85 |
Natural children129 | 129 |
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