The Social Relations of Jonson's Theater

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Cambridge University Press, 1992. 8. 28. - 143페이지
The author considers the Elizabethan playwright Ben Jonson a realist and an acute observer of the transformation from feudalism to capitalism with many of the forms and purposes of Jonson's realism resulting from the social dynamics of the London theater audience. Haynes presents a detailed literary historical argument about the sources and consequences of Jonson's realism and examines the entanglements of life and art in Jonson's time both through a look at the life of that period and through insightful readings of Jonson's plays. The book is informed by the new social history and polemicizes against the moral and formal preoccupations of the past two generations of Jonson criticism.

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Acknowledgments page ix
1
The Origins of Jonsons Realism
13
Thus neere and familiarly allied to the time
34
The Alchemist
99
Festivity and the Dramatic Economy of Bartholomew Fair
119
Index
139
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