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No. 54, Art. 1, Byron's Poetry: No. 56, Art. 7, Manfred; No. 58, Art. 2 Beppo; No. 70, Art. 1, Marino Faliero; No. 72, Art. 5, Byron's Tragedies. Also in his Critical Essays. SOUTHEY (R.), Essays, 1832. DE QUINCET (T), Reminiscences. TRELAWNEY (E. J.), Recollections of Shelley an Byron, 1858, GrICCIOLI (Countess), Lord Byron jugé par les Témoins de sa Vie, Paris, 1868; English translation by Jerningham-My Recor tions of Lord Byron and Those of Eye-Witnesses of His Life-Londer, PROCTER (B. W.), Autobiography. HUGO (V.), Littérature e

Philosophie, 1834.

LATER CRITICISM, ETC.

ARNOLD (M.), Essays in Criticism. BARBEY D'AUREVILLY (Juless, Littérature étrangère. BLAZE DE BURY (Henri), Tableaux Romantiques de Littérature et d'Art. BRANDES (G. M. C.), Shelley und Lord Byron. Zwei litterarische Charakterbilder. BRANDES (G. M. C.), Die Hauptströmungen in der Litteratur des neunzehnten Jahrhunderts, Vol. IV. CHESTERTON (G. K.), Twelve Types: The Optimism of Byron. DARME TETER (James), Essais de Littérature anglaise. DOWDEN (Edward), The French Revolution and English Literature: Essay VI. DOWDEN (Elward), Studies in Literature: French Revolution and Literature. Hr TON (R. H.), Essays in Literary Criticism. KINGSLEY (Charles), Works Thoughts on Shelley and Byron. LOFORTE-RONDI (Andrea), Nelle Let terature straniere, MAZZINI (G.), Essays. * MORE (Paul E.), Atlantic Monthly, Dec., 1898: The Wholesome Revival of Byron. NOEL (R) Essays on Poetry and Poets: Lord Byron and His Times. * MORLEY (John), Miscellanies, Vol. I. OssOLI (Margaret F.), Art, Literature and The Drama. ROSSETTI (W. M.) Lives of Famous Poets. *SCHMIDT (Julian), Portraits aus dem neunzehnten Jahrhundert: Lord Byron NWINBURNE (A. C.), Miscellanies: Wordsworth and Byron. *SWINBURNE (A. C.), Essays and Studies. SYMONDS (J. A.), In Ward's English Poets Vol. IV. *TAINE (H.), History of English Literature, Vol. IV. *TRENI (W. P.), Authority of Criticism: The Byron Revival. *WATTS-DUNTON (T.), In Chambers' New Cyclopædia of English Literature. * WOODBERRY (G. E.), Makers of Literature.

BROOKS (S. W.), English Poets. CAINE (T. Hall), Cobwebs of Criti cism. COURTHOPE (William J.), Liberal Movement in English Literature. DAWSON (W. J.), Makers of Modern English. DEVEY (J.), Modern English Poets. DIXON (W. M.), English Poetry. FRISWELL (J. H.), E says on English Writers. HANCOCK (A. E.), French Revolution and the English Poets. HAYWARD (A.), Sketches of Eminent Statesmen and Writers, with other Essays. MENGIN (Urbain), L'Italie des Romantiques MINTO (W.), The Georgian Era. MONTI (Giulio), Studi Critici. MOIE (D. M.), Sketches of the Poetical Literature of the Past Half-Century, 1851. NADAL (E. S.), Essays at Home. NISARD (Désiré), Portraits et Études d'Histoire littéraire. REED (H.), Lectures on the British Poets. SAUNDERS (F), Famous Books. SCHUYLER (Eugene), Italian Influences

(ARP (R. F.), Architects of English Literature. STREET (J. S.), Book of says. SWANWICK (A.), Poets the Interpreters of Their Age. TUCKERN (Henry T.), Notes on the Poets.

BYRON'S INFLUENCE ON THE CONTINENT

See BRANDES, ELZE, CASTELAR, TAINE, MENGIN, MONTI, NISARD, MONT, LESCURE, HUGO, etc., above; and LAMARTINE and GAUTIER, below. ACKERMANN (Richard), Lord Byron: sein Leben, seine Werke, sein nfluss auf die Deutsche Litteratur. CLARK (W. J.), Byron und die Rointische Periode in Frankreich (Inaugural Dissertation). DUMAS, émoires, Vol. IX, Chap. 6, 7 and 8. *GOETHE, Conversations with kermann. HOHENHAUSEN (E. P. A.), Rousseau, Göthe, Byron, ein ritisch-literarischer Umriss aus Ethischchristlichem Standpunkt. LAмTINE, Le dernier Chant de Childe Harold. LORENZO y d'Ayoт (Man1), Shakespere, Lord Byron, y Chateaubriand, como modelos de la Juntud Literaria. MELCHIOR (Felix), Heinrich Heine's Verhältnis zu ord Byron. MUONI (Guido), La Fama del Byron, e il Byronismo in Italia. USSET (A. de), La Coupe et les Lèvres (Dédicace), Lettre à Lamartine, amouna, etc. PICHOT, (A.), Essai sur la Vie, le Caractère, et le Génie de ord Byron. PONS (Gaspard de), Annales romantiques, 1826: Bonairte et Byron. SAINTE-BEUVE, Chateaubriand et son Groupe littéraire, ol. I., Chap. 15. SAND (George), Histoire de ma Vie, Vol. III. STENDAL, Racine et Shakespeare. SCHMIDT (G. B. O.), Rousseau und Byron: in Beitrag zur Vergleichenden Litteratur-Geschichte des Revolutionsitalters. WEDDIGEN (Friedrich H. O.), Lord Byron's Einfluss auf die uropäischen Litteraturen der Neuzeit.

TRIBUTES IN VERSE, ETC.

LAMARTINE, Méditations poétiques, 1820: L'Homme, à Lord Byron. HELLEY, Julian and Maddalo, 1818; Fragment to Byron, 1818; Sonnet Byron, 1821. KEATS, Sonnet to Byron. GAUTIER, Poésies, Vol. I. ANG, Letters to Dead Authors. WATSON (William), Epigrams: Byron he Voluptuary.

BIBLIOGRAPHY

COLERIDGE (E. H.), in Vol. VII. of his edition of the Poetical Works. ANDERSON (J. P.), Appendix to Noel's Life of Byron.

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Ill-starr'd, though brave, did no v foreboding

Tell you that fate had forsaken cause?"

Sufleury rore; Ah! were you destined to die at Cull

Victory crown'd not your fall applause:

Freedom Still were you happy in death's ea

You rest with your clan in the ca
Braemar ;

though The pibroch resounds, to the piper's

Years have roll'd on, Loch na Garr,
I left you,

Years must elapse ere I tread
again :

Nature of verdure and flow'rs has b

Yet still are you dearer than All plain.

gh the pine- England! thy beauties are tame

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MAID OF ATHENS, ERE WE P

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1The dates for Byron's poems are mad chiefly from the very full accounts of their ing and publication given in the notes to Coleridge's splendid edition.

HARP (R. F.), Architects of English Literature.

STREET (J. S.), Book of ssays. SWANWICK (A.), Poets the Interpreters of Their Age. TUCKERAN (Henry T.), Notes on the Poets.

BYRON'S INFLUENCE ON THE CONTINENT

See BRANDES, ELZE, CASTELAR, TAINE, MENGIN, MONTI, NISARD, MONOT, LESCURE, HUGO, etc., above; and LAMARTINE and GAUTIER, below. ACKERMANN (Richard), Lord Byron: sein Leben, seine Werke, sein influss auf die Deutsche Litteratur. CLARK (W. J.), Byron und die Roantische Periode in Frankreich (Inaugural Dissertation). DUMAS, Mémoires, Vol. IX, Chap. 6, 7 and 8. * GOETHE, Conversations with Lekermann. HOHENHAUSEN (E. P. A.), Rousseau, Göthe, Byron, ein Kritisch-literarischer Umriss aus Ethischchristlichem Standpunkt. LAMRTINE, Le dernier Chant de Childe Harold. LORENZO y d'AYOT (Mantel), Shakespere, Lord Byron, y Chateaubriand, como modelos de la Juentud Literaria. MELCHIOR (Felix), Heinrich Heine's Verhältnis zu ord Byron. MUONI (Guido), La Fama del Byron, e il Byronismo in Italia. MUSSET (A. de), La Coupe et les Lèvres (Dédicace), Lettre à Lamartine, Vamouna, etc. PICHOT, (A.), Essai sur la Vie, le Caractère, et le Génie de Lord Byron. Poxs (Gaspard de), Annales romantiques, 1826: Bonaarte et Byron. SAINTE-BEUVE, Chateaubriand et son Groupe littéraire, Vol. I, Chap. 15. SAND (George), Histoire de ma Vie, Vol. III. STENDHAL, Racine et Shakespeare. SCHMIDT (G. B. O.), Rousseau und Byron: Ein Beitrag zur Vergleichenden Litteratur-Geschichte des Revolutionszeitalters. WEDDIGEN (Friedrich II. O.), Lord Byron's Einfluss auf die Europäischen Litteraturen der Neuzeit.

TRIBUTES IN VERSE, ETC.

LAMARTINE, Méditations poétiques, 1820: L'Homme, à Lord Byron. SHELLEY, Julian and Maddalo, 1818; Fragment to Byron, 1818; Sonnet to Byron, 1821. KEATS, Sonnet to Byron. GAUTIER, Poésies, Vol. I. LANG, Letters to Dead Authors. WATSON (William), Epigrams: Byron the Voluptuary.

BIBLIOGRAPHY

COLERIDGE (E. H.), in Vol. VII. of his edition of the Poetical Works. ANDERSON (J. P.), Appendix to Noel's Life of Byron.

Pale grew thy cheek and cold,
Colder thy kiss;
Truly that hour foretold
Sorrow to this.

The dew of the morning Sunk chill on my browIt felt like the warning Of what I feel now. Thy vows are all broken, And light is thy fame: I hear thy name spoken, And share in its shame.

They name thee before me, Aknell to mine ear;

A shudder comes o'er meWhy wert thou so dear? They know not I knew thee,

Who knew thee too well: Long, long shall I rue thee, Too deeply to tell.

In secret we met

In silence I grieve,
That thy heart could forget,
Thy spirit deceive.
If I should meet thee

After long years,
How should I greet thee?—
With silence and tears.

? . . . . 1816.

THE BRIDE OF ABYDOS

A TURKISH TALE

"Had we never loved so kindly,

Had we never loved so blindly,

Never met or never parted,

We had ne'er been broken-hearted.”—BURNS.

CANTO THE FIRST

KNOW ye the land where the cypress and myrtle

Are emblems of deeds that are done in their clime?

Where the rage of the vulture, the love of the turtle,

Now melt into sorrow, now madden to crime !

Know ye the land of the cedar and vine, Where the flowers ever blossom, the. beams ever shine:

Where the light wings of Zephyr, op-. press'd with perfume,

Wax faint o'er the gardens of Gúl in her bloom;

Where the citron and olive are fairest of

fruit,

And the voice of the nightingale neve is mute:

Where the tints of the earth, and the hues of the sky,

In color though varied, in beauty na vie,

And the purple of ocean is deepest dye;

Where the virgins are soft as the re they twine,

And all, save the spirit of man, is divi "T is the clime of the East; 't is the late of the Sun

Can he smile on such deeds as his ch dren have done?

Oh! wild as the accents of lovers' farwell

Are the hearts which they bear, and the tales which they tell.

Begirt with many a gallant slave,
Apparell'd as becomes the brave,
Awaiting each his lord's behest
To guide his steps, or guard his rest,
Old Giaffir sate in his Divan:

Deep thought was in his aged eye;
And though the face of Mussulman
Not oft betrays to standers by
The mind within, well skill'd to hide
All but unconquerable pride,
His pensive cheek and pondering brow
Did more than he was wont avow.

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