John Milton and the English Revolution: A Study in the Sociology of LiteratureBarnes & Noble Books, 1981 - 248ÆäÀÌÁö |
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... classical Greek thought from epic to tragedy is here relevant . The epic , he argues , had posed the question ' how can life become essential ? ' , but as essence becomes divorced from life and becomes located at a level of being beyond ...
... classical Greek thought from epic to tragedy is here relevant . The epic , he argues , had posed the question ' how can life become essential ? ' , but as essence becomes divorced from life and becomes located at a level of being beyond ...
180 ÆäÀÌÁö
... classical unities of action , time and place ; its use of the Chorus is archetypically classical ; the texture of its verse has precisely the stiffness of Greek tragedy ; and both the world - historical predominance of the personality ...
... classical unities of action , time and place ; its use of the Chorus is archetypically classical ; the texture of its verse has precisely the stiffness of Greek tragedy ; and both the world - historical predominance of the personality ...
181 ÆäÀÌÁö
... classical epic as its negation , and , in this respect , it is Samson Agonistes , rather than Paradise Regained , which most closely resembles Paradise Lost precisely because of its relative fidelity to the earlier classical models ...
... classical epic as its negation , and , in this respect , it is Samson Agonistes , rather than Paradise Regained , which most closely resembles Paradise Lost precisely because of its relative fidelity to the earlier classical models ...
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Goldmanns Genetic Structuralism | 8 |
A Note on the Problem of Aesthetics | 18 |
Lukács and Socialist Realism | 24 |
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John Milton and the English Revolution: A Study in the Sociology of Literature Andrew Milner ªÀº ¹ßÃé¹® º¸±â - 1981 |
John Milton and the English Revolution: A Study in the Sociology of Literature Andrew Milner ªÀº ¹ßÃé¹® º¸±â - 1981 |
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absolutist aesthetic analysis argues bourgeois bourgeoisie capitalist central characterised Christ classical clearly Comus conception concrete course crisis culture defeat determined earlier economic Eliot emphasised Engels English Civil War English Revolution epic essentially example F. R. Leavis fact feudal Georg Lukács Goldmann Harmondsworth Hill Hill's human Ibid ideal ideology Independents individual intellectual J. H. Hexter Leavis Leavis's Levellers literary criticism London Lukács Lukács's Marx Marx's Marxist merely Milton mode of production moral nature nonetheless notion novel Paradise Lost Paradise Regained Parliament particular philosophical poem poem's poetic political precisely Presbyterians problem Prose Puritan quietism radical rational rationalist rationalist world vision realism reality reason and passion remains Restoration revolutionary Samson Agonistes Satan sense Seventeenth Century significance social class socialist realism society sociology of literature specific structure suggests T. S. Eliot temptation theme theory totality tradition tragedy Woodhouse world vision writings