Essays and Postscripts on ElocutionE. S. Werner, 1886 - 212페이지 |
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43 페이지
... direct instruction , as from mere observation and daily habit in the common school . But , instead of coming to the subject with trained ears , learners , as a rule , are unable to distinguish the radi- cal difference between pitch and ...
... direct instruction , as from mere observation and daily habit in the common school . But , instead of coming to the subject with trained ears , learners , as a rule , are unable to distinguish the radi- cal difference between pitch and ...
45 페이지
... direct experimental proof . There are but three constructive varieties of sentences : Assertive , Inter- rogative , and Imperative . Take one sentence of each kind and pronounce it with all the various modes of vocal in- flexion , and a ...
... direct experimental proof . There are but three constructive varieties of sentences : Assertive , Inter- rogative , and Imperative . Take one sentence of each kind and pronounce it with all the various modes of vocal in- flexion , and a ...
48 페이지
... direct , and other forms of construction , never enter the mind . So it should be with readers . They need take no thought of the kind of sentence they have to deal with , but simply ascertain its contextual meaning , master its ...
... direct , and other forms of construction , never enter the mind . So it should be with readers . They need take no thought of the kind of sentence they have to deal with , but simply ascertain its contextual meaning , master its ...
54 페이지
... direct and simple language ; compound tones accompany language which means more or less than the words themselves express . The contrasted tones in the compound suggest a contrast in sense , between the word used and some other word ...
... direct and simple language ; compound tones accompany language which means more or less than the words themselves express . The contrasted tones in the compound suggest a contrast in sense , between the word used and some other word ...
87 페이지
... direct variety . Many readers commence all their paragraphs in prose , or their stanzas in poetry , with an elevation of key , and gradually lower the voice throughout the section ; but this is irrational . The principle which dictates ...
... direct variety . Many readers commence all their paragraphs in prose , or their stanzas in poetry , with an elevation of key , and gradually lower the voice throughout the section ; but this is irrational . The principle which dictates ...
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accent action alphabet Archbishop Whately articulation breath brogue Capital characteristic clause close commencement common compound consonants defect deliver delivery dialectic diaphragm dictionary difficulty digraphs diphthongs distinct effect effort elementary sounds elements Elocution eloquence emphasis English exercise expression fall faults gesture Glasgow glottis grammatical habit hamlet hear heard hearers illustration imitation impediment inflexion instinct key-word labial consonants language lines lips lisping Lower type manner mastication means mechanical ment merely mind mouth nasal natural nought noun object Orator oratory ordinary organs orthography palate passage pauses peculiarity persons pharynx phonetic pitch poetry present principle pronounced pronunciation reader reading reference Rhetoric rhymes rhythm sense sentence sentiment separate silent letters speak speaker stammering stuttering syllables termination thought throat tion Tones of Speech tongue tune unaccented uncon utterance variety verb VISIBLE SPEECH vocal voice vowel letters vowel sounds Welsh words wriggle
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74 페이지 - Twas thus, by the cave of the mountain afar, While his harp rung symphonious, a hermit began ; No more with himself or with nature at war, He thought as a sage, though he felt as a man.
177 페이지 - This, my lords, is a perilous and tremendous moment ! It is not a time for adulation. The smoothness of flattery cannot now avail; cannot save us in this rugged and awful crisis.
131 페이지 - True ease in writing comes from art, not chance, As those move easiest who have learn'd to dance.
146 페이지 - Every lady In this land Hath twenty nails upon each hand ; Five and twenty on hands and feet. And this is true, without deceit.
189 페이지 - Roll on, thou deep and dark blue Ocean, roll ! Ten thousand fleets sweep over thee in vain ; Man marks the earth with ruin, his control Stops with the shore ; upon the watery plain The wrecks are all thy deed...
130 페이지 - O wad some Power the giftie gie us To see oursels as ithers see us ! It wad frae mony a blunder free us, An...
183 페이지 - There is a pleasure in the pathless woods, There is a rapture on the lonely shore. There is society where none intrudes, By the deep sea, and music in its roar; I love not man the less, but nature more...
173 페이지 - No more shall nation against nation rise, Nor ardent warriors meet, with hateful eyes ; Nor fields with gleaming steel be covered o'er ; The brazen trumpets kindle rage no more; But useless lances into scythes shall bend, And the broad falchion in a ploughshare end.
178 페이지 - THE great pursuit of man is after happiness : it is the first and strongest desire of his nature; — in every stage of his life, he searches for it as for hid treasure; courts it under a thousand different shapes, •-- and though perpetually disappointed, — still persists — runs after and inquires for it afresh...
187 페이지 - Thou who art bearing my buckler and bow, Should the soldiers of Saul look away from the foe, Stretch me that moment in blood at thy feet! Mine be the doom which they dared not to meet. Farewell to others, but never we part, Heir to my royalty, son of my heart! Bright is the diadem, boundless...