Essays and Postscripts on ElocutionE. S. Werner, 1886 - 212ÆäÀÌÁö |
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11 ÆäÀÌÁö
... represented by special phonetic symbols ; but the characteristics of a sound can be described , and they can even be denoted to the eye with approximate accuracy by diacritic signs attached to common letters . The student of ...
... represented by special phonetic symbols ; but the characteristics of a sound can be described , and they can even be denoted to the eye with approximate accuracy by diacritic signs attached to common letters . The student of ...
29 ÆäÀÌÁö
... represented in ordinary type . The mark ( - ) over vowels denotes the " long " or name- sounds of the letters ; the mark ( v ) denotes their second or " short " sounds ; the mark ( ^ ) denotes the sounds of the vowel - letters before r ...
... represented in ordinary type . The mark ( - ) over vowels denotes the " long " or name- sounds of the letters ; the mark ( v ) denotes their second or " short " sounds ; the mark ( ^ ) denotes the sounds of the vowel - letters before r ...
30 ÆäÀÌÁö
... represented by s and k . The letter g appears with its " hard " sound only , because its " soft " sound is represented by j . The letters ch and j are retained with their ordinary associations . Of the seven consonants denoted by ...
... represented by s and k . The letter g appears with its " hard " sound only , because its " soft " sound is represented by j . The letters ch and j are retained with their ordinary associations . Of the seven consonants denoted by ...
35 ÆäÀÌÁö
... represent nothing real . The English H , for instance , is the Greek and Russian e ; the English Pis the Greek and Russian ; and , so far as natural fitness is concerned , any one letter in the alphabet might have been any other . A ...
... represent nothing real . The English H , for instance , is the Greek and Russian e ; the English Pis the Greek and Russian ; and , so far as natural fitness is concerned , any one letter in the alphabet might have been any other . A ...
53 ÆäÀÌÁö
... represented thus : Middle pitch .. 2 3 4 • 1. Rising inflexion with high pitch : preparatory tone ( . ) low . 66 66 " " high . 66 66 66 " high . 66 ( 6 " low . " low " low high " 66 66 2 . 3. Falling 66 66 4 . 66 66 Applying this ...
... represented thus : Middle pitch .. 2 3 4 • 1. Rising inflexion with high pitch : preparatory tone ( . ) low . 66 66 " " high . 66 66 66 " high . 66 ( 6 " low . " low " low high " 66 66 2 . 3. Falling 66 66 4 . 66 66 Applying this ...
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accent action alphabet Archbishop Whately articulation breath brogue Capital characteristic clause close commencement common compound consonants defect deliver delivery dialectic diaphragm dictionary difficulty digraphs diphthongs distinct effect effort elementary sounds elements Elocution eloquence emphasis English exercise expression fall faults gesture Glasgow glottis grammatical habit hamlet hear heard hearers illustration imitation impediment inflexion instinct key-word labial consonants language lines lips lisping Lower type manner mastication means mechanical ment merely mind mouth nasal natural nought noun object Orator oratory ordinary organs orthography palate passage pauses peculiarity persons pharynx phonetic pitch poetry present principle pronounced pronunciation reader reading reference Rhetoric rhymes rhythm sense sentence sentiment separate silent letters speak speaker stammering stuttering syllables termination thought throat tion Tones of Speech tongue tune unaccented uncon utterance variety verb VISIBLE SPEECH vocal voice vowel letters vowel sounds Welsh words wriggle
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74 ÆäÀÌÁö - Twas thus, by the cave of the mountain afar, While his harp rung symphonious, a hermit began ; No more with himself or with nature at war, He thought as a sage, though he felt as a man.
177 ÆäÀÌÁö - This, my lords, is a perilous and tremendous moment ! It is not a time for adulation. The smoothness of flattery cannot now avail; cannot save us in this rugged and awful crisis.
131 ÆäÀÌÁö - True ease in writing comes from art, not chance, As those move easiest who have learn'd to dance.
146 ÆäÀÌÁö - Every lady In this land Hath twenty nails upon each hand ; Five and twenty on hands and feet. And this is true, without deceit.
189 ÆäÀÌÁö - Roll on, thou deep and dark blue Ocean, roll ! Ten thousand fleets sweep over thee in vain ; Man marks the earth with ruin, his control Stops with the shore ; upon the watery plain The wrecks are all thy deed...
130 ÆäÀÌÁö - O wad some Power the giftie gie us To see oursels as ithers see us ! It wad frae mony a blunder free us, An...
183 ÆäÀÌÁö - There is a pleasure in the pathless woods, There is a rapture on the lonely shore. There is society where none intrudes, By the deep sea, and music in its roar; I love not man the less, but nature more...
173 ÆäÀÌÁö - No more shall nation against nation rise, Nor ardent warriors meet, with hateful eyes ; Nor fields with gleaming steel be covered o'er ; The brazen trumpets kindle rage no more; But useless lances into scythes shall bend, And the broad falchion in a ploughshare end.
178 ÆäÀÌÁö - THE great pursuit of man is after happiness : it is the first and strongest desire of his nature; — in every stage of his life, he searches for it as for hid treasure; courts it under a thousand different shapes, •-- and though perpetually disappointed, — still persists — runs after and inquires for it afresh...
187 ÆäÀÌÁö - Thou who art bearing my buckler and bow, Should the soldiers of Saul look away from the foe, Stretch me that moment in blood at thy feet! Mine be the doom which they dared not to meet. Farewell to others, but never we part, Heir to my royalty, son of my heart! Bright is the diadem, boundless...