The Works of Shakespeare: Julius CaesarMethuen, 1902 |
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xiii 페이지
... come the chronological evidence afforded by the style . Dowden has shown how in Shakespeare's later plays the language is overburdened with the weight of thought and becomes obscure , while in the middle period of his dramatic ...
... come the chronological evidence afforded by the style . Dowden has shown how in Shakespeare's later plays the language is overburdened with the weight of thought and becomes obscure , while in the middle period of his dramatic ...
xv 페이지
... comes the dramatic meeting of the conspirators with Antony , the destined avenger , who immediately comes forward as the epedpos of his dead friend and patron . In this interview Antony obtains permission to deliver his famous funeral ...
... comes the dramatic meeting of the conspirators with Antony , the destined avenger , who immediately comes forward as the epedpos of his dead friend and patron . In this interview Antony obtains permission to deliver his famous funeral ...
xx 페이지
... come and he prepares to run on his own sword , his last words are , Cæsar , now be still : I killed not thee with half so good a will . On the grounds that the personality of Julius Cæsar is thus continued to the final act with no ...
... come and he prepares to run on his own sword , his last words are , Cæsar , now be still : I killed not thee with half so good a will . On the grounds that the personality of Julius Cæsar is thus continued to the final act with no ...
xxiv 페이지
William Shakespeare. character . In his reception of the conspirators , when they come to his house , he manifests the courtesy and urbanity for which he was famous . On the way to the Senate , he postpones the reading of the paper ...
William Shakespeare. character . In his reception of the conspirators , when they come to his house , he manifests the courtesy and urbanity for which he was famous . On the way to the Senate , he postpones the reading of the paper ...
xxvi 페이지
... come and cut it . " Plutarch relates that he made a similar theatrical exhibition of himself a second time at the Lupercalia , which is reproduced in Casca's account of what happened at the feast . Plutarch is not responsible for ...
... come and cut it . " Plutarch relates that he made a similar theatrical exhibition of himself a second time at the Lupercalia , which is reproduced in Casca's account of what happened at the feast . Plutarch is not responsible for ...
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Abbott Æneid Antony's battle bear blood Brutus and Cassius Brutus's Cæs Cæsar's death Calpurnia Capitol Casca Cassius Cato Cicero Cimber Cinna conspiracy conspirators Craik dead Decius Brutus doth drama Dyce enemies Exeunt expresses fear fire Folio follow Fourth Cit friends funeral give gods Hamlet hand hath hear heart Henry Henry VI honour ides of March Julius Cæsar kill King John later editors Lepidus Ligarius lord Lucilius Lucius Lupercalia Macbeth Mark Antony Marullus means Merchant of Venice Messala Metellus mind nature night noble North's Plutarch Octavius Othello pare passage Philippi Pindarus play Plutarch poet Pompey Pompey's Portia Richard III Roman Rome scene Second Cit Senate sense Shake Shakespeare slain speak speech spirit sword tell thee Theobald things Third Cit thou tion Titinius Trebonius Troilus and Cressida unto verb Volumnius word
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17 페이지 - Caesar carelessly but nod on him. He had a fever when he was in Spain, And, when the fit was on him, I did mark How he did shake...
109 페이지 - If you have tears, prepare to shed them now. You all do know this mantle ; I remember The first time ever Caesar put it on ; 'Twas on a summer's evening, in his tent, That day he overcame the Nervii : — Look ! in this place ran Cassius...
49 페이지 - Between the acting of a dreadful thing And the first motion, all the interim is Like a phantasma, or a hideous dream : The Genius, and the mortal instruments, Are then in council ; and the state of man, Like to a little kingdom, suffers then The nature of an insurrection.
103 페이지 - Here comes his body, mourned by Mark Antony: who, though he had no hand in his death , shall receive the benefit of his dying, a place in the commonwealth ; As which of you shall not ? With this I depart ; That, as I slew my bes't lover" for the good of Rome, I have the same dagger for myself, when it shall please my country to need my death.
167 페이지 - This was the noblest Roman of them all : All the conspirators, save only he, Did that they did in envy of great Caesar; He only, in a general honest thought, And common good to all, made one of them. His life was gentle; and the elements So mix'd in him that Nature might stand up And say to all the world, This was a man!
102 페이지 - Brutus' love to Caesar was no less than his. If then that friend demand why Brutus rose against Caesar, this is my answer : — Not that I loved Caesar less, but that I loved Rome more.
112 페이지 - I tell you that which you yourselves do know; Show you sweet Caesar's wounds, poor poor dumb mouths, And bid them speak for me: but were I Brutus, And Brutus Antony, there were an Antony Would ruffle up your spirits and put a tongue In every wound of Caesar that should move The stones of Rome to rise and mutiny.
108 페이지 - Caesar loved you. You are not wood, you are not stones, but men; And, being men, hearing the will of Caesar, It will inflame you, it will make you mad: 'Tis good you know not that you are his heirs; For, if you should, O, what would come of it!
111 페이지 - And will, no doubt, with reasons answer you. I come not, friends, to steal away your hearts ; I am no orator, as Brutus is: But, as you know me all, a plain blunt man...
17 페이지 - Help me, Cassius, or I sink." I — as -^Eneas, our great ancestor, Did from the flames of Troy, upon his shoulder, The old Anchises bear, so, from the waves of Tiber, Did I the tired Caesar.