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106.

When in the chronicle of wasted time
I see descriptions of the fairest wights,
And beauty making beautiful old rhyme
In praise of ladies dead and lovely knights,
Then, in the blazon of sweet beauty's best,
Of hand, of foot, of lip, of eye, of brow,
I see their antique pen would have express'd
Even such a beauty as you master now.
So all their praises are but prophecies
Of this our time, all you prefiguring ;
And, for they look'd but with divining eyes,
They had not skil! enough your worth to sing:
For we, which now behold these present days,
Have eyes to wonder, but lack tongues to praise.

107.

Not mine own fears, nor the prophetic soul
Of the wide world dreaming on things to come,
Can yet the lease of my true love control,
Supposed as forfeit to a confined doom.
The mortal moon hath her eclipse endured
And the sad augurs mock their own presage;
Incertainties now crown themselves assured
And peace proclaims olives of endless age.
Now with the drops of this most balmy time
My love looks fresh, and Death to me subscribes,
Since, spite of him, I'll live in this poor rhyme,
While he insults o'er dull and speechless tribes :
And thou in this shalt find thy monument,

When tyrants' crests and tombs of brass are spent.

IIO.

Alas, 'tis true I have gone here and there

And made myself a motley to the view,

Gored mine own thoughts, sold cheap what is most dear,
Made old offences of affections new;

Most true it is that I have look'd on truth
Askance and strangely: but, by all above,
These blenches gave my heart another youth,
And worse essays proved thee my best of love.
Now all is done, have what shall have no end:
Mine appetite I never more will grind
On newer proof, to try an older friend,
A god in love, to whom I am confined.

Then give me welcome, next my heaven the best,
Even to thy pure and most most loving breast.

III.

O, for my sake do you with Fortune chide,
The guilty goddess of my harmful deeds,
That did not better for my life provide

Than public means which public manners breeds.
Thence comes it that my name receives a brand,
And almost thence my nature is subdued
To what it works in, like the dyer's hand:
Pity me then and wish I were renew'd;
Whilst, like a willing patient, I will drink
Potions of eisel 'gainst my strong infection;
No bitterness that I will bitter think,
Nor double penance, to correct correction.

Pity me then, dear friend, and I assure ye
Even that your pity is enough to cure me.

116.

Let me not to the marriage of true minds
Admit impediments. Love is not love
Which alters when it alteration finds,
Or bends with the remover to remove;
O, no! it is an ever-fixed mark

That looks on tempests and is never shaken;

It is the star to every wandering bark,

Whose worth's unknown, although his height be taken. Love's not Time's fool, though rosy lips and cheeks

Within his bending sickle's compass come;

Love alters not with his brief hours and weeks,

But bears it out even to the edge of doom.

If this be error and upon me proved,

I never writ, nor no man ever loved.

119.

What potions have I drunk of Siren tears,
Distill'd from limbecks foul as hell within,
Applying fears to hopes and hopes to fears,
Still losing when I saw myself to win!
What wretched errors hath my heart committed,
Whilst it hath thought itself so blessed never!
How have mine eyes out of their spheres been fitted

In the distraction of this madding fever!

O benefit of ill! now I find true

That better is by evil still made better;

And ruin'd love, when it is built anew,

Grows fairer than at first, more strong, far greater.
So I return rebuked to my content

And gain by ill thrice more than I have spent.

SONGS.

A MORNING SONG FOR IMOGEN.

[From Cymbeline.]

Hark, hark! the lark at heaven's gate sings, And Phoebus 'gins arise,

His steeds to water at those springs

On chaliced flowers that lies;

And winking Mary-buds begin
To ope their golden eyes:
With every thing that pretty is,
My lady sweet, arise:
Arise, arise.

SILVIA.

[From The Two Gentlemen of Verona.]

Who is Silvia? what is she,

That all our swains commend her?

Holy, fair and wise is she;

The heaven such grace did lend her,

That she might admired be.

Is she kind as she is fair?

For beauty lives with kindness. Love doth to her eyes repair,

To help him of his blindness, And, being help'd, inhabits there.

Then to Silvia let us sing,
That Silvia is excelling;
She excels each mortal thing
Upon the dull earth dwelling:
To her let us garlands bring.

SIGH NO MORE, LADIES.

[From Much Ado about Nothing.]

Sigh no more, ladies, sigh no more,
Men were deceivers ever,
One foot in sea and one on shore,
To one thing constant never :
Then sigh not so, but let them go,
And be you blithe and bonny,
Converting all your sounds of woe
Into Hey nonny, nonny.

Sing no more ditties, sing no moe,
Of dumps so dull and heavy;
The fraud of men was ever so,
Since summer first was leafy:
Then sigh not so, but let them go,
And be you blithe and bonny,
Converting all your sounds of woe
Into Hey nonny, nonny.

A LOVER'S LAMENT.

[From Twelfth Night.]

Come away, come away, death,

And in sad cypress let me be laid;

Fly away, fly away, breath;

I am slain by a fair cruel maid.

My shroud of white, stuck all with yew, O, prepare it!

My part of death, no one so true

Did share it.

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