Rambles and ReveriesJ.P. Giffing, 1841 - 436ÆäÀÌÁö |
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5 ÆäÀÌÁö
... associations of the scene . of the structure is circular , and the dome is considered a curiosity , being constructed from a single piece of marble . It is likewise remarkable , that all attempts to drain the water which has collected ...
... associations of the scene . of the structure is circular , and the dome is considered a curiosity , being constructed from a single piece of marble . It is likewise remarkable , that all attempts to drain the water which has collected ...
9 ÆäÀÌÁö
... associations which environ the memory of the French knight . The figure is completely encased in armor , and sketched in the solemn repose of death . The visor of the helmet is raised , and the face presents that rigid expression ...
... associations which environ the memory of the French knight . The figure is completely encased in armor , and sketched in the solemn repose of death . The visor of the helmet is raised , and the face presents that rigid expression ...
18 ÆäÀÌÁö
... association . A young countryman , who had been my companion for many months , bade me farewell at the mole . We parted with many assurances of a pleasant meeting in a few weeks on the same spot , to enjoy together the festivities of St ...
... association . A young countryman , who had been my companion for many months , bade me farewell at the mole . We parted with many assurances of a pleasant meeting in a few weeks on the same spot , to enjoy together the festivities of St ...
59 ÆäÀÌÁö
... associations of the scene . We found but one occupant of the prison . The gate was opened by a pretty blue - eyed woman , the wife of the gaoler , who follows the trade of a cobbler in the belfry of one of the three towers . There is ...
... associations of the scene . We found but one occupant of the prison . The gate was opened by a pretty blue - eyed woman , the wife of the gaoler , who follows the trade of a cobbler in the belfry of one of the three towers . There is ...
78 ÆäÀÌÁö
... associations present- ed to the fancy , at the summing up of the bridal adorn- ments , is next to impossible . The consequence is , a series of penances , which , by the ready invention of the leader , who is generally selected for his ...
... associations present- ed to the fancy , at the summing up of the bridal adorn- ments , is next to impossible . The consequence is , a series of penances , which , by the ready invention of the leader , who is generally selected for his ...
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admiration affection amid ancient artist associations awaken bard beautiful beneath Bologna breath calm character Charles Lamb charm cherished cholera Corso Donati deep delightful destiny devoted displayed Elia eloquent essays essays of Elia excited expression eye-language faith fame fancy favorite feeling Florence flowers gaze genius Genoa Goldsmith grace hair happy heart honor hour human humor idea imagination impression influence inspiration interest Italian Italy Lamb less light literary literature look manner memory ment mind moral mountains muse native nature never night noble observation Palermo passed passion peculiar pet-notions Petrarch picture pietra dura Pisa pleasure poems poet poetical poetry Pope present Ravenna remarkable rich Rimini San Marino scarcely scene seemed sentiment Shelley Shelley's Sicily singular smile soon soul spirit sweet sympathy talent taste Thespis things thought tion touching true truth Turin Tuscany Vaucluse wonder writing young youth
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300 ÆäÀÌÁö - Though I should gaze for ever On that green light that lingers in the west: I may not hope from outward forms to win The passion and the life, whose fountains are within.
376 ÆäÀÌÁö - Alack, there lies more peril in thine eye Than twenty of their swords : look thou but sweet, And I am proof against their enmity.
228 ÆäÀÌÁö - Kent. Vex not his ghost. O, let him pass! He hates him That would upon the rack of this tough world Stretch him out longer.
267 ÆäÀÌÁö - Tho' they may gang a kennin wrang, To step aside is human : One point must still be greatly dark, The moving Why they do it ; And just as lamely can ye mark, How far perhaps they rue it. Who made the heart, 'tis He alone Decidedly can try us, He knows each chord its various tone, Each spring its various bias : Then at the balance let's be mute, We never can adjust it ; What's done we partly may compute, But know not what's resisted.
252 ÆäÀÌÁö - The breath whose might I have invoked in song Descends on me; my spirit's bark is driven, Far from the shore, far from the trembling throng Whose sails were never to the tempest given; The massy earth and sphered skies are riven! I am borne darkly, fearfully, afar; Whilst burning through the inmost veil of Heaven, The soul of Adonais, like a star, Beacons from the abode where the Eternal are.
287 ÆäÀÌÁö - But for those first affections, Those shadowy recollections, Which, be they what they may, Are yet the fountain-light of all our day, Are yet a master-light of all our seeing; Uphold us, cherish, and have power to make Our noisy years seem moments in the being Of the eternal Silence...
271 ÆäÀÌÁö - I saw her upon nearer view A spirit, yet a woman too ! Her household motions light and free, And steps of virgin liberty ; A countenance in which did meet Sweet records, promises as sweet ; A creature not too bright or good For human nature's daily food : For transient sorrows, simple wiles, Praise, blame, love, kisses, tears, and smiles.
297 ÆäÀÌÁö - REMORSE is as the heart in which it grows : If that be gentle, it drops balmy dews Of true repentance ; but if proud and gloomy, It is a poison-tree, that pierced to the inmost Weeps only tears of poison ! Alv.
311 ÆäÀÌÁö - And sumless riches, from affection's deep, To pour on broken reeds— a wasted shower ! And to make idols, and to find them clay, And to bewail that worship — therefore pray!
287 ÆäÀÌÁö - But, speaking in language somewhat more appropriate, it is to follow the fluxes and refluxes of the mind when agitated by the great and simple affections of our nature.