Rambles and ReveriesJ.P. Giffing, 1841 - 436페이지 |
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4 페이지
... that peculiar grace which marks the creations of Guido . Happily , some of the most ancient vestiges of art discoverable at Ravenna , exist in the more durable form of mosaics . Several of the churches , but 4 A DAY AT RAVENNA .
... that peculiar grace which marks the creations of Guido . Happily , some of the most ancient vestiges of art discoverable at Ravenna , exist in the more durable form of mosaics . Several of the churches , but 4 A DAY AT RAVENNA .
88 페이지
... grace , and through the midst wound the Arno , gleaming in the morning sun . It is a curious feeling-- that with which we revisit an Italian city , familiar and endeared to our memory . There are none of those strik- ing local changes ...
... grace , and through the midst wound the Arno , gleaming in the morning sun . It is a curious feeling-- that with which we revisit an Italian city , familiar and endeared to our memory . There are none of those strik- ing local changes ...
89 페이지
... grace of womanhood . The artist whom I left toiling in obscurity , had received the reward of his self devotion ; fame and fortune had crowned his labors . The beggar at the corner looked as unchanged as a picture , but his moan of ...
... grace of womanhood . The artist whom I left toiling in obscurity , had received the reward of his self devotion ; fame and fortune had crowned his labors . The beggar at the corner looked as unchanged as a picture , but his moan of ...
110 페이지
... grace and rare invention he displayed , were as significant of talent to the admirers of art , in the fifteenth century , as the gifted limner exhibited on his canvas , or the statuary in his marble . His abilities were in constant ...
... grace and rare invention he displayed , were as significant of talent to the admirers of art , in the fifteenth century , as the gifted limner exhibited on his canvas , or the statuary in his marble . His abilities were in constant ...
129 페이지
... grace and modesty struggled with a vivid conception of the part she was representing -- you cannot wonder that a hallow of romance was thrown around the person of my idol . I never saw her but as the personator of virtue . No other ...
... grace and modesty struggled with a vivid conception of the part she was representing -- you cannot wonder that a hallow of romance was thrown around the person of my idol . I never saw her but as the personator of virtue . No other ...
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admiration affection amid ancient artist associations awaken bard beautiful beneath Bologna breath calm character Charles Lamb charm cherished cholera Corso Donati deep delightful destiny devoted displayed Elia eloquent essays essays of Elia excited expression eye-language faith fame fancy favorite feeling Florence flowers gaze genius Genoa Goldsmith grace hair happy heart honor hour human humor idea imagination impression influence inspiration interest Italian Italy Lamb less light literary literature look manner memory ment mind moral mountains muse native nature never night noble observation Palermo passed passion peculiar pet-notions Petrarch picture pietra dura Pisa pleasure poems poet poetical poetry Pope present Ravenna remarkable rich Rimini San Marino scarcely scene seemed sentiment Shelley Shelley's Sicily singular smile soon soul spirit sweet sympathy talent taste Thespis things thought tion touching true truth Turin Tuscany Vaucluse wonder writing young youth
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300 페이지 - Though I should gaze for ever On that green light that lingers in the west: I may not hope from outward forms to win The passion and the life, whose fountains are within.
376 페이지 - Alack, there lies more peril in thine eye Than twenty of their swords : look thou but sweet, And I am proof against their enmity.
228 페이지 - Kent. Vex not his ghost. O, let him pass! He hates him That would upon the rack of this tough world Stretch him out longer.
267 페이지 - Tho' they may gang a kennin wrang, To step aside is human : One point must still be greatly dark, The moving Why they do it ; And just as lamely can ye mark, How far perhaps they rue it. Who made the heart, 'tis He alone Decidedly can try us, He knows each chord its various tone, Each spring its various bias : Then at the balance let's be mute, We never can adjust it ; What's done we partly may compute, But know not what's resisted.
252 페이지 - The breath whose might I have invoked in song Descends on me; my spirit's bark is driven, Far from the shore, far from the trembling throng Whose sails were never to the tempest given; The massy earth and sphered skies are riven! I am borne darkly, fearfully, afar; Whilst burning through the inmost veil of Heaven, The soul of Adonais, like a star, Beacons from the abode where the Eternal are.
287 페이지 - But for those first affections, Those shadowy recollections, Which, be they what they may, Are yet the fountain-light of all our day, Are yet a master-light of all our seeing; Uphold us, cherish, and have power to make Our noisy years seem moments in the being Of the eternal Silence...
271 페이지 - I saw her upon nearer view A spirit, yet a woman too ! Her household motions light and free, And steps of virgin liberty ; A countenance in which did meet Sweet records, promises as sweet ; A creature not too bright or good For human nature's daily food : For transient sorrows, simple wiles, Praise, blame, love, kisses, tears, and smiles.
297 페이지 - REMORSE is as the heart in which it grows : If that be gentle, it drops balmy dews Of true repentance ; but if proud and gloomy, It is a poison-tree, that pierced to the inmost Weeps only tears of poison ! Alv.
311 페이지 - And sumless riches, from affection's deep, To pour on broken reeds— a wasted shower ! And to make idols, and to find them clay, And to bewail that worship — therefore pray!
287 페이지 - But, speaking in language somewhat more appropriate, it is to follow the fluxes and refluxes of the mind when agitated by the great and simple affections of our nature.