Rambles and ReveriesJ.P. Giffing, 1841 - 436ÆäÀÌÁö |
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... 316 MISCELLANY . The Bachelor Reclaimed , 357 Hair , 364 Eye - Language , 371 Art and Artists , 383 The Weather , 400 Manner , 408 Pet - Notions , 416 Loiterin 421 Broad Views , 431 SKETCHES . A DAY AT RAVENNA . Shall we go vi CONTENTS .
... 316 MISCELLANY . The Bachelor Reclaimed , 357 Hair , 364 Eye - Language , 371 Art and Artists , 383 The Weather , 400 Manner , 408 Pet - Notions , 416 Loiterin 421 Broad Views , 431 SKETCHES . A DAY AT RAVENNA . Shall we go vi CONTENTS .
10 ÆäÀÌÁö
... manners and demean the characters of our day , we must sometimes lament , that if the ignorance and barbarism of more warlike times have departed , so has also much of their high and almost uni- versal spirit of honor , gallantry and ...
... manners and demean the characters of our day , we must sometimes lament , that if the ignorance and barbarism of more warlike times have departed , so has also much of their high and almost uni- versal spirit of honor , gallantry and ...
66 ÆäÀÌÁö
... manner . Servile imitation frequently supersedes originality . He ponders the works of the old masters too often , only to adopt certain of their peculiarities , instead of being quickened to put forth what is characteristic in himself ...
... manner . Servile imitation frequently supersedes originality . He ponders the works of the old masters too often , only to adopt certain of their peculiarities , instead of being quickened to put forth what is characteristic in himself ...
75 ÆäÀÌÁö
... manner so perceptible above the child - like demeanor of girlhood . Her dark hair lay half unloosed around one of the sweetest brows , and relieved the rich bloom of her complexion , as she dozed , unconscious of the admi- ring gaze of ...
... manner so perceptible above the child - like demeanor of girlhood . Her dark hair lay half unloosed around one of the sweetest brows , and relieved the rich bloom of her complexion , as she dozed , unconscious of the admi- ring gaze of ...
80 ÆäÀÌÁö
... manner . He appeared to consider himself the passive creature of a higher power , and deemed it the part of true wisdom to fulfil the requisite functions of nature , and , for the rest , take things as they came , nor attempt to stem ...
... manner . He appeared to consider himself the passive creature of a higher power , and deemed it the part of true wisdom to fulfil the requisite functions of nature , and , for the rest , take things as they came , nor attempt to stem ...
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admiration affection amid ancient artist associations awaken bard beautiful beneath Bologna breath calm character Charles Lamb charm cherished cholera Corso Donati deep delightful destiny devoted displayed Elia eloquent essays essays of Elia excited expression eye-language faith fame fancy favorite feeling Florence flowers gaze genius Genoa Goldsmith grace hair happy heart honor hour human humor idea imagination impression influence inspiration interest Italian Italy Lamb less light literary literature look manner memory ment mind moral mountains muse native nature never night noble observation Palermo passed passion peculiar pet-notions Petrarch picture pietra dura Pisa pleasure poems poet poetical poetry Pope present Ravenna remarkable rich Rimini San Marino scarcely scene seemed sentiment Shelley Shelley's Sicily singular smile soon soul spirit sweet sympathy talent taste Thespis things thought tion touching true truth Turin Tuscany Vaucluse wonder writing young youth
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300 ÆäÀÌÁö - Though I should gaze for ever On that green light that lingers in the west: I may not hope from outward forms to win The passion and the life, whose fountains are within.
376 ÆäÀÌÁö - Alack, there lies more peril in thine eye Than twenty of their swords : look thou but sweet, And I am proof against their enmity.
228 ÆäÀÌÁö - Kent. Vex not his ghost. O, let him pass! He hates him That would upon the rack of this tough world Stretch him out longer.
267 ÆäÀÌÁö - Tho' they may gang a kennin wrang, To step aside is human : One point must still be greatly dark, The moving Why they do it ; And just as lamely can ye mark, How far perhaps they rue it. Who made the heart, 'tis He alone Decidedly can try us, He knows each chord its various tone, Each spring its various bias : Then at the balance let's be mute, We never can adjust it ; What's done we partly may compute, But know not what's resisted.
252 ÆäÀÌÁö - The breath whose might I have invoked in song Descends on me; my spirit's bark is driven, Far from the shore, far from the trembling throng Whose sails were never to the tempest given; The massy earth and sphered skies are riven! I am borne darkly, fearfully, afar; Whilst burning through the inmost veil of Heaven, The soul of Adonais, like a star, Beacons from the abode where the Eternal are.
287 ÆäÀÌÁö - But for those first affections, Those shadowy recollections, Which, be they what they may, Are yet the fountain-light of all our day, Are yet a master-light of all our seeing; Uphold us, cherish, and have power to make Our noisy years seem moments in the being Of the eternal Silence...
271 ÆäÀÌÁö - I saw her upon nearer view A spirit, yet a woman too ! Her household motions light and free, And steps of virgin liberty ; A countenance in which did meet Sweet records, promises as sweet ; A creature not too bright or good For human nature's daily food : For transient sorrows, simple wiles, Praise, blame, love, kisses, tears, and smiles.
297 ÆäÀÌÁö - REMORSE is as the heart in which it grows : If that be gentle, it drops balmy dews Of true repentance ; but if proud and gloomy, It is a poison-tree, that pierced to the inmost Weeps only tears of poison ! Alv.
311 ÆäÀÌÁö - And sumless riches, from affection's deep, To pour on broken reeds— a wasted shower ! And to make idols, and to find them clay, And to bewail that worship — therefore pray!
287 ÆäÀÌÁö - But, speaking in language somewhat more appropriate, it is to follow the fluxes and refluxes of the mind when agitated by the great and simple affections of our nature.