Tomorrow's EveUniversity of Illinois Press, 1982 - 222ÆäÀÌÁö "Take one inventive genius indebted to the friend who saved his life; add an English aristocrat hopelessly consumed with a selfish and spiritually bankrupt woman; stir together with a Faustian pact to create the perfect woman--and voilà! Tomorrow's Eve is served. Robert Martin Adams's graceful translation is the first to bring to English readers this captivating fable of a Thomas Edison-like inventor and his creation, the radiant and tragic android Hadaly. Adams's introduction sketches the uncompromising idealism of the proud but penurious aristocrat Jean Marie Mathias Philippe Auguste, Count Villiers de l'Isle-Adam, a friend and admired colleague of Charles Baudelaire, Stèphane Mallarmé, and Richard Wagner. Villiers dazzles us with a gallery of electronic wonders while unsettling us with the implications of his (and our) increasingly mechanized and mechanical society. A witty and acerbic tale in which human nature, spiritual values, and scientific possibilities collide, Tomorrow's Eve retains an enduring freshness and edge." --Descripción del editor. |
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Menlo Park | 7 |
Phonographs Papa | 8 |
The Lamentations of Edison | 9 |
Sowana | 11 |
A Summary Soliloquy | 13 |
Mysterious Sounds | 14 |
A Dispatch | 15 |
The Dreamer Touches a Dream Object | 17 |
Serious Sides of Light Adventures | 106 |
The Shadow of the Upas Tree | 110 |
Danse Macabre | 117 |
Exhumation | 119 |
Honi Soit Qui Mal Y Pense | 122 |
Dazzlement | 124 |
Hadaly | 127 |
First Appearance of the Machine in Humanity | 129 |
Retrospective | 19 |
Snapshots of World History | 21 |
Lord Ewald | 24 |
Alicia | 28 |
Shadows | 30 |
How Substance Changes with Form | 32 |
Analysis | 34 |
Hypothesis | 36 |
Dissection | 39 |
Confrontation | 44 |
Remonstrations | 47 |
The Pact | 51 |
White Magic | 53 |
Security Measures | 56 |
Apparition | 57 |
Preliminaries to a Miracle | 59 |
Amazement | 64 |
Excelsior | 65 |
Of the Swiftness of Scholars | 72 |
Time at a Stop | 74 |
Ambiguous Pleasantries | 78 |
Cosi Fan Tutte | 85 |
Chivalric Discourse | 86 |
The Trail Divides | 87 |
An Underground Eden | 89 |
Easy is the Descent into Avernus | 91 |
Enchantments | 92 |
Birdsongs | 93 |
God | 94 |
Electricity | 96 |
The Secret | 101 |
Miss Evelyn Habal | 103 |
Nothing New Under the Sun | 134 |
Walking | 139 |
The Eternal Female | 143 |
Equilibrium | 144 |
Something Striking | 147 |
I Am Black but Comely | 149 |
Flesh | 150 |
Rosy Mouth Pearly Teeth | 153 |
Urania | 155 |
The Eyes of the Spirit | 157 |
Physical Eyes | 159 |
Hair | 161 |
Epidermis | 162 |
And There Was Shadow | 167 |
Dinner with the Magician | 169 |
Suggestion | 172 |
The Price of Fame | 182 |
A Night of Eclipse | 187 |
The Androsphinx | 193 |
Figures in the Night | 194 |
Struggles with the Angel | 196 |
Angelic Aid | 198 |
Revolt | 201 |
Incantation | 202 |
Night Idyll | 203 |
Penseroso | 204 |
Expeditious Explanations | 208 |
Farewells | 216 |
Fate | 218 |
Villiers Epigraphs | 220 |
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able already Android appearance arms asked beauty become believe body called charm closed completely continued course creature cried dark dear doubt dream earth Edison electric engineer entire everything existence experiment expression eyes face fact feel flower give glance glass going Hadaly hand head hear heart human idea ideal illusion imagine it's kind lady least leave light living looked Lord Ewald lost matter means mind Miss Alicia Clary moment murmured mysterious nature never night once Park passed perhaps person possible presence question raised reality reason remained replied rings secret seemed sense shadow silence simply single smile sort soul sound speak spirit surprise talking tell thing thought thousand touched true turned understand various veil Villiers voice woman women young
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xvii ÆäÀÌÁö - In a final memorable sentence he asserted that the pope and the church "neither can be nor ought to be reconciled with progress, liberalism, and modern civilization.
3 ÆäÀÌÁö - Thus, the EDISON of the present work, his character, his dwelling, his language, and his theories, are and ought to be at least somewhat distinct from anything existing in reality. Let it be understood, then, that I interpret a modern legend to the best advantage of the work of Art-metaphysics that I have conceived; and that, in a word, the hero of this book is above all "The Sorcerer of Menlo Park," and so forth— and not the engineer, Mr.