English Verse: Voice and Movement from Wyatt to Yeats, 2±ÇCambridge U.P., 1967 - 324ÆäÀÌÁö Every poet has a characteristic tone of voice, and his own rhythm. The author's chief interest is this 'sound poems make in the head', and his particular gift is to help us to hear what is going on in the individual poem, and to catch the poet's individuality. We also hear how each poet develops the forms his predecessors have used. In this way, we move from a consideration of single voices to the development of particular forms (like the couplet or blank verse) and the characteristics of whole periods. This book, then, has several uses. While verse as sound is its main concern, it can be read as an introductory history of English verse from the sixteenth to the twentieth century. Since the author quotes generously, he also provides as he goes along an unhackneyed anthology in chronological order. In addition, he comments in detail on many of the poems, so that the book is a demonstration of the methods and uses of practical criticism. |
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100 ÆäÀÌÁö
... follow it . Milton has a number of favourite tunes which you will soon get to recognize , and he never allows the ear to get too bewildered ; he comes back every now and then to lines of stately and sonorous regularity : Of Dulcet ...
... follow it . Milton has a number of favourite tunes which you will soon get to recognize , and he never allows the ear to get too bewildered ; he comes back every now and then to lines of stately and sonorous regularity : Of Dulcet ...
102 ÆäÀÌÁö
... follows next , should be compared with the speech of Comus and also with the passage in the beginning of the masque which contains the lines . The Sounds , and Seas with all their ... follow the first chapter of Genesis 102 ENGLISH VERSE.
... follows next , should be compared with the speech of Comus and also with the passage in the beginning of the masque which contains the lines . The Sounds , and Seas with all their ... follow the first chapter of Genesis 102 ENGLISH VERSE.
286 ÆäÀÌÁö
... fóllow ' , ' tédious ' and ' árgument ' . ' Streets that follow ' equals ' like a patient ' , and ' tedious argument ' makes a pattern like ' patient etherised ' . Back to two beats , and then a regular eleven syllable five stressed ...
... fóllow ' , ' tédious ' and ' árgument ' . ' Streets that follow ' equals ' like a patient ' , and ' tedious argument ' makes a pattern like ' patient etherised ' . Back to two beats , and then a regular eleven syllable five stressed ...
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Blank Verse | 25 |
The Seventeenth Century | 58 |
The Eighteenth Century | 117 |
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